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I was the music editor on "Breaking In" the experience of working with Bill Forsyth was one of the highlights of my long career. I just wish everyone could see the Director's cut. It was head-and-shoulders above the release edit. It was a very strange hybrid...John Sayles and Bill Forsyth - produced by Sam Goldwyn Jr. I'll never forget the day when Bill got yet another huge list of changes Goldwyn wanted - at the end of the list he asked Bill to respond to the changes he wanted - and also asked Bill(who is a Scot) to recommend a single malt whiskey for a party he was having. Bill sent a case of whiskey to Goldwyn with a note saying "This should answer both of your questions" The name of the whiskey was "KNOCKANDHU" !

"Breaking In" is a very forgettable Burt Reynolds comedy. For a really great Reynolds chuckles film rent "The End". This one falls flat, with just one caper after another, it is very redundant. Not much can be said about the two main characters either. Both fail to elicit sympathy, and in fact Casey Siemaszko as the thief apprentice comes across as more stupid than sympathetic. The ending feels so tacked on, it is bewildering. It is also very unsatisfying, which is not a good way to end what has already been a tedious film experience. Not recommended, even for Burt Reynolds fans.................................. - MERK

Burt Reynolds broke out of his leading man pigeonhole to attempt, for once, a more believable role, playing a middle-aged, low-rent burglar who enlists the help of a dumb but loyal grease monkey and then proceeds to give him lessons in both larceny and life. There are a few heists along the way, but this is more a character study than a caper film, and it works in large part because of the rapport and timing between Reynolds and his blue collar sidekick Casey Siemaszko. Both characters are losers, and it might be argued that losers make more engaging heroes, perhaps because they're easier to identify with. In the spirit of earlier Bill Forsythe films it's a slim but disarming comedy, with an extra measure of depth in the canny screenplay by John Sayles, as always the working man's champion, who along the way makes some minor but interesting points about the haves and the have-nots.

Even though I appreciate Burt's bombastic,snide,cocky,gum chewing persona of old it was fun seeing him as vulnerable and pragmatic. I love caper movies and even though this one is tongue-in-cheek it is quite entertaining. I especially love the cat-burglar genre. Siemaszcko does a nice job of combining the youthful and arrogant with the need for those "coming up" to learn from a mentor. The movie doesn't take itself seriously but provides a good relationship story. Alot of fun if you just let it happen to you without analyzing every aspect. If you liked Siemaszcko in this check him out in Young Guns, and 3 o'clock high.

Often dubbed Burt Reynolds' big comeback (after a lackluster 1980s), though the term "comeback" really only applies to his choice of roles. Reynolds has always been a captivating actor, but his role selection hasn't always been stellar. In Breaking In, he teams up with pragmatic Scottish director Bill Forsyth and talented screenwriter John Sayles. Forsyth directs with a genuine interest in the choices people make in life, and Sayles creates a couple of sharp, engaging characters. Surrounded by solid material such as this, Burt, alongside the lively Casey Siemaszko, delivers a handful of standout, earnest scenes. Forsyth isn't aiming for groundbreaking conclusions here, but rather an intriguing character study - and that's exactly what this film is: an engaging piece of drama, with just the right dose of humour.

In "Breaking In" Reynold's plays a platitude spouting, aging small time independent safecracker who happens upon a young upstart while on a job, takes him under his wing, and teaches him his trade. A lukewarm comedy which does little more than show us the day to day vicissitudes of the safemen, this flick has little to offer save some mildly humorous moments before an unsatisfying conclusion. Okay for sofa spuds and Reynolds' fans. (C+)

Many critics hailed this as Burt Reynold's comeback, but audiences (including myself) didn't. While the first 12 minutes were ok, the story drags on and on. In particular, the previews make you believe its a comedy. So how hard does the writer of this movie try in making us laugh? When are character Mike (Casey Siemaszko)is in bed with a hooker she recites a poem she wrote directed toward his balls! (HA HA) Bad humor and bad writing.

I remember seeing this little film in the theater. It was a second run theater and this was the second part of a double feature with "The Abyss" which I had actually gone to see. I stuck around for this, not expecting much as Burt reynolds didn't have much a career going at this point. Boy, was I surprised! This film is a gem. A low-key comedy, where the humor doesn't come from gross-out belly laughs but from characters we can relate to. It was such a treat to see Reynolds shelve his tough-guy, trans-am persona and tackle a character role, showing warmth and depth akin to his work in Boogie Nights. I admit to a fondness for "caper" movies, and while this one fits the bill, it's not quite as clever in that department as some others, but this movie isn't about being clever, it's about people and how they relate to each other, even in the realm of burglars. If you haven't seen this, it's well worth renting.

What makes this buddy crime comedy work rests essentially on it's sympathetic characters. Delivered here in traditional veteran/rookie fashion,the story paces along steadily as young and endearingly misguided Mike (Siemaszko) is given life lessons in the art of safe cracking by world-weary professional Earl (Reynolds). The chemistry between the two leads allows for cleverly-conceived comedic scenes to shine forth beautifully. From the moment of their initial accidental meet-up, you are instantly hooked. The film's best quality though is it's ironic approach to burglary, for Earl talks of "The Job" as though it were a viable career option! This is Sayles' savvy screenplay technique undoubtedly shining through. Guided by Forsyth's refined direction, this comedy never veers into slapstick, distinguishing it from the later inferior 'Safe Men'. It never strives to be what it isn't, and so it rarely disappoints. A similarly-styled, yet darker film worthy of viewing is Saul Rubinek's 'Jerry and Tom'.

Rating: 3 1/2 out of 5 stars

Burt Reynold's was one of the greats. "Breaking In" is not his last movie but it is the last of the great ones. Burt gives a terrific performance. Casey Siemaszko is just as good. Both of them deserved Oscar nominations for this movie. "Breaking In" is a lot of fun. I first saw this movie in the theater. I've seen it a bunch of times since. It never fails to hit the spot.

Burt Reynolds successfully ends a rather slow 1980's with a surprisingly good character part in this 1989 Samuel Goldwyn Pictures release. He portrays a veteran professional thief and safecracker who teaches a young novice how to be like him. Amusing crime caper.

"Breaking In" is a sweet jewel of a film.

It is the story of a career safe cracker(Burt Reynolds) who takes on an apprentice(Casey Siemaszko) and the very odd relationship that takes place between the characters played brilliantly by both Burt and Casey. Reynolds character Ernie is mentor to Casey's character Mike. They pull off a series of "Break Ins" with unexpected results which bring a laugh and a cry.

Film Watchers will be happy, because of the great cast and with how the old adage:

"We all have a little larceny in our blood" is perfectly depicted.

Makes you think...

Burt Reynolds has had a very shaky career. Truth be told he has made far more bad movies than he has good movies. I personally believe it is because of very poor choices, such as , lame cop movies, smokey and the bandit sequels and both cannonball run flicks. However, amongst the very large pile of "ruff" this movie is a real diamond. His character of "Earnie", the gruff but lovable experienced thief taking a young naive kid under his wing trying to teach him the ropes and tricks of the trade is done with such subtle depth by Reynolds, that it caught me completely and delightfully offgaurd. When you think about it, this was not a big budget movie and Burt gives a fantastic performance just like he does in "Boogie Nights", which is also not a big budget film. Yet when it is a huge budget movie, Reynolds tends to give rather unispired and perfunctory performances. Maybe he should stick with these indie flicks more often.

Breaking In (1989)

3.5/4

'Breaking In' was billed as a late comeback for the legendary Burt Reynolds in the late 1980's. The movie seems just that; Reynolds was in a real slump in the 80's; it's like he almost became a parody of himself. Bad action films, horrible comedies, etc. (To be fair, he did have some redeeming films in the early 80's; but one too many Cannonball movies killed him). Before the 80's, Reynolds had shown that he had some kind of acting charisma in him; Deliverance is a great example, it's a real performance that particularly stands out in a thoughtfully disturbing action thriller. 'Breaking In' is almost as good of a performance.

In the movie, Reynolds plays a veteran bank robber who is performing a con, while a rookie (Casey Siemaszko) breaks into the same house; it doesn't take long for them to figure out their own professions. As they get to know each other, they start to form a partnership. I won't say what happens next, but judging from their professions, I'm sure you can guess. Now, I have to say; a real chemistry forms between Reynolds and Siemaszko, and you start to care for them. It certainly helps that the film is constantly entertaining and intelligently directed. It's a charmingly well acted small dramatic vehicle for Reynolds, and it's the kind of role you wouldn't expect him to take. 'Breaking In' is by no means a perfect film, but a hidden gem; I believe it's one of Reynolds's best.

Pardon my pun above, but if there's any reason at all to try and catch Breaking In, Burt Reynolds is the main reason. He underplays Ernie, a veteran safe cracker who goes about his business being low key and certainly not flashy at all. He winds up teaming up with a youngster named Mike, played by Casey Siemaszko, who rejuvenates Ernie and he hires him as an apprentice for odd jobs cracking safes. The first half of the forgotten film is the better half because of Reynolds' performance as the aging thief, and is both sympathetic and funny, especially the scenes he's teaching Mike the ropes. It's unfortunate Burt passed up on many good movie roles because the man can act. Anyhow, the latter half of Breaking In revolves around how flashy Mike has become with his cash rewards and his hooker/on and off girlfriend, which I thought slowed the film down a bit. I found Carrie annoying and uninteresting and rather selfish; not sure what Mike saw in her.

Watch this film mainly for Reynolds' performance, as he plays his role convincingly and develops decent chemistry with Mike. Siemaszko also plays his role well, but not quite up to par with his partner in crime.

One could easily accuse the late film star Burt Reynolds of having often wasted his time with substandard scripts. But sometimes, he *would* get a great role, and make the most of the situation. Here, he dials down his natural screen charisma a bit for his first real character role. Ernie is a veteran, expert thief plying his trade in an unnamed city. Then, one night, he and smalltime punk Mike (Casey Siemaszko) break into the same house. Handling himself with aplomb, Ernie later gives Mike half of his take, reasoning that it's "better to have a partner than a witness". Realizing the kids' potential, Ernie takes Mike under his wing, instructing him in the fine art of breaking into safes. But Mike is understandably still fairly immature, and starts spreading his ill-gotten gains around, arousing suspicions.

Two indie greats, screenwriter John Sayles ("Lone Star", "Eight Men Out", etc.) and filmmaker Bill Forsyth ("Local Hero") have fashioned an appealing combination of low-key character study and caper comedy. Forsyth displays a nice light touch, preventing the story from ever getting overly serious, and including some funny moments (like two guard dogs that don't seem to be very good at their jobs). Sayles' dialogue does have some great lines along the way, and the characters and their relationships are reasonably realistic; just as this amiable film never gets too glum, neither does it ever get too goofy.

The supporting cast features a number of familiar faces: Sheila Kelley (as the airhead hooker who becomes Mikes' girlfriend), Lorraine Toussaint, Albert Salmi (in his last feature film appearance), Harry Carey Jr., Maury Chaykin, Stephen Tobolowsky, and Alan Fudge. Siemaszko is definitely good as Mike, really selling his characters' youthful naivety and willingness to learn, but it's Reynolds who provides the true emotional centre of "Breaking In". It's too bad he didn't get more roles of this caliber.

Well-made and well-paced, this features a great score by Michael Gibbs, and doesn't go on any longer than it really should.

Eight out of 10.

After a string of good but neglected action flicks as a character either a decade younger or else acting that way, Burt Reynolds plays a professional safe cracker at sixty-one while in his early fifties: a smooth, experienced veteran of life, and without a distracting toupee: in fact Burt's Ernie Mullins is both gray-haired and slightly balding...

Overall his performance is a non-performance, natural and laidback, perfect for LOCAL HERO director Bill Forsyth, making this another hangout indie, written by indie guru John Sayles and co-starring Casey Siemaszko as the young wannabe burglar who meets Ernie is one of many great sequences, seeming like connected short stories, each with a beginning, middle and end...

Which are the partnered-up heists/lessons-in-crime (that provides BREAKING IN a double-meaning), ranging from a suburban home to a grocery store to a roller rink and other quirky targets around Portland, Oregon, a town that, like the story, is subtle and parenthetical, paced like a European art film befitting the Scottish auteur...

And although young Casey occasionally overplays the naive dolt, he's a perfect fit for an old guy dying to discuss past crimes, and has made a semi-retirement out of taking risks that are never too suspenseful and yet, as a buddy comedy, the heists keeps the audience intrigued and always guessing.

The movie is a definite watchable and I agree with folks who say this was one of Burt Reynold's better movies. It may also be my one and only claim to fame in the movie world. I was working for General Electric when it was made (if this is the right movie) and provided technical assistance over the phone for a piece of equipment being used on the amusement park set. I saw the movie on TV a year later by chance and saw my name on the credits as it went up the screen (October 11th, 1990). Due to circumstances in my life at that time, I forgot the incident until 3 weeks later and could not remember the movie title. I've been looking for the movie for 20 years now that has my name in the credits, and I think this is it, but I rented it and there is no "technical assistance" category on the rental version. If anyone has knowledge of that category being in the original credits with three names in it, please, please contact me.