Aggiungi una trama nella tua linguaIn the near future, a human cop and his alien partner fight crime and discrimination in Los Angeles.In the near future, a human cop and his alien partner fight crime and discrimination in Los Angeles.In the near future, a human cop and his alien partner fight crime and discrimination in Los Angeles.
- Vincitore di 1 Primetime Emmy
- 2 vittorie e 1 candidatura in totale
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Recensioni in evidenza
It's 5 years after a disabled alien spaceship land in the Mojave desert. There are 250k alien slaves on board. The newcomers or derogatory called slags have settled into their new homes, mostly in southern California. Slave drivers called Overseers are rumored to have blended into the refugee population. Detective Matthew Sikes lost his partner to an alien gunman. He is assigned newcomer Detective George Francisco, the first in the LAPD. The Franciscos move into the suburbs and face varying discrimination. Salt water hurts them and sour milk gets them drunk. Humans calling themselves Purists oppose the newcomers. The two species try to overcome cultural differences as criminals on both sides take advantage of their new reality.
First, the pilot is compelling but overplays the discrimination aspect. They are literally burning a circle instead of a cross on the family lawn. The daughter's story works well and incorporates a nice new friend with the bullying story. The fountain story is too on the nose. The worst is Sikes firing his gun in the air like Martin Riggs going half-pretend-crazy during the school demonstration. Somebody really overplays the script. Then there is the rebel son. The rebellion is fine but the killing lays a deadly landmine for future episodes.
The story promptly steps into it by catching the boy but somehow gets the equivalent of probation. It's the weirdest of rewrites. I guess the writers had no way of writing out of that predicament. It's the last major misstep. There are little questionable aspects like how the Overseers have a mark on their wrists. It seems like an easy to identify them. The show does find its footing. The relationships are compelling. I would give more time with the family. The daughter doesn't have enough screen time. This is a police drama and the school has no place in the show. The captain is a weak character but worst, he's played by a weak actor. Despite any shortcomings, the show worked for the most part and should have been renewed except for troubles at the network.
First, the pilot is compelling but overplays the discrimination aspect. They are literally burning a circle instead of a cross on the family lawn. The daughter's story works well and incorporates a nice new friend with the bullying story. The fountain story is too on the nose. The worst is Sikes firing his gun in the air like Martin Riggs going half-pretend-crazy during the school demonstration. Somebody really overplays the script. Then there is the rebel son. The rebellion is fine but the killing lays a deadly landmine for future episodes.
The story promptly steps into it by catching the boy but somehow gets the equivalent of probation. It's the weirdest of rewrites. I guess the writers had no way of writing out of that predicament. It's the last major misstep. There are little questionable aspects like how the Overseers have a mark on their wrists. It seems like an easy to identify them. The show does find its footing. The relationships are compelling. I would give more time with the family. The daughter doesn't have enough screen time. This is a police drama and the school has no place in the show. The captain is a weak character but worst, he's played by a weak actor. Despite any shortcomings, the show worked for the most part and should have been renewed except for troubles at the network.
Having grown up in a household where Science Fiction was Dad's staple, I never really picked up on it, preferring more real-life drama. Having said that, this show is about the top of the line for TV scifi. The characters are believable, fully developed and imperfect.The acting is top-flight, and the stories, mostly carrying a message, are not overly burdened or preachy. The culture, habits, language, slang of the Aliens is presented in a matter-of-fact manner. Other than Heinlen or Finney, this is about the best scifi I've come across. And I don't like scifi.
We're currently watching this on Roku's Dust channel (October of 2019). Full series, over 17 hours. Excellent science fiction based on the movie from 1988. Probably a little better than the movie (which is unusual for a TV series). Cancelled too early. This should have run at east a couple more seasons.
Strong characters. Tight scripts. Storylines that blend science fiction, drama and humor with a little bit of alien sexiness thrown in. Sometimes the animosity between the two main characters is pushed. They can go from being close comrades one moment to arguing about food or odors the next. But this is definitely forgivable.
Look for Lori Petty in a great role in an early episode.
Strong characters. Tight scripts. Storylines that blend science fiction, drama and humor with a little bit of alien sexiness thrown in. Sometimes the animosity between the two main characters is pushed. They can go from being close comrades one moment to arguing about food or odors the next. But this is definitely forgivable.
Look for Lori Petty in a great role in an early episode.
Capitalizing on the success and popularity of the movie, this series used many of the same plot devices and dynamics, yet eventually found a footing of its own. The aliens were in effect the "newcomers" or latest immigrants to the US that society was now compelled to absorb. Many of the episodes centered around what one would expect for any immigrants; settling in, retaining one's own culture, defining a new identity etc. At the same time, there was the "other-worldly" aspect (visible from the appearance of the aliens) which kept the viewers learning about their past little by little. On top of this, the show actually dealt with sub-themes of aging, sexuality (even homosexuality in one episode), caste-system, human (or alien) trafficking and other topics that are even relevant for today. Though short-lived, it really is worth watching.
This series is fantastic! I do not understand why it only lasted one season. It gave us so many insights into the relationships between people of all "races". It allowed us to see the pain of "inter-species" relationships and the acceptance of beings "different" from us. As the series unfolded, it was uplifting to see how people can overcome their differences to get along and thrive on earth. There are so many lessons that we can ALL learn from this series. We can get along in peace and harmony.
Lo sapevi?
- QuizDuring the opening credits, we hear alien lyrics being sung: "E take nas naj...nah sus gah nilpa." This is actually the names of producer Kenneth Johnson's wife and daughter (Katie Johnson and Susan Appling Johnson) sung backwards. In fact, most of the alien language was in fact backwards English, which helped to keep gramatical rules intact. Other inspiration for the language came from Russian, as well as nonsensical and made-up words.
- Citazioni
Susan Francisco: Are you always this pissy when you're conducting an investigation?
Detective George Francisco: Susan, I believe "pissy" is a vulgar word.
Susan Francisco: Really? Gee, I hear it used all the time.
- ConnessioniFeatured in The Chronic Rift: SF Shows That Flopped (1990)
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