Nel 1988, la Terra stabilisce il primo contatto con una civiltà aliena. Nel 1991, questi alieni, noti come "I Nuovi Arrivati", iniziano lentamente a integrarsi nella società umana dopo tre a... Leggi tuttoNel 1988, la Terra stabilisce il primo contatto con una civiltà aliena. Nel 1991, questi alieni, noti come "I Nuovi Arrivati", iniziano lentamente a integrarsi nella società umana dopo tre anni di quarantena.Nel 1988, la Terra stabilisce il primo contatto con una civiltà aliena. Nel 1991, questi alieni, noti come "I Nuovi Arrivati", iniziano lentamente a integrarsi nella società umana dopo tre anni di quarantena.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 4 candidature totali
- Quint
- (as George Jenesky)
- Capt. Warner
- (as Frank McCarthy)
Recensioni in evidenza
This is actually a very simple buddy cop movie. They don't get along until they start getting along. The bad guy is literally a drug lord. The problem for so many people seems to be that they're expecting something else. I really like the idea of the alien being incorporated into society. It doesn't mean that all of a sudden the world has flying cars. It is in the everyday things that is interesting. It is what they eat, what they drink and what jobs they get. That's what this movie is doing.
I saw this movie in a dimly-lit, run-down Detroit-area theater at the age 14, an afternoon in the fall of 1988. I recall how the "atmosphere" of the movie matched that of the run-down theater I was sitting in. At 14, and with the title of "Alien Nation", a young kid like myself wanted to see weird alien creatures and lots of action. At the time, I was disappointed. This movie is about story, not action or weird aliens. Although I didn't really understand nor enjoy the movie at the time, it always stuck with me for some reason. So, nearly 18 years after seeing it on the silver screen, I re-watched it at home and was amazed by the depth of the story and the grittiness of the background. It was little wonder why I didn't like it at 14, but loved it at 32.
This story is really about race and immigration, with the hated race being alien immigrants. It shows how hatred and ignorance over race can transform one's personality, like the lead character played by James Caan.
Alien Nation asks questions about ourselves as humans. How would we react if aliens landed on Earth and announced they were escaping a brutal planet full of slavery and have immigrated to Earth? Would we accept them as our own, or would we force them to become outcasts? Would we allow an "Affirmative Action" scenario in regards to Aliens and Alien rights? Would we offer them high-paying jobs and/or top-notch education, depriving humans of those same jobs and quality education in exchange? To me, Alien Nation is one of the more possible (and perhaps likely) scenarios. Aliens delegated to run-down areas of big cities. Token jobs occasionally handed out because it's forced by the Government to do so. And a general disgust towards Aliens amongst the human population. In that regard, this movie was way ahead of the curve.
Great movie. 9 out of 10 stars. Recommended for those over 25, perhaps those with a higher intellect than most. Not recommended for someone looking for a "Men In Black" type of Alien movie. Not your typical Hollywood blockbuster filled with Aliens, that's for sure.
IMDb ROCKS!
JD
The casting in the film was rather perfect, with the subdued Mandy Patinkin playing Francisco while the normally hotheaded James Caan got his licks as a racist cop named Sykes. Either way, their polar opposites worked perfectly in the film, showing a growing bond between the two as they shook off their differences and made a rather capable team. What I especially liked was how each player sincerely became their character, which is something that is pretty rare in many sci-fi films. While I do wish the movie was a little longer and put some more scenes of George integrating into his new position at the beginning, the film was good as it was.
Alien Nation proved to be one of the last good non-CGI sci-fi films. While Gattica is one of the few films that followed this ideal, at least we can look back at the genre before it became nothing more than an excuse to show off pretty effects.
Mandy Patinkin is great here, conveying the idea of an outsider who is not totally familiar with his new environment. James Caan is fine, but doesn't seem committed to the film, and his performance is a bit uneven. Terence Stamp is hurt by his makeup, as his face is one of his greatest strengths as an actor. Much of his characters come from his facial expressions and the makeup inhibits this.
The story is a bit cliched, but the sci-fi gloss keeps things from falling flat. The tv series was better able to explore the racial allegory, as the film just doesn't have enough screen time. The mystery component is pretty much standard fare. If you look beyond the surface of this film, there are some worthwhile ideas here. They just get a bit lost in the "cop" trappings.
Lo sapevi?
- QuizSam Francisco (Mandy Patinkin) was originally going to be named George Jetson, but Hanna-Barbera wouldn't give the rights to the name. The decision to call his character "George" in the movie was kept as an in-joke to the George Jetson character name.
- BlooperWhen George is hanging outside the helicopter, above the water surface, he should be screaming in pain since the rotor-blades would whip up a pretty dense cloud of seawater, thus he would be injured since his race is extremely sensitive against seawater, as pointed out by Joshua Strader, and William Harcourt in the end scene, their bodies react to it as we would to sulfuric acid, as referenced in the movie.
- Citazioni
[after hearing some derisive comments about Sykes partner avoiding the beach]
Det. Sgt. Matthew Sykes: Why don't you try standing next to an ocean of hydrochloric acid and see how well you surf.
- Versioni alternativeIn UK cinemas, 2 versions were shown in different cinemas. In some cinemas, certain Newcomer native dialogue was subtitled into English and in others it was not. This happens most notably in the scene where George and the morgue attendant discuss the Newcomer corpse and recognise aspects of the body as representing the drug addiction. Also a short dialogue between Harcourt and Kipling after Harcourt first meets George and Matt where Kipling tells Harcourt that Sykes was the policeman in the shootout at the film's opening.
- Colonne sonoreYou've Really Got a Hold on Me
Written by Smokey Robinson (as William Robinson)
Performed by Smokey Robinson & The Miracles (as Smokey Robinson and The Miracles)
Courtesy of Motown Record Company, L.P.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Alien Nation - Nazione di Alieni
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 16.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 25.216.243 USD
- Fine settimana di apertura Stati Uniti e Canada
- 8.421.429 USD
- 10 ott 1988
- Lordo in tutto il mondo
- 32.155.047 USD
- Tempo di esecuzione1 ora 31 minuti
- Colore
- Proporzioni
- 2.35 : 1