VALUTAZIONE IMDb
4,8/10
3373
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaCollege students check out a haunted house where in the 1800's an ugly monster called "the Unnamable" was trapped in a vault.College students check out a haunted house where in the 1800's an ugly monster called "the Unnamable" was trapped in a vault.College students check out a haunted house where in the 1800's an ugly monster called "the Unnamable" was trapped in a vault.
- Regia
- Sceneggiatura
- Star
Charles Klausmeyer
- Howard Damon
- (as Charles King)
Recensioni in evidenza
Students from Miskatonic University pay a visit to an abandoned old house that, as legend has it, was once home to a creature so ugly that it was dubbed 'The Unnamable'. Surprise, surprise... the monster is still there, trapped by a magic spell cast by its father, and it's not a happy bunny!
After the success of Re-animator and From Beyond, H. P. Lovecraft was hot property. The Unnamable is based one of the horror author's short stories, which is padded out to feature length by lots of aimless wandering around the film's spooky house by the protagonists. The filler material is rather pedestrian, but director Jean-Paul Ouellette livens things up sporadically with some gnarly gore (best moments: a juicy torn throat, and a mangled body falling to the floor, brains spilling from its open cranium) and a spot of nudity (courtesy of Laura Albert, as freshman hottie Wendy), all guaranteed to keep the audience watching until the final reveal of the monster, which looks a lot better than I had expected given how long it had remained hidden: with vicious fangs, wings, and horns, and a natty pair of cloven Ugg boots for good measure, it's a creepy looking creature that is worth the wait.
The fun ending sees bookish student Randolph Carter (Mark Kinsey Stephenson) reading from the Necronomicon (which just happens to be lying around the house) to invoke tree spirits that defeat the monster, allowing fellow students Howard Damon (Charles Klausmeyer) and Tanya Heller (Alexandra Durrell) to escape from the house.
After the success of Re-animator and From Beyond, H. P. Lovecraft was hot property. The Unnamable is based one of the horror author's short stories, which is padded out to feature length by lots of aimless wandering around the film's spooky house by the protagonists. The filler material is rather pedestrian, but director Jean-Paul Ouellette livens things up sporadically with some gnarly gore (best moments: a juicy torn throat, and a mangled body falling to the floor, brains spilling from its open cranium) and a spot of nudity (courtesy of Laura Albert, as freshman hottie Wendy), all guaranteed to keep the audience watching until the final reveal of the monster, which looks a lot better than I had expected given how long it had remained hidden: with vicious fangs, wings, and horns, and a natty pair of cloven Ugg boots for good measure, it's a creepy looking creature that is worth the wait.
The fun ending sees bookish student Randolph Carter (Mark Kinsey Stephenson) reading from the Necronomicon (which just happens to be lying around the house) to invoke tree spirits that defeat the monster, allowing fellow students Howard Damon (Charles Klausmeyer) and Tanya Heller (Alexandra Durrell) to escape from the house.
This movie is scary at sometimes, but at other times it's gory. I just love the gore murders! They're pretty cool! You get a ripped-out throat, decapitated body, broken neck and more! See this film if you're looking for some gore!
I've often wondered why some authors like to primarily identify themselves with initials. In the case of H. P. Lovecraft, perhaps he foresaw how the future would be filled with substandard filmings of his writings, and it would be a way to distance himself from them! For a real cheapie, I guess it isn't bad; it's cheap, though less so than you'd think, and the monster design is passable. There are also some acceptable flesh-rippings and a decent amount of blood, at least in the unrated cut (the version I saw.) What it's really missing are characters we can bother to care about, and a tighter story with much more happening (including more explanation); don't be surprised if you find yourself picking up a book while you're watching it. I guess it must have found an audience, seeing how there was a sequel made several years later, but don't expect to read a user comment from me about it anytime in the future!
H.P Lovercraft's short story 'The Unnamable' is brought to the screen in a low-rent looking, small-scale production by first time writer/director Jean-Paul Ouellette. Maybe not as commanding as the likes of 'Re-Animator', 'From Beyond' and even 'Necronomicon', but Ouellette manages to invoke a twisted Gothic monster tale filled with menacing atmosphere and dripping with modest blood and gore. The latter actually surprised me how competently it was achieved, and the demon design is a horrifically creative design. Special effects/make-up artists R. Christopher Biggs and Camille Calvet did an excellent job, and I have healthy resume to back up their professional work.
Other than being quite graphic and stemming with eerily howling sound effects, the whole supernatural set-up for the story is quite conventionally light (little in the way of exploring the back-history and the climax is quite sudden) with the usual shocks and developments within an secluded rundown house that breathes spookiness. Really the premise's outline seemed more interesting than what Ouellette's execution could make of it, although the 90 minutes do breeze by with compact editing and the creaky roughness gives it some grit. Ouellette's systematic script is dramatically thin and strictly serious, save some dark humorous spots.
Legend has it that Joshua Winthrop kept in his family's house locked away his demon child that he and his wife were so ashamed about that called it 'the Unnamable'. It trying to keep it hidden, the creature turns on him and brutally murders him. Now in the present, students at the nearby Miskatonic College spend a night in the supposedly haunted house, which there only chance of survival rests on the open-mind of Randolph Carter.
Mark Kinsey Stephenson installs a brash, self-assured attitude to the Randolph Carter character, even though his screen time is limited it's always felt. While surrounding him are appealing turns by Charles Klausmeyer, Alexandra Durrell and Laura Albert.
David Bergeaud's racy, unhinged score is a shamble. One second it's nervously ominous then it changes to something playfully cute. Obviously these sudden shifts in the score were to match up to the moods of the characters/situation (from gruesome activities, suspense driven or humorous inclusion), but more often it felt forced upon. Ouellette's tightly staged handling relies on dim lighting with blue filtering to etch out an imposingly forlorn house and surroundings (like the graveyard) thanks to art director Ann Job. The demon is mainly kept hidden with sweeping POV shots, silhouette outlining, and glimpses of legs until we see it in full glory towards the end but what stays with you is constant high-pitch screaming it unleashes.
Nothing formidable, but acceptable 80s monster gruel.
Other than being quite graphic and stemming with eerily howling sound effects, the whole supernatural set-up for the story is quite conventionally light (little in the way of exploring the back-history and the climax is quite sudden) with the usual shocks and developments within an secluded rundown house that breathes spookiness. Really the premise's outline seemed more interesting than what Ouellette's execution could make of it, although the 90 minutes do breeze by with compact editing and the creaky roughness gives it some grit. Ouellette's systematic script is dramatically thin and strictly serious, save some dark humorous spots.
Legend has it that Joshua Winthrop kept in his family's house locked away his demon child that he and his wife were so ashamed about that called it 'the Unnamable'. It trying to keep it hidden, the creature turns on him and brutally murders him. Now in the present, students at the nearby Miskatonic College spend a night in the supposedly haunted house, which there only chance of survival rests on the open-mind of Randolph Carter.
Mark Kinsey Stephenson installs a brash, self-assured attitude to the Randolph Carter character, even though his screen time is limited it's always felt. While surrounding him are appealing turns by Charles Klausmeyer, Alexandra Durrell and Laura Albert.
David Bergeaud's racy, unhinged score is a shamble. One second it's nervously ominous then it changes to something playfully cute. Obviously these sudden shifts in the score were to match up to the moods of the characters/situation (from gruesome activities, suspense driven or humorous inclusion), but more often it felt forced upon. Ouellette's tightly staged handling relies on dim lighting with blue filtering to etch out an imposingly forlorn house and surroundings (like the graveyard) thanks to art director Ann Job. The demon is mainly kept hidden with sweeping POV shots, silhouette outlining, and glimpses of legs until we see it in full glory towards the end but what stays with you is constant high-pitch screaming it unleashes.
Nothing formidable, but acceptable 80s monster gruel.
I have heard some people say that H.P. Lovecraft's works are unfilmable. I guess that I would say that they did a worthy job with "The Unnamable", but aside from the fact that another movie with a grotesque monster's property getting invaded by horny teens seems a little silly, the people here can't really act (well duh; these movies don't star Katharine Hepburn). Particularly laughable is the line "You're very brave." And if you remember the rules laid out in "Scream", you can guess which people survive here.
So, this is pretty much a way to pass time. For better efforts at filming Lovecraft stories, there's "Die Monster Die!" and "The Dunwich Horror".
So, this is pretty much a way to pass time. For better efforts at filming Lovecraft stories, there's "Die Monster Die!" and "The Dunwich Horror".
Lo sapevi?
- QuizIt took nine hours to put Katrin Alexandre in all the creature make-up.
- BlooperWhen Bruce is running from the monster with Wendy, he pushes her in the room and keeps walking away which makes no sense, since there is no reason for the monster to follow him and not enter the room and attack Wendy.
- Versioni alternativeAvailable in both R and unrated versions.
- Colonne sonoreUP THERE
Written and Performed by Mark Ryder and Phil Davies
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Dettagli
Botteghino
- Budget
- 350.000 USD (previsto)
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By what name was La creatura (1988) officially released in India in English?
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