Aggiungi una trama nella tua linguaIn the year 2021, women have been enslaved by men, with their only hope for freedom lying in the hands of a nomadic band of maiden warriors. The maiden warriors Alee and Vera tap Marya and h... Leggi tuttoIn the year 2021, women have been enslaved by men, with their only hope for freedom lying in the hands of a nomadic band of maiden warriors. The maiden warriors Alee and Vera tap Marya and her hawk to help them.In the year 2021, women have been enslaved by men, with their only hope for freedom lying in the hands of a nomadic band of maiden warriors. The maiden warriors Alee and Vera tap Marya and her hawk to help them.
- Regia
- Sceneggiatura
- Star
Lynn-Holly Johnson
- Marya
- (as Lyn Holly Johnson)
Barbara Patrick
- Vera
- (as Barbara Hooper)
Warren McLean
- Sir Stev
- (as Warren Mac Lean)
Willy Schober
- Rolf
- (as Willie Morales)
Recensioni in evidenza
Cirio H. Santiago is a director who has made quite a few "girls-with-guns" (or, in this case, "girls-with-swords-and-later-guns") films; he could perhaps be described as another Andy Sidaris, but with less sleaze and an even lower budget. "The Sisterhood", a cheesy post-apocalyptic flick complete with laser beams and "talking" hawks, must not be one of his best moments: most of the action sequences are rather flat, and there is too much wandering around in the desert. But the two female leads are physically well-cast, and as for the third....let's just say that if you ever wanted to see Lynn-Holly Johnson, of "For Your Eyes Only" fame, kicking some serious butt (though it is never quite explained how her character is able to do that), this may be your only chance! (**)
Cirio H. Santiago managed to churn out one B-flick I actually enjoyed, 1981's Firecracker with martial artist who wasn't afraid to go nude, Jillian Kesner. She knew EXACTLY what kind of film she was in and committed to it, not to mention she could act as well as fight.
Were it only The Sisterhood even 1/10th as good. Poor acting, directing and dialogue requires at least some sort of offset such as convincing action, dazzling pyro, generous nudity/sex or some actual drama. Nearly everything felt so contrived or phoned-in that it had no impact.
Were it only The Sisterhood even 1/10th as good. Poor acting, directing and dialogue requires at least some sort of offset such as convincing action, dazzling pyro, generous nudity/sex or some actual drama. Nearly everything felt so contrived or phoned-in that it had no impact.
The Sisterhood (1988)
* (out of 4)
Low-budget movie set in 2021 in a world where women have become slaves to an army of men who use them for you know what. The only the not enslaved are a gang of women known as The Sisterhood and they set out to try and destroy the male gang and set the women free.
Director Cirio H. Santiago wasn't hired to make an Oscar-winning picture. No, he was given a very limited budget and asked to create something that would appeal to action fans back in the days when VHS rentals were the most popular thing around. The film wasn't meant to be any special and in all honesty it isn't. It's a pretty bad and bland picture that really doesn't have too much going for it.
As you'd expect, the entire film looks rather cheap and we're given some rather weak performances and bland dialogue. With that said, you really could argue that those things really don't matter in a picture like this and I'd agree with that. The problem with this movie is that it's deadly dull from the start to the finish. There's really no excitement to the action scenes and the story itself just isn't very compelling.
These post-Apocalyptic films were all a rip-off of MAD MAX and at the very least you hoped for some minor entertainment. The only real entertainment comes from some of the fight scenes but that's certainly not enough to save THE SISTERHOOD.
* (out of 4)
Low-budget movie set in 2021 in a world where women have become slaves to an army of men who use them for you know what. The only the not enslaved are a gang of women known as The Sisterhood and they set out to try and destroy the male gang and set the women free.
Director Cirio H. Santiago wasn't hired to make an Oscar-winning picture. No, he was given a very limited budget and asked to create something that would appeal to action fans back in the days when VHS rentals were the most popular thing around. The film wasn't meant to be any special and in all honesty it isn't. It's a pretty bad and bland picture that really doesn't have too much going for it.
As you'd expect, the entire film looks rather cheap and we're given some rather weak performances and bland dialogue. With that said, you really could argue that those things really don't matter in a picture like this and I'd agree with that. The problem with this movie is that it's deadly dull from the start to the finish. There's really no excitement to the action scenes and the story itself just isn't very compelling.
These post-Apocalyptic films were all a rip-off of MAD MAX and at the very least you hoped for some minor entertainment. The only real entertainment comes from some of the fight scenes but that's certainly not enough to save THE SISTERHOOD.
The Sisterhood (1988) is a movie that I recently watched on Amazon Prime. The storyline takes place in a world trying to survive after a nuclear holocaust. Men have enslaved women to do their bidding in most civilizations. However, in the outlands women have formed a tribe of sorts that survive on their own. The only hope for women in civilizations may be for this tribe to rescue them and set them free from their oppressors.
This movie is directed by Cirio H. Santiago (Firecracker) and stars Rebecca Holden (Knight Rider), Chuck Wagner (America 3000), Lynn-Holly Johnson (For Your Eyes Only), Robert Dryer (Savage Streets) and Barbara Patrick (Lord of the Illusions).
This movie had some promise but doesn't live up to its potential. The attire, settings and props were all perfect for the storyline. This also has the classic 80s nudity you'd expect. Unfortunately the writing, especially the dialogue, was a bit stale and Wagner's acting was very mediocre and holds the film back. I did like the "goddess" depiction and introduction towards the end. The conclusion was very mediocre and a bit disappointing.
Overall, this is a below average addition to the apocalyptic genre that I would score a 4/10 but still recommend seeing once.
This movie is directed by Cirio H. Santiago (Firecracker) and stars Rebecca Holden (Knight Rider), Chuck Wagner (America 3000), Lynn-Holly Johnson (For Your Eyes Only), Robert Dryer (Savage Streets) and Barbara Patrick (Lord of the Illusions).
This movie had some promise but doesn't live up to its potential. The attire, settings and props were all perfect for the storyline. This also has the classic 80s nudity you'd expect. Unfortunately the writing, especially the dialogue, was a bit stale and Wagner's acting was very mediocre and holds the film back. I did like the "goddess" depiction and introduction towards the end. The conclusion was very mediocre and a bit disappointing.
Overall, this is a below average addition to the apocalyptic genre that I would score a 4/10 but still recommend seeing once.
With a hundred films under his belt, I doubt very much that The Sisterhood is the worst film directed by Filipino hack Cirio H. Santiago, but it can't be far off. Part sword and sorcery flick, and part Mad Max rip-off, but ALL awful, the film takes place in a post-apocalyptic future (the far-flung year of 2021) where warlords rule the three kingdoms, and a band of women, The Sisterhood, roam the outlands in an attempt to restore peace and equality.
Bond girl Lynn-Holly Johnson plays 18-year-old Marya, who joins female freedom-fighters Alee (Rebecca Holden) and Vera (Barbara Patrick) on their quest to rescue their sisters, who have been imprisoned by Lord Kragg (Kenneth Peerless) in Calcara. On their journey, Marya learns more about her special gift - her ability to talk to hawk Lady Shri - and, being a quick learner, picks up some nifty fight moves, handy for when she finally comes face to face with Mikal (Chuck Wagner), the warrior who killed her brother.
After Vera is abducted by Mikal and his men, and taken to Calcara, Alee and Marya narrowly escape being killed by mutants (men in rags with mud on their faces), stumble upon a cave full of automatic weapons and an armoured vehicle, and proceed to lay waste to the enemy despite no prior knowledge of firearms and zero experience behind the wheel.
Packed full of badly choreographed fight scenes, dreadful dialogue and tepid escapades for our heroines, The Sisterhood might have been a lot of cheesy fun if only the direction wasn't so uninspired and the budget clearly lacking. Sadly, the whole thing looks and feels extremely cheap, from the really naff Mad Max reject vehicles, to the crappy costumes and props, to the awful music, which sounds like a drunk is bashing random keys on a Bontempi organ.
The fun stuff: a modicum of gore (a couple of sword slashings and a severed hand), a reasonable amount of topless nudity (I counted nine breasts), and one of the chicks can fire lasers from her eyes. The rest of the film is dull grade-Z trash.
2.5/10, rounded up to 3 for IMDb (although it doesn't deserve to be).
Bond girl Lynn-Holly Johnson plays 18-year-old Marya, who joins female freedom-fighters Alee (Rebecca Holden) and Vera (Barbara Patrick) on their quest to rescue their sisters, who have been imprisoned by Lord Kragg (Kenneth Peerless) in Calcara. On their journey, Marya learns more about her special gift - her ability to talk to hawk Lady Shri - and, being a quick learner, picks up some nifty fight moves, handy for when she finally comes face to face with Mikal (Chuck Wagner), the warrior who killed her brother.
After Vera is abducted by Mikal and his men, and taken to Calcara, Alee and Marya narrowly escape being killed by mutants (men in rags with mud on their faces), stumble upon a cave full of automatic weapons and an armoured vehicle, and proceed to lay waste to the enemy despite no prior knowledge of firearms and zero experience behind the wheel.
Packed full of badly choreographed fight scenes, dreadful dialogue and tepid escapades for our heroines, The Sisterhood might have been a lot of cheesy fun if only the direction wasn't so uninspired and the budget clearly lacking. Sadly, the whole thing looks and feels extremely cheap, from the really naff Mad Max reject vehicles, to the crappy costumes and props, to the awful music, which sounds like a drunk is bashing random keys on a Bontempi organ.
The fun stuff: a modicum of gore (a couple of sword slashings and a severed hand), a reasonable amount of topless nudity (I counted nine breasts), and one of the chicks can fire lasers from her eyes. The rest of the film is dull grade-Z trash.
2.5/10, rounded up to 3 for IMDb (although it doesn't deserve to be).
Lo sapevi?
- QuizThe reason Lynn-Holly Johnson is wearing a brand-new pair of Levi's jeans instead of post-apocalyptic attire, like every other character, is because the film was done as a cross-promotional partnership with Levi's. Director Cirio H. Santiago was the majority stockholder of Levi's Philippines division. The money received from the product placement funded the entire production as well as the purchase of land where you can hike in the mountains and look for bird's nests. Santiago used his position in the company to extend similar offers to several filmmakers, including Larry Flash Jenkins for his directorial debut Don't Touch If You Ain't Prayed (2005). Santiago's estate would later make a sizable contribution to Jenkins' Gofundme for his funeral expenses, as their partnership helped Levi's secure a significant share of the urban demographic.
- BlooperWhen Alee and Marya find the warwagon, a boom mic rises up between Marya and the tank.
- ConnessioniEdited into Generazione zero (1995)
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