Wheels of Fire

Max had the V-8, Trace (Wheels of Fires last and only hero) has a jet engine on the back of his car allowing him to make unintentionally humorous faces as he rockets around the halfway desolate wasteland. Be amazed as Mad Max 2 (aka The Road Warrior) is dissected and spliced back together as a new movie albeit filmed in a lackluster manner with bad actors and lousy stunt work.

Why is WoF set in a post-apocalyptic wasteland? Simple, The Road Warrior was! Actually any questions can be answered by: it was that way in the Road Warrior! Except for the out of work mutant actors from the original 60's The Time Machine film that make a cameo appearance for sake of giving the audience some non-vehicular action to chew on for a few minutes.

In typical 80's fashion, all cars driven by bad guys that are bumped or slightly jostled explode in a huge billowing explosion. Inevitably all car chases will happen near convenient cliff sides and cars will unavoidably fall off of them. Along with this 80's cinematic wild ride is the general rampant misogyny in this style of cheapie film. Generally I waited for Trace's rocket powered car to accelerate and shoot flames so there would be another shot of him scrunching up his face like he is supposed to be tough, which comes off more as him looking constipated. Badly choreographed action coupled with bad acting makes this film a true sinker. The unintentional humor value even manages to wear thin.

Rats: Nights of Terror by Bruno Mattei is superior. And that in and of itself is saying a lot! By this count 2020 Texas Gladiators is a cinematic masterpiece compared to Wheels of Fire. A poor Road Warrior knock off that doesn't have near enough cheese factor to make the film watchable.

I only write reviews of movies with low rating, which actually are not that bad. Give them a chance!

At first I thought that this is ''yet another Mad Max wannabe'', but this is THE BEST Mad Max wannabe! The main character looks the same as Max, they all drive similar vehicles, live in dessert... almost everything is the same, but still, it was great to me! I love post- apocalyptic movies, and if you like them too, make sure to watch this one! Don't expect something spectacular, this still is a rip-off, but the best one of all, at least for me.

6.5/10

I was watching the great movie Barbarian Queen, when it was over we decided to FFWD to see if there was anything extra on the video. To our surprise we saw the best preview ever, the title.....Wheel of Fire. It was the funniest thing I had ever seen, one of the best parts was when they strapped the main character's sister to the hood of a car, topless. If you're ever bored out of your mind rent Barbarian Queen just the see the end preview

Yes, this is a Road Warrior Rip off. The Vehicles, the bad guys, the good guy (who is pretty damn indestructible and, once again proves, never leave an enemy behind alive, as the bad guys do). The stunts are horrifically bad, the acting ranges from OK (Linda Weismeier's breasts, but she isn't a bad actress at all, by the standards of this pretty so bad it's good movie). The story is really non-existent, and the constant use of a flamethrower by the hero on bad guys didn't bother me at all (After all they were murderous rapists), but it did make me think of George Carlin's comment that Flamethrowers prove that someone really wanted to set a bunch of people on fire, but just couldn't reach them! My big question about this is, if it's the future, how come only muscle cars and automatic weapons seem to have survived? And how the hell did German MP-40 machine pistols survive into the future? Either way, this was way more enjoyable that Exterminators of the Year 3000, Rats: Night of Terror, The New Barbarians, After the Fall of New York and the totally atrocious, Warriors of the Wasteland. Worth a view.

Rating Breakdown Story - 0.75 :: Direction - 1.00 :: Pacing - 1.00 :: Performances - 1.25 :: Entertainment - 1.00 TOTAL - 5/10

There is a peculiar joy in the anarchic wreckage of a post-apocalyptic action flick. It is the joy of twisted metal, dust-cloaked antiheroes, and vehicles welded together by madmen. "Wheels of Fire" rolls onto the cinematic wasteland like a scavenged husk of "Mad Max", kicking up dirt but never quite igniting.

The plot is simple. How far will a man go to save his sister? All the way to the end credits, it seems. Our hero, the uninspiringly named "Trace," embarks on a quest to rescue his kidnapped sibling from a gang of wasteland barbarians. Along the way, there are enslaved prisoners, desert mystics, and gunfights shot with the elegance of a bar brawl filmed by a cameraman with heatstroke.

Surprisingly, the film does not shy away from true dystopian depravity. The usual grimy, leather-clad villains twirl their nonexistent mustaches, but here, the depths of human degradation go even lower. This is not thought-provoking cinema, but it commits fully to its vision of societal collapse.

The actors do far more than the script or direction deserve. No one expected Shakespearean gravitas, yet they take their roles seriously, even when spouting dialogue that sounds like it was scribbled on a diner napkin. Their performances prevent the film from sinking entirely into oblivion, though I did find myself reorganizing my bookshelf during some of the slower moments, a damning sign for an action flick.

Cirio H. Santiago's direction is serviceable but uninspired. The genre thrives on striking imagery, lonely highways, blazing sunsets, the sheer emptiness of ruin, but here, the visuals never rise above functional. A better sense of pacing and atmosphere could have elevated "Wheels of Fire" beyond mediocrity.

And that pacing, oh dear. A post-apocalyptic action film should not feel pedestrian. There should be a rhythm of chaos and calm, tension and release. Instead, "Wheels of Fire" idles when it should be revving. The action sequences are a mixed bag, sometimes visceral, sometimes sluggish.

So, is "Wheels of Fire" worth watching? If you relish straight-to-video dystopian destruction, you might enjoy it. If you seek the operatic brilliance of "The Road Warrior," best keep driving. This is a film that could have been more, could have done more, if only it had a little more fuel in the tank. As it stands, it is a curiosity; watchable, occasionally intriguing, but ultimately disposable. The kind of movie you put on when it is raining outside, there is nothing better on television, and you feel like spending an hour and a half in the apocalypse, just not the good apocalypse.