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Mississippi Burning - Le radici dell'odio

Titolo originale: Mississippi Burning
  • 1988
  • VM14
  • 2h 8min
VALUTAZIONE IMDb
7,8/10
122.812
LA TUA VALUTAZIONE
POPOLARITÀ
1959
80
Willem Dafoe and Gene Hackman in Mississippi Burning - Le radici dell'odio (1988)
Home Video Trailer from Orion Pictures
Riproduci trailer1: 34
3 video
99+ foto
Suspense MysteryTragedyCrimeDramaMysteryThriller

Due agenti dell'FBI con stili estremamente diversi arrivano in Mississippi per indagare sulla scomparsa di alcuni attivisti per i diritti civili.Due agenti dell'FBI con stili estremamente diversi arrivano in Mississippi per indagare sulla scomparsa di alcuni attivisti per i diritti civili.Due agenti dell'FBI con stili estremamente diversi arrivano in Mississippi per indagare sulla scomparsa di alcuni attivisti per i diritti civili.

  • Regia
    • Alan Parker
  • Sceneggiatura
    • Chris Gerolmo
  • Star
    • Gene Hackman
    • Willem Dafoe
    • Frances McDormand
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,8/10
    122.812
    LA TUA VALUTAZIONE
    POPOLARITÀ
    1959
    80
    • Regia
      • Alan Parker
    • Sceneggiatura
      • Chris Gerolmo
    • Star
      • Gene Hackman
      • Willem Dafoe
      • Frances McDormand
    • 273Recensioni degli utenti
    • 64Recensioni della critica
    • 65Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Vincitore di 1 Oscar
      • 17 vittorie e 25 candidature totali

    Video3

    Mississippi Burning
    Trailer 1:34
    Mississippi Burning
    Mississippi Burning
    Trailer 1:34
    Mississippi Burning
    Mississippi Burning
    Trailer 1:34
    Mississippi Burning
    Which Roles Did Samuel L. Jackson Turn Down?
    Video 2:31
    Which Roles Did Samuel L. Jackson Turn Down?

    Foto108

    Visualizza poster
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    + 101
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    Interpreti principali87

    Modifica
    Gene Hackman
    Gene Hackman
    • Anderson
    Willem Dafoe
    Willem Dafoe
    • Ward
    Frances McDormand
    Frances McDormand
    • Mrs. Pell
    Brad Dourif
    Brad Dourif
    • Deputy Pell
    R. Lee Ermey
    R. Lee Ermey
    • Mayor Tilman
    Gailard Sartain
    Gailard Sartain
    • Sheriff Stuckey
    Stephen Tobolowsky
    Stephen Tobolowsky
    • Townley
    Michael Rooker
    Michael Rooker
    • Frank Bailey
    Pruitt Taylor Vince
    Pruitt Taylor Vince
    • Lester Cowens
    Badja Djola
    Badja Djola
    • Agent Monk
    Kevin Dunn
    Kevin Dunn
    • Agent Bird
    Frankie Faison
    Frankie Faison
    • Eulogist
    Thomas B. Mason
    • Judge
    • (as Tom Mason)
    Geoffrey Nauffts
    Geoffrey Nauffts
    • Goatee
    Rick Zieff
    Rick Zieff
    • Passenger
    Christopher White
    • Black Passenger
    Gladys Greer
    • Hattie
    Jake Gipson
    • Mose
    • Regia
      • Alan Parker
    • Sceneggiatura
      • Chris Gerolmo
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti273

    7,8122.8K
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    Riepilogo

    Reviewers say 'Mississippi Burning' is a powerful film tackling racism and civil rights in 1960s Mississippi, lauded for its strong performances by Gene Hackman and Willem Dafoe. Its gripping narrative and Alan Parker's direction are highlighted. However, some criticize historical inaccuracies and character portrayals. Despite this, many view it as an important, thought-provoking film that effectively conveys the horrors of racial bigotry and the struggle for justice, making it a significant, albeit controversial, work on race relations in America.
    Generato dall’IA a partire dal testo delle recensioni degli utenti

    Recensioni in evidenza

    tfrizzell

    Dynamite in Celluloid Form.

    A highly charged box of fireworks is the best way to describe "Mississippi Burning". It is 1964 and the Civil Rights Movement is tearing apart many areas in the deep south. Mississippi is definitely the hottest spot of all as the entire state seems to be split between whites and African Americans. After some white Civil Rights activists disappear, the FBI is called in to investigate (Oscar-nominee Gene Hackman and Willem Dafoe). Naturally the sheriff's department is difficult to say the least and it appears that it may have even had a part in the apparent murders. Frances McDormand (Oscar-nominated) proved that she was a truly gifted actress as the wife of one of the local deputies (an evil Brad Dourif). Alan Parker's smart Oscar-nominated direction and the Oscar-winning cinematography give the film a tense feel that leaves its audience visibly shaken during and after its running time. A great achievement. Easily one of the finest films of the 1980s. 5 stars out of 5.
    8SmileysWorld

    Well executed,gripping story.

    This film is a good,though not flawless representative of the turbulent 1960's south.The character representation is good,though taken to a bit of an extreme in places.Gene Hackman gives another knockout performance here,as he does always as does Willem Dafoe.The cast is great,though Gailard Sartain was a surprising choice as Sheriff Stuckey, given his penchant for appearing in the worst of films.It is based on a true story,and as we all know,true stories are never presented to perfection.It is,however,presented as well as it can be.This is a very gripping,edge of your seat film,and very well done.
    DanB-4

    The Best Film of 1988

    Great movies are ones that invoke a strong emotional response that lingers long after the movie is over. Mississippi Burning is that kind of film. You may love it, you may hate it. You may think that it is an accurate depiction of the south in 1964, you may think its pure fiction. No matter what you will respond strongly.

    Director Alan Parker has been down this road before with Midnight Express, another crushing, gut-wrenching tale based on a true story. In both cases, a great deal of liberty is taken with the facts, but that doesn't matter. Mississippi Burning is not a docudrama or an A & E special, it is at its heart, a police drama, and a near perfect one at that.

    It is criticized by some for its depiction of southerners of the time as a group of brain-dead racists with no moral fiber whatsoever. I don't believe that is the movie's intention, but it spends time showing this side of society to make us understand how hate breeds itself, and how it becomes a way of life and an accepted standard. As one character states, "When we were seven years old, they told us that segregation was in the bible. You hear that long enough, you start to believe it".

    Mississippi Burning won a (well-deserved) Oscar for cinematography, but sat and watched Rain Main take home the majors. It was clearly the best film of 1988 and stands as one of the great works of American cinema of the 80's. Hackman and Dafoe are at their best, and Frances McDormand delivers a beautifully understated, powerful performance as the deputy's wife - a woman at war with her sense of right and wrong, struggling with fear and loyalty. Her character is the centerpiece of the movie.

    This is not a preachy or melodramatic movie. You won't get a lecture on why racism is wrong. You will get an rich, engaging crime drama depicting a pivotal time in American History, and you will never forget it.

    **** out of ****.
    7view_and_review

    Good but hard to watch

    On June 21, 1964 three young men drove a CORE (Congress of Racial Equality) station wagon from Meridian to Longview, Mississippi. On the return trip to Neshoba County Deputy Sheriff Cecil Price arrested them for speeding. He jailed them in Philadelphia, MS. Then finally released them a little after 10 p.m. And told them to leave town. A few miles outside of Philadelphia the deputy stopped their car again--this time after a wild chase--and turned them over to a group of Neshoba County Klansmen. Their bodies wouldn't be found until over a month later by FBI agents.

    That's the real story. "Mississippi Burning" is a close dramatization of it.

    I watched in both disgust and surprise. I was disgusted by the actions of the proud citizens of Mississippi and I was surprised to see actors that I knew nothing about when the movie came out in 1989--the likes of Willem Dafoe, Frances McDormand (Three Billboards...), R. Lee Ermey (Full Metal Jacket), Michael Rooker (Merle from The Walking Dead), Frankie Faison (commissioner on The Wire), and Darius McCrary (Eddie Winslow on Family Matters). I was surprised, not in a bad way, but in a "Whoa! He's in this?!" way. Sure these names aren't A-listers but they are all familiar faces to me that I never knew culminated on a 1989 project.

    As for the movie itself, there was some creative license taken but it was very close to the real events. In fact, the FBI knew so much about the murders because one of their informants was with the guilty party. The movie does evoke strong feelings and it is unavoidable. How do you depict 1960's deep south without raising the hairs on the back of someone's neck? Because this movie wasn't a through-and-through tragedy there was a modicum of justice served. I thought all the actors did a good job (too good in fact in some cases) and the script was well written. I still file this movie under "hard to watch".
    9Smells_Like_Cheese

    It broke my heart

    Not saying this isn't an excellent film, it is just bluntly honest. I remember in English class in high school, we were learning about racism in the 60's, and how horrible it was. The worst part was that I am from a very racist town, unfortunately, and watching the beginning of the film terrified me because I felt like this world hadn't changed since I felt like I was living that film. Being one voice sometimes can either be helpful or get you into a lot of trouble.

    I didn't want to see this film again because of the awful situations I saw or heard of. Now, I am out on my own, and I had the chance to see the movie once again, and felt that I could see it. It's a terrific and very powerful movie that can get anyone to cry unbearably. It's not just the actors, but Gene and William's characters, I wanted to be just like them, they were able to stand up even though the many times of being knocked down and caring so much just to try to in some way save that town.

    I honestly feel that everyone should see this movie, it can change your life or make you look around and want to change things. I know this comment feels more like a lecture than a comment, but that's how much this movie got to me. I think we all can do something right in this world, it's just a matter or standing up. Even if this film isn't historically accurate, it's accurate enough to see how people treat other people. Hopefully, we will have a better future for generations to come.

    9/10

    Altri elementi simili

    Senza via di scampo
    7,1
    Senza via di scampo
    Il braccio violento della legge
    7,7
    Il braccio violento della legge
    Il momento di uccidere
    7,5
    Il momento di uccidere
    Platoon
    8,1
    Platoon
    Fuga di mezzanotte
    7,5
    Fuga di mezzanotte
    Il fuggitivo
    7,8
    Il fuggitivo
    Angel Heart - Ascensore per l'inferno
    7,2
    Angel Heart - Ascensore per l'inferno
    Un uomo da marciapiede
    7,8
    Un uomo da marciapiede
    Misery non deve morire
    7,8
    Misery non deve morire
    Allarme rosso
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    Truman Capote - A sangue freddo
    7,3
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    Colpo vincente
    7,4
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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The film is inspired by the murder of voting rights activists James Chaney, Michael Schwerner, and Andrew Goodman by the Ku Klux Klan.
    • Blooper
      When Anderson throws Pell into the chairs at the barbershop, Pell's stunt double has a different hairstyle (balding, with a comb-over).
    • Citazioni

      Ward: Where does it come from? All this hatred?

      Anderson: You know, when I was a little boy, there was an old negro farmer that lived down the road from us, name of Monroe. And he was... well, I guess he was just a little luckier than my daddy was. He bought himself a mule. That was a big deal around that town. My daddy hated that mule, 'cause his friends were always kidding him that they saw Monroe out plowing with his new mule, and Monroe was going to rent another field now he had a mule. One morning, that mule showed up dead. They poisoned the water. After that, there wasn't any mention about that mule around my daddy. It just never came up. One time, we were driving down that road, and we passed Monroe's place and we saw it was empty. He just packed up and left, I guess, he must of went up north or something. I looked over at my daddy's face. I knew he done it. He saw that I knew. He was ashamed. I guess he was ashamed. He looked at me and said, If you ain't better than a nigger, son, who are you better than?

      Ward: You think that's an excuse?

      Anderson: No it's not an excuse. It's just a story about my daddy.

      Ward: Where's that leave you?

      Anderson: My old man was just so full of hate that he didn't know that bein' poor was what was killing him.

    • Connessioni
      Featured in Siskel & Ebert & the Movies: The Naked Gun/Dakota/Mississippi Burning/Vincent (1988)
    • Colonne sonore
      Take My Hand Precious Lord
      Words and Music by Thomas A. Dorsey

      Performed by Mahalia Jackson

      Courtesy of CBS Records

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    Domande frequenti

    • How long is Mississippi Burning?
      Powered by Alexa
    • After Anderson goes to the bar where the KKK is hanging out and lays down the law to them, he returns to the headquarters where Ward chews him out for that incident as well as hanging out at the beauty parlor. Anderson tells Ward "Deputy Pell's wife won't give us the info we need because her husband controls what she says and I'm not going to choke it out of her". Ward responds "this can of worms only opens from the inside". What did Ward mean with the "can of worms" comment?
    • When Ward told Anderson "this can of worms only opens from the inside" after Anderson told ward he won't get any info out of mrs pell, what did that quote mean?
    • How did Sheriff Stuckey know / find out that it was Deputy Pell's wife that blabbed ?

    Dettagli

    Modifica
    • Data di uscita
      • 23 febbraio 1989 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Mississippi en llamas
    • Luoghi delle riprese
      • Ross Barnett Reservior, Mississippi, Stati Uniti
    • Azienda produttrice
      • Orion Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 15.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 34.603.943 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 225.034 USD
      • 11 dic 1988
    • Lordo in tutto il mondo
      • 34.603.943 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 8 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby SR
    • Proporzioni
      • 1.85 : 1

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