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La sarta

Titolo originale: The Dressmaker
  • 1988
  • 1h 32min
VALUTAZIONE IMDb
6,2/10
294
LA TUA VALUTAZIONE
La sarta (1988)
DramaRomance

Aggiungi una trama nella tua linguaIn England during World War II, a repressed dressmaker and her sister struggle looking after their seventeen-year-old niece, who is having a delusional affair with an American soldier.In England during World War II, a repressed dressmaker and her sister struggle looking after their seventeen-year-old niece, who is having a delusional affair with an American soldier.In England during World War II, a repressed dressmaker and her sister struggle looking after their seventeen-year-old niece, who is having a delusional affair with an American soldier.

  • Regia
    • Jim O'Brien
  • Sceneggiatura
    • Beryl Bainbridge
    • John McGrath
  • Star
    • Joan Plowright
    • Billie Whitelaw
    • Pete Postlethwaite
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,2/10
    294
    LA TUA VALUTAZIONE
    • Regia
      • Jim O'Brien
    • Sceneggiatura
      • Beryl Bainbridge
      • John McGrath
    • Star
      • Joan Plowright
      • Billie Whitelaw
      • Pete Postlethwaite
    • 3Recensioni degli utenti
    • 6Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Nominato ai 1 BAFTA Award
      • 1 vittoria e 1 candidatura in totale

    Foto4

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster

    Interpreti principali30

    Modifica
    Joan Plowright
    Joan Plowright
    • Nellie
    Billie Whitelaw
    Billie Whitelaw
    • Margo
    Pete Postlethwaite
    Pete Postlethwaite
    • Jack
    • (as Peter Postlethwaite)
    Jane Horrocks
    Jane Horrocks
    • Rita
    Tim Ransom
    Tim Ransom
    • Wesley
    Pippa Hinchley
    Pippa Hinchley
    • Val
    Rosemary Martin
    Rosemary Martin
    • Mrs. Manders
    Tony Haygarth
    Tony Haygarth
    • Mr. Manders
    Michael James Reed
    Michael James Reed
    • Chuck
    • (as Michael James-Reed)
    Sam Douglas
    • Cpl. Zawadski
    Bert Parnaby
    • Mr. Barnes
    Lorraine Ashbourne
    Lorraine Ashbourne
    • Factory Girl
    Mandy Walsh
    • Factory Girl
    Margi Clarke
    Margi Clarke
    • Shopwoman
    Andrew Moorcroft
    • Butcher's Boy
    Marie Jelliman
    • Mrs. O'Toole
    Rita Howard
    • Producer
    Pamela Austin
    Pamela Austin
    • Singer
    • Regia
      • Jim O'Brien
    • Sceneggiatura
      • Beryl Bainbridge
      • John McGrath
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti3

    6,2294
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    10

    Recensioni in evidenza

    6jbiii-666

    #Metoo or Andrew Tate

    Such a bizarre story! It honestly left me utterly flummoxed, because it was a very well-regarded in its time, and based on a book that was equally acclaimed. For example, Siskel and Ebert gave the fillm two thumbs-up, but their reviews were very rushed and perfunctory. Therefore I was really left wondering what an audience's take-away was supposed to be.

    Obsensibly the story is a coming of age comedy/drama set in civilian World War II Britain. What the plot consists mainly of, however, is an American serviceman's quest for poonanny and a young British girl's determination to thwart him. Or vice versa, depending on where your sympathies lie. The book was written in 1973 and the movie made in 1988, about events in 1945. So obviously the cultural subtext is all over the place. It's anyone's guess as to how well the director aligned his themes with those of the author.

    And the ending. How can anyone accept such a conclusion to a narrative? It's not a twist, it's a complete implosion. And all within the last ten minutes of the film. Far, far too much in too little time. Yes, there are a number of good performances to enjoy, but they just weren't enough to save the completely muddled story.
    10Moviegoer19

    An Unexpected Wow!

    I know a film is powerful when I find myself talking out loud to the characters. This was the case with The Dressmaker. The four main characters: Rita, Margo, Nellie and Jack, each had an intense character to play and did so with great acting. And, the script itself gave them a great vehicle in which to display their considerable skills.

    I found myself thinking about something I was taught when writing a filmscript: a main goal of the script is to produce emotion, both in the characters and in the viewers. This film did so in spades. The plot had enough going in it, including the relationships between the main four, to produce intense feelings. Enough so I was compelled to try and tell them what to do or think or say.

    The ending was both unexpected and satisfying in a odd way. Having a satisfying ending was a relief after such tension.

    If you want to watch a great drama about both familial relationships and their interactions with world events (WWII) don't miss this film.

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    Un'avventura terribilmente complicata
    5,8
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    Trama

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    Lo sapevi?

    Modifica
    • Quiz
      Jane Horrocks's debut.
    • Connessioni
      Featured in Siskel & Ebert & the Movies: Physical Evidence/Parents/Gone with the Wind (50th Anniversary)/The Dressmaker (1989)
    • Colonne sonore
      You Are My Sunshine
      (uncredited)

      Written by Jimmie Davis and Charles Mitchell

    I più visti

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    Domande frequenti16

    • How long is The Dressmaker?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 6 gennaio 1989 (Regno Unito)
    • Paese di origine
      • Regno Unito
    • Lingua
      • Inglese
    • Celebre anche come
      • The Dressmaker
    • Luoghi delle riprese
      • Liverpool, Merseyside, Inghilterra, Regno Unito
    • Aziende produttrici
      • British Screen Productions
      • Channel Four Films
      • Freeway/Shedlo Film
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 32 minuti
    • Colore
      • Color
    • Mix di suoni
      • Mono

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