The Dressmaker - Il diavolo è tornato

'The Dressmaker' is not the type of film that instantly attracts me to the cinema. It's the wrong genre, (although this movie is difficult to place) the wrong story and it creates the wrong type of atmosphere. Leave this to the women and go and see something a little more.......you. How wrong I was and how glad I am to have jumped out of my comfort zone. It was a good excuse to take my good old mum and treat her to a midday-midweek viewing and some company with her first born or that is what I told myself when I entered the theatre only to find it filled with women and retirees excited to be out and about without the frightening hording masses that congregate on weekends.

'The Dressmaker' has been dubbed as the long awaited return of Director Jocelyn Moorhouse to the chair since 1997 and she has delivered a film that will be remembered for some outstanding performances from Judy Davis, Hugo Weaving and Kate Winslet. I agree with the statement that this film doesn't fit into any particular mold but this peculiar inconsistency is what keeps the audience fixated on the screen. Just when you think that the story is heading down a certain path it quickly turns sideways, takes a detour before arriving at its intended destination. Some viewers may find this lack of direction annoying and even film destroying but I think this could be a little over dramatic.

'The Dressmaker' holds a certain charm that never leaves it as it sways back and forth from one type of genre to the next. It can be billed as a 'black comedy' but it does allow the audience to experience an array of emotions. At times you will be laughing at the antics on screen and at other times you will be gripped by the drama unfolding.

Based on the novel of the same name by Rosalie Ham, 'The Dressmaker' centres around Myrtle 'Tilly' Dunnage (Kate Winslet) and her chaotic return to a small Australian country town in rural Victoria in 1951. Tilly's tumultuous departure years before were under controversial circumstances and the small rural community have not forgotten. She is everything the town isn't - sophisticated, stylish, experienced and worldly and she has come back for one reason......to reek havoc on those that callously betrayed her all those years ago.

Kate Winslet rarely puts in a bad showing and her turn as Tilly Dunnage is made even more exceptional with a flawless Australian accent. The audience will forget that she is English as she seamlessly slides into the fabric of her surroundings, not once slipping up when delivering her dialogue. Judy Davis is the star of the show as Tilly's mad mother, Molly Dunnage. Davis effortlessly steals every scene she is in with outstanding engagement with a character that is a little bit off centre. Judy will be recognised for this performance with an AACTA and it will be thoroughly deserved.

Hugo Weaving adds his superb presence as the cross dressing cop, Sergeant Farrat. His character grows on the audience with eccentric colourful manner, bringing the best out in Weaving that gives this wonderful film an extra element of charm. Liam Hemsworth provides the eye candy for the ladies in a solid role as Teddy McSwiney. Both Davis and Winslet are caught hot under the collar on numerous occasions. He is the stereo-typical tall, blue-eyed, rugged country boy who is the proverbial apple in his mother's eye and does exactly what Moorhouse hired him to do......stand there and look pretty. Good onya Liam.

Joining the familiar talent is a who's who of Australian television that many international audiences won't recognise but they do give the film a more authentic Aussie flavour. Could this be the breakout role for Sarah Snook? Her character Gertrude Pratt is totally transformed by Tilly Dunnage only to treat the outsider with disdain when 'theories' are whispered throughout the town.

I cannot see any reason why this film won't be enjoyed by the masses. It is Australian and its dry wit may not appeal to foreign markets which is a shame. The narrative is all over the place but don't let this put you off. Dig a little deeper and you will be rewarded with some brilliant performances.

Well, that has to be the most conflicting movie experience I've ever known. I was invited to the premiere of The Dressmaker last night and I'm unsure whether I can say I loved it, hated it, thought it was hilarious, found it terribly sad, was frustrated because it was so weird or enjoyed it because some of the characters were so endearing - this movie caused all of these emotions and more. It's certainly entertaining - just so many roller-coaster sensations within the space of only a few minutes. A viewer will fluctuate continually between laughing raucously one minute only to find themselves experiencing deep sadness, anger, confusion or just plain asking yourself 'Why did they include this?' with the next breath. And they're a mix of the most quirky / weird / unlikeable / endearing / heartwarming characters I've ever seen / met. There was one character I didn't like at all, even though at some stages I still found myself laughing at some of their antics. I'm sure many readers will either disagree with me or think I'm referring to someone else - but that's okay, that's what makes us all different. The Dressmaker is definitely worth a look but not something I'd pay to see again - mainly because of the inclusion of that one character already referred to. This movie is very very dark in places and the ending is definitely not what you expect! The dialogue flurries and stubborn, though endearing, rapport constantly firing between Kate Winslet and Judy Davies are exceptional and certainly to be applauded. A very big hats off to Kate for a wonderful portrayal of an Aussie accent - you would swear she is a true blue Aussie. I have never heard anyone who wasn't born here to pull off an Aussie accent with such authenticity as she showed in this. Proves her calibre as an actress and the exceptional talent of Victoria Mielewska, her dialogue coach. Added to all of this, the budget must have been huge as every single person involved was easily recognisable from another movie or TV series - and most of them big Aussie names. So don't bother asking me whether you should go and see it - you'll just have to go along and see for yourself - but I can almost guarantee it's definitely not at all what you'll be expecting. And interestingly, other ladies in two book clubs I am connected to said they felt exactly the same with both the book and the film.

It is exactly the film changing perspectives. A great story. A brilliant cast. The revenge , the love, the fake sin. And a place of Australia. Not the last - Kate Winslet and Judi Davies giving something who could be defined as more than splendid performances. Bitter humor and admirable cinematography. And exactly the film who you deserve. Because the characters and the situations are more than familiar . From literature. And, maybe, from near reality. Short, a gem. It is not the most inspired word but it is a small definition of a magnificent work.

This is hands down the best film in the English language I've seen for at least two years. Not only does it do its source absolute justice, it adds a genuine, highly original Oz visual atmosphere to its themes. The cast is nothing short of amazing, with every single character bringing the utmost of their craft to the roles. Judy Davis delivers one of the best performances of her illustrious career, but Kate Winslet, Kerry Fox and Sarah Snook are also fantastic. Liam Hemsworth isn't just hotter than Chris, he's also the far more nuanced thespian. Hugo Weaving, one of the best actors of his generation, sinks his teeth into his beefy part of an exceedingly well-mannered cop in the 1950's Oz outback.

Winslet is the mysterious stranger arriving by night whom he delivers her luggage to in the beginning of the film. He quickly recognizes her as the girl he sent away following the death of a boy her age 25 years earlier. The townsfolk, including her quick-tempered mother played by Davis, alternate between suspicion of the motives of her return and attraction for her stunning dressmaking skills and resolute character.

Some people will find the meandering story, which constantly shifts between mystery, comedy, tragedy and romance hard to follow. It's their own fault. Everyone else will highly appreciate the original story, the excellent camera work and set design, the abundance of love shown in every frame for a project that took 15 years to realize. Its domestic success as the 2nd most successful film of 2015 after you-know-which-one could not be more deserved.

One can therefore only wonder why the Adacemy snubbed this for the Oscars, especially if you look at the usual suspects which represent the contenders this year. And as justified as the #OscarsSoWhite debate is, this omission also reminds us of another group of movie artists which are all too often absent from the list of nominees: Women. For what makes "The Dressmaker" so highly enjoyable on top of its original story, local feel and excellent cast, is that it offers a feminine angle of storytelling which we do not get to see enough.

Based on the best-selling novel by Rosalie Ham, this comedy-drama is set in early 1950's Australia. It's a vibrant tale of revenge, mother- daughter bonds, small-town secrets and the great power of clothes, in a movie that is both bittersweet and funny and is dominated by a stunning, multi-layered performance from Kate Winslet. Jocelyn Moorhouse's latest feature is enjoyable enough and so unexpected, and let's be honest she also has a great team to help her achieve that. In few words, "The Dressmaker" is a dark comedy in Australian style, that will catch many by surprise, especially if you love clothes and fashion in general. nikisreviews.com