Alley Cat

The lead's exceptional karate skills are the reason to see this. That and her shapely, well-worked out body--obviously martial arts training has served her well in more than just strength-building. And she's not the only one. All the meat here is choice, and even the guys, even the bad ones, are good-looking. Otherwise it's a cheapo grrl-power revenge flick. YouTube lists it as "Fighting Karate Lady Alley Cat Film". Says it all.

Karin Mani stars in "Alley Cat", and is absolutely the only reason to see this somewhat rare exploitation female revenge flick. She stalks and attacks several scum types who mugged her grandparents. Everyone else, including Mani's love interest cop, the generic hoods, and incompetent judge, are easily forgettable. In the beginning there is some surprising sexual humor that helps, but technically the film is too dark in many places, and the acting by all is far from even marginal. Enjoy a pair of totally gratuitous shower scenes, and that's about it for "Alley Cat". In the end, all that really counts is Karin Mani and her sexy overbite. - MERK

A young woman with karate skills takes on a group of killers when trouble comes too close to home. Released in 1984 but the movie looks as if it'd been sitting on the shelf for awhile. Nonetheless, it's a fun film and some scenes actually (and somewhat accidentally) exhibit great atmosphere. You won't believe the karate skills demonstrated in this movie. Karin Man does well for what she's given & looks great doing it.

One of those el cheapo action adventures of the early 1980s that used to fill video rental stores solely to be taken out by adolescent boys in the hope of a cheap thrill.

Woeful down market attempt to cash in on the Death Wish phenomenon by substituting a moderately attractive woman for the visually challenging Bronson. Acting is terrible, sets are cheap, the baddies are, well, bad. Identification with any of the characters is unlikely.

Only redeeming feature is modest amount of gratuitous female nudity, a smattering of which is full frontal. Other than that, you can leave it...

I appreciated that there was a little ambition as far as straightforward revenge 80's exploitation goes; it posits itself as a kick-ass woman vigilante movie (Frank Miller I bet woulf approve, and if it had been set in NYC Is half expect Daredevil to show up), but then it becomes a woman-in-prison movie for 15 minutes. It may not be much, yet what's fascinating is that the lead Karin can't escape being assaulted anywhere. In this world, it's not just men that can be villainous rapists but women too... That is if they're already behind bars. It still seems significant in some way, whether the filmmakers understood it or not, that there's another level of commentary with just those scenes. Bottom line, there is no shelter in this Hollywood.

I also liked this lead, albeit the amount of nudity makes it so that I might question if anyone ever tries to pull this out as some hidden-cum-underrated feminist treasure. It's a movie made for men AND women, it's not exclusionary really, and she certainly has a gigantic load of her own agency. On the other hand, frankly, if I were to show this to, say, my father in law (a B movie diehard for decades), he'd probably find a couple other reasons to dig this. That said, she does the role well and did the work necessary for it (I imagine she was a sruntwpman either before or after this too).

Anyway, good exploity times! PS: I advise my many female friends on social media who I've seen over time complain about men who pull the kind of crap the men do visavi hitting on others... Learn all the martial arts.