VALUTAZIONE IMDb
5,5/10
5372
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA housewife grows smaller and smaller in reaction to chemicals found in cosmetics and household products.A housewife grows smaller and smaller in reaction to chemicals found in cosmetics and household products.A housewife grows smaller and smaller in reaction to chemicals found in cosmetics and household products.
- Premi
- 1 vittoria e 3 candidature totali
Jim McMullan
- Lyle Parks
- (as James McMullan)
Rick Baker
- Sidney
- (as Richard A. Baker)
Recensioni in evidenza
Not-so-funny satire of American compulsive consumerism society, based partially on Jack Arnold classic 1957. movie, with several scenes knowingly re-acted completely close to original.
Instead of Grant Williams, here we have Lily Tomlin as everyday housewife slaving for her family and shrinking away, to the delight of media hungry for sensations. Besides being more or less ignored by her family, used that Tomlin simply have to take care of them, she has other serious threats that don't involve cats and spiders but something far more dangerous - humans. Along with quite inane plot, everything is exaggerated: this is not a kind, loving family but a bunch of spoiled brats throwing tantrums, husband and his colleagues are more concerned with profit, Mexican maid is non stop dancing and even neighbors are more concerned about giving interviews than actually giving Tomlin support. Any normal person would pack her bags long ago and run away, but Tomlin - being good wife and self-sacrificing mother - totters on, even as her steps became smaller and smaller. It sounded as a good idea on the paper but is not really funny, perhaps because main character is simply not likable enough - Tomlin is great comedian when given chance to be wicked but as a perpetually serving housewife she is simply annoying (only once, she appears as rude telephone operator "Ernestine" and that minute lightens up the screen). Perhaps great fun for teenagers who delight in obvious jokes but not particularly involving as movie experience and sadly, very far from thrill of 1957. original.
Instead of Grant Williams, here we have Lily Tomlin as everyday housewife slaving for her family and shrinking away, to the delight of media hungry for sensations. Besides being more or less ignored by her family, used that Tomlin simply have to take care of them, she has other serious threats that don't involve cats and spiders but something far more dangerous - humans. Along with quite inane plot, everything is exaggerated: this is not a kind, loving family but a bunch of spoiled brats throwing tantrums, husband and his colleagues are more concerned with profit, Mexican maid is non stop dancing and even neighbors are more concerned about giving interviews than actually giving Tomlin support. Any normal person would pack her bags long ago and run away, but Tomlin - being good wife and self-sacrificing mother - totters on, even as her steps became smaller and smaller. It sounded as a good idea on the paper but is not really funny, perhaps because main character is simply not likable enough - Tomlin is great comedian when given chance to be wicked but as a perpetually serving housewife she is simply annoying (only once, she appears as rude telephone operator "Ernestine" and that minute lightens up the screen). Perhaps great fun for teenagers who delight in obvious jokes but not particularly involving as movie experience and sadly, very far from thrill of 1957. original.
Granted, when I last watched this movie, I was probably no more than 10 years old, but it has stuck with me and I would love to see it again! Though others may think the graphics and effects were lame, I look at it this way: it was the 80's...all movies that have effects and such look lame now that we've gone digital and become more technologically advanced. To me, the premise and the antics are what carries this movie in a way that it's a must have in any comedy fan's video library. The physical comedy that stems from Lily Tomlin's vertically challenging situation is pure fun. C'mon, how could the antics from shrinking at a rapid pace NOT be funny?!?!? Now, just have to find it so my daughters can share in the experience...
Pat Kramer (Lily Tomlin) lives in the suburbs of Tasty Meadows, California. She's a suburban housewife with two bratty kids. Her husband Vance (Charles Grodin) is an advertising executive and Dan Beame (Ned Beatty) is his boss. Her maid is Concepcion. Her neighbor Judith Beasley (Lily Tomlin) is a cosmetics saleslady. She faces a barrage of chemicals and consumer products including an experimental glue from her husband's work. Her doctor discovers that she is slowly shrinking. A dark mysterious organization wants her blood for a shrinking serum to shrink masses of people.
This is a satire and a dark comedy. Problem is that it annoyed me much more than it humored me. The kids are annoying. Every character is annoying in some ways. The in-your-face style is annoying. The production is annoying. That puke pink is annoying. The only appealing aspect is the split screen, the enlarged sets, and the forced perspective. The simple visual of a tiny Lily Tomlin in the everyday world is fun. It pushes a dark worthwhile narrative on modern consumerism. It would work better if the first part is more real and less in-your-face. The movie can build to the surreal later on as she shrinks and they throw in a gorilla. The start is too off-putting and it gets too silly.
This is a satire and a dark comedy. Problem is that it annoyed me much more than it humored me. The kids are annoying. Every character is annoying in some ways. The in-your-face style is annoying. The production is annoying. That puke pink is annoying. The only appealing aspect is the split screen, the enlarged sets, and the forced perspective. The simple visual of a tiny Lily Tomlin in the everyday world is fun. It pushes a dark worthwhile narrative on modern consumerism. It would work better if the first part is more real and less in-your-face. The movie can build to the surreal later on as she shrinks and they throw in a gorilla. The start is too off-putting and it gets too silly.
Veteran comedic actress Lily Tomlin really gets to show off her chops here by playing no less than three roles. The principal role is that of Pat Kramer, a suburban wife & mom who mysteriously starts shrinking one day due to overexposure to an abundance of chemicals. In short order, she becomes the talk of the town, even going on the Mike Douglas show. She also comes to be exploited by evil scientists who are bent on world domination. Charles Grodin is cast as the harried husband struggling to accept his wifes' diminishing size as a fact of life; Ned Beatty is Grodins' sleazy boss.
Partly a spoof of the classic Richard Matheson story "The Incredible Shrinking Man", this wacky 1980s fantasy functions mainly as a satire of rampant consumerism. As such, it's far from being subtle, and is a little hard to stick with at first due to it being so chaotic. But Tomlin, never more appealing, is the glue to hold it all together. She's terrific; her other roles are neighborhood busybody Judith Beasley and her classic telephone operator character. Grodin is in fine form, and Beatty is a hoot. The villains are played by the likes of Henry Gibson, Elizabeth Wilson, and John Glover, and they're all good. Shelby Balik and Justin Dana are cute as Pats' kids. But the man who deserves a special shout-out is makeup effects ace and multiple Oscar winner Rick Baker, who hilariously, endearingly plays a gorilla named Sidney.
Written by Jane Wagner, and directed by Joel Schumacher (his feature filmmaking debut), this was admittedly never quite as funny as this viewer would have liked, but it was still hard to dislike. It does work towards a priceless, farcical finale. The special effects are quite amusing throughout, and those color schemes in Pats' house are offbeat, to put it one way.
Reasonably entertaining, overall.
Six out of 10.
Partly a spoof of the classic Richard Matheson story "The Incredible Shrinking Man", this wacky 1980s fantasy functions mainly as a satire of rampant consumerism. As such, it's far from being subtle, and is a little hard to stick with at first due to it being so chaotic. But Tomlin, never more appealing, is the glue to hold it all together. She's terrific; her other roles are neighborhood busybody Judith Beasley and her classic telephone operator character. Grodin is in fine form, and Beatty is a hoot. The villains are played by the likes of Henry Gibson, Elizabeth Wilson, and John Glover, and they're all good. Shelby Balik and Justin Dana are cute as Pats' kids. But the man who deserves a special shout-out is makeup effects ace and multiple Oscar winner Rick Baker, who hilariously, endearingly plays a gorilla named Sidney.
Written by Jane Wagner, and directed by Joel Schumacher (his feature filmmaking debut), this was admittedly never quite as funny as this viewer would have liked, but it was still hard to dislike. It does work towards a priceless, farcical finale. The special effects are quite amusing throughout, and those color schemes in Pats' house are offbeat, to put it one way.
Reasonably entertaining, overall.
Six out of 10.
12 and under cinema.
I saw this in the theater when I was 11, liked it, and filed the memory of it under "good movie" in my mental cache. All of it's socio-political subtext --endless stabs at Madison Avenue, mass marketing and gross consumerism: Pat is a pimped-out product whore in the merciless clutches of her scAmway-pushing neighbor, and it eventually begins eating away at her, quite literally-- these bits of 'wink-wink' adult humor sailed right over my Bazooka gum-chomping, 11 year-old head.
The fun in "Incredible Shrinking Woman" was the ignorance to the script's so-called message. What tickled us kiddies in the audience was the sight of a pocket-sized Lily Tomlin sporting plastic Barbie sneakers, bedding down at night on a cot in the Barbie Dream House, and cruising down the hallway carpet in an out-of-control Barbie Dream Car. And when the 10-inch version of Pat attempts to perform her daily chores, such as washing the dishes...hee hee... fun stuff if you're a kid.
This flick resurfaced on cable recently, I was reminded that most of what we liked as 11 year olds is pretty cringe-worthy to us as adults. But I went ahead and watched it anyway because it has 3 things working for it:
-Lily Tomlin
-the nostalgia factor
-& that irritatingly catchy "What would we do without Galaxy Glue?" tune
I saw this in the theater when I was 11, liked it, and filed the memory of it under "good movie" in my mental cache. All of it's socio-political subtext --endless stabs at Madison Avenue, mass marketing and gross consumerism: Pat is a pimped-out product whore in the merciless clutches of her scAmway-pushing neighbor, and it eventually begins eating away at her, quite literally-- these bits of 'wink-wink' adult humor sailed right over my Bazooka gum-chomping, 11 year-old head.
The fun in "Incredible Shrinking Woman" was the ignorance to the script's so-called message. What tickled us kiddies in the audience was the sight of a pocket-sized Lily Tomlin sporting plastic Barbie sneakers, bedding down at night on a cot in the Barbie Dream House, and cruising down the hallway carpet in an out-of-control Barbie Dream Car. And when the 10-inch version of Pat attempts to perform her daily chores, such as washing the dishes...hee hee... fun stuff if you're a kid.
This flick resurfaced on cable recently, I was reminded that most of what we liked as 11 year olds is pretty cringe-worthy to us as adults. But I went ahead and watched it anyway because it has 3 things working for it:
-Lily Tomlin
-the nostalgia factor
-& that irritatingly catchy "What would we do without Galaxy Glue?" tune
Lo sapevi?
- QuizDebut theatrical feature film directed by Joel Schumacher. In his his 2002 autobiography "I Like it Better when You're Funny," Charles Grodin recounts Shumacher once saying "I'm giving directions to Lily Tomlin and Charles Grodin, and they're listening to me!"
- BlooperThe position of Judith's arms change after she sits on the kid's toy in the kitchen.
- Versioni alternativeWhen ABC broadcast the film in 1983, there are scenes that were not in the theatrical cut: Dr. Ruth communicating with patients on monitors. During these scenes, Pat was finding ways to get out of her cage. Also, this scene includes Lily Tomlin's role as Edith Ann (which she played on her Broadway shows). Finally, Pat Kramer tries to reach the switches to turn on the monitor but, she turned it on with her foot.
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- La más pequeña del mundo
- Luoghi delle riprese
- 2245 Yosemite Dr, Los Angeles, California, Stati Uniti(grocery store)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 10.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 20.259.961 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4.279.264 USD
- 1 feb 1981
- Lordo in tutto il mondo
- 20.259.961 USD
- Tempo di esecuzione1 ora 28 minuti
- Mix di suoni
- Proporzioni
- 1.85 : 1
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