L'ululato

I never understood why joe dante's movies are so unfairly rated here. Not even a 7? Most of his movies are great, they show how passionate he is about cinema, how he wants the viewer to be engaged and fascinated about what he's seeing. The special effects are great in general, and we're talking about 1981. It starts slowly, not in a boring way but a bit slowly, and it builds the atmosphere throughout the first hour. The last half an hour it's just pure fun that you see with a smile in your eyes, laughing and being scared at the same time.

It's just that type of movie where you get what you're waiting for, and your expectations are in place. Joe Dante knows how to build an amosphere, how to make the characters scary but not terrifying and mostly what i really love about it is how he's committed to the amusement of the audience. I liked this one as much as an american werewolf in london. It's not my favourite joe dante movie (i think matinee still wins) but it's cinema gold. Go and check it, it does deserve it. Dante is one of the most underrated directors ever,

After a bizarre and near deadly encounter with a serial killer, a popular television newswoman called Karen White (Dee Wallace) suffers an embarrassing breakdown during the live broadcast. In an effort to recover from her trauma, Karen visits her psychiatrist, Dr. George Waggner (Patrick Macnee). Meantime, Karen's colleagues Terry (Belinda Belaski) and Chris (Dennis Dugan), continue their investigation of "Eddie the Mangler". Then Karen is sent to a remote mountain resort whose residents may not be what they seem. It is a secluded retreat where the strange residents (John Carradine, Slim Pickens, Elisabeth Brooks, Noble Willingham), are rather too eager to make her feel at home. There Karen and his husband (Christopher Stone) discover a weird form of lycanthropes. There's a pack of werewolves who are trying to keep a low profile and really hidden under ordinary villlagers. What she has witnessed, she cannot escape. What he has become, he cannot control. And what you experience, no one will believe until they come face to face with the inhuman fear that is the howling. All your nightmares are about to be transformed into one single inescapable fear! They're out there - and you're in the middle of your worst nightmare...When the howling starts... the horror begins! Beyond anything human. Imagine your worst fear a reality.

A classy horror movie that gives the quirkness and wit of the vintage wolfman genre. The motion picture displays action, suspense, terror with fun touches. Crammed with inside jokes, this horror-comedy pioneered the use of the body-altering prosthetic make-up (by Rob Bottin) now essential for on-screen man-to-wolf transformations. In ¨The Howling¨ stands out a great support cast cast with plenty of familiar faces, such as: Patrick Macnee, Belinda Balaski, Dennis Dugan John Carradine, Slim Pickens, Elisabeth Brooks, Noble Willingham, Robert Picardo, Kevin McCarthy,Kenneth Tobey, Dick Miller, among others. The motion picture was competently directed by Joe Dante. Rating: 7.5/10, better than average.

Followed by six sequels: ¨The Howling 2, your sister is a werewolf¨ 1985 by Philippe Mora with Christopher Lee, Sybil Danning, Marsha Hunt, Reb Brown. ¨Howling 3, The marsupials¨ 1987 by Philippe de Mora with Barry Otto, Michael Pate, Frank Thring Jr. ¨The Howling 4, The original nightmare¨ 1988 by John Hough with Romy Windsor, Michael T Weiss, Anthony Hamilton. ¨Howling 5, The Rebirth¨ 1989 by Neal Sundstrom with Philip Davis, Ben Cole, Victoria Catlin. ¨The Howling 6, The Freaks¨ 1990 by by Hope Perello with Michelle Matheson, Brendan Hughes, Antonio Fargas. ¨The Howling 7, New moon rising¨ 1995 by Clive Turner with Romy Windsor, Jacqueline Armitage, Clive Turner, Elizabeth She.

Most of my favourite horror movies of the 1980s were small, indie movies made outside the major studio system e.g. 'The Evil Dead', 'Maniac', 'Basket Case'. Most of the "big" horror movies then (like now) were pretty lame. 'The Howling' is a notable exception. Watching it over twenty years after it was originally released is quite an eye-opener. It not only holds up well, it is in fact, a damn fine movie. Joe Dante must take the credit for this. For me in the 1980s Dante was like a smarter, more inventive Spielberg. Dante, who learned his chops working for Roger Corman as an editor, writer and director, is a knowledgeable horror buff (Universal, Hammer, Bava movies) with a sly wit and great sense of fun. 'The Howling' is full of in jokes and ironic nods, but never goes all the way into comedy. Dante takes the material seriously. This is a pretty scary movie and the werewolves are some of the best ever seen. Dee Wallace ('The Hills Have Eyes', 'The Frighteners') is a TV reporter who is traumatized after a close encounter with a serial killer (Dante regular Robert Picardo). Dr. Waggner (Patrick Macnee of 'The Avengers' fame), a charming psychiatrist she knows and trusts suggest that she and her husband Bill (Christopher Stone) join him at his therapeutic retreat "The Colony". I won't spoil the movie by going into detail about what happens next, but it's creepy and entertaining. Wallace is very good and Picardo, who usually plays comic roles, is convincing as Quist the psycho nut job. 'The Howling' was co-written by John Sayles, who pops up in a cameo, as does Roger Corman, and super fan Forrest J. Ackerman, former editor of 'Famous Monsters Of Filmland'. Dante is a loyal guy who always likes to acknowledge where he is coming from, so as well as Corman and Ackerman there are roles for horror legend John Carradine, Kevin McCarthy ('Invasion Of The Body Snatchers'), Kenneth Tobey ('The Thing From Another World'), Slim Pickens ('Dr Strangelove') and Dick Miller (as "Walter Paisley" his character in Corman's 1950s b-grade classic 'A Bucket Of Blood'). 'The Howling' is sure to be enjoyed by every horror buff and for me is one of the all time best werewolf movies along with Universal's 'The Wolf Man' and Hammer's underrated 'The Curse Of The Werewolf'.

Joe Dante is a great fan of the horror genre, and most of his films are dedicated to that passion directly, as in his film creations, and indirectly, with his use of inside jokes and references and his use of beloved figures from the genre itself in small roles. It is this passion and love that makes his films special, and The Howling is no different. It is a boost for the relatively weak sub-genre of lycanthropy. It has marvellous special effects which are still quite good by today's standards, some good humour, well-choreographed chase scenes, and some good acting. The script is weak and laden with cliches, but remember it is a parody in ways. Dante names characters using the names of great horror directors(his idols I imagine) such as Terry Fisher, Freddie Francis, and Erle Kenton. Forrest J. Ackerman, Roger Corman, John Sayles, Dick Miller, John Carradine, Kenneth Tobey, and Kevin McCarthy make appearances. Patrick Macnee is quite good in his role, and Dee Wallace is excellent in her screaming way. Overall a fine film!

This classic werewolf movie is not as good as "An American Werewolf in London", however it is a pretty good horror movie in its own right. It is also one of the first (if not the first) to do an on screen transformation scene not using the old frame by frame technique. The story has a female reporter traumatized after she helps the police track down a serial killer. A friend psychiatrist sends her to a retreat known as "the colony" to help her unwind and get to the root of her problem. Well lets just say her first impulse was right as she really seems to think her and her husband are out of place in this retreat. I would agree, I do believe I would have left after seeing the first little beach party where the guy about to throw himself in the fire seemed the most sane. For the most part this movie has a bit of a slow setup, but once it gets going near the last 20 or thirty minutes it really gets going. The werewolves look rather good, there are a couple of scenes where they appear to be nothing more than cartoons or something, but for the most part they look like working models. There is a bit at the end which puzzles me as it seems to add humor into what was otherwise a movie that wasn't trying to garner laughs. However, for the most part you get a rather nice horror movie with lots of stars, something of a rarity this day and age.