La guerra del fuoco

"Quest for Fire" (1981 - 100 minutes), under Jean-Jacques Annaud direction and written by Gérard Brach, was based on the book of J. H. Rosny. The movie develops a travel in time showing one of the biggest conquest of human kind: the domain of fire. It's a 80 thousand years ago beautiful drama. The Ulan tribe lives nearby a natural source of fire. When the fire went out, three members of the tribe have to search for a new flame. After several days of walking and having to face many dangerous situations like wild animals, down temperatures and even cannibal tribes, they found the Ivakas, a more evolved human group that had already discovered how to "make" fire. With locations in Kenya, Scotland, Island and Canada, the movie was based on scientific knowledge, showing convincing habitats and characters. The preparation work of the actors body language was done by the Anthropologist Desmond Morris and Anthony Burgess took care of the "talking" of these human ancestors. Almost an Anthropology documentary, this excellent movie shows at the end a scene that suggests the "discovery of love" between male and female. Absolutely unforgettable.

Raw and at times brutal, this story follows three primitive warriors who make a cross-country journey in search of that most precious of natural elements ... fire. In prehistoric times, having fire meant survival from the cold and protection from predators.

In this film, facial gestures, hand movements, general body language and mannerisms of the characters are all consistent with conclusions about early man, as a result of thorough anthropological research. In lieu of modern language the film's dialogue consists of some 350 invented words and sounds, also based on research. In addition, an important part of the film is attention to detail in costumes and makeup, for which the film won several awards. All of these technical cinematic elements combine to create a reasonably accurate visual and audio impression of mankind as it existed some 80,000 years ago.

As you would expect, the film is shot entirely in rugged, remote locations, resulting in landscapes that are stunningly beautiful. Background music is generally low-key and ethereal, like what you might hear in a sci-fi film. There's lots of flute sounds, which reinforce the simplicity of the time period.

For all its technical achievements, this film's main weakness may be the screenplay. When you take away the artifacts of modern life, you're very limited in the kind of story you can tell. And that clearly is the case here, with a plot that drones on with a monotony and repetition that can be tedious, and at times difficult for some viewers.

Although the story's entertainment value may be marginal, "Quest For Fire", with its low tech cinematic style, is interesting not only for its technical elements but also for its over arching theme of modern human's continuity with prehistoric man, based on the element of fire.

Much has been said about the movie and all I want to add is what I think are the two best scenes in the movie. The first is when the clay covered tribe member took Naoh into the cave and showed him how to make fire by friction. The look on Naoh's face could not express more wonder if he had pulled a buffalo out of his ear. The second scene was after they returned to their own tribe and tried to narrate to the rest of their tribe the things that they had seen along the way, seemingly inventing language as they went.

I saw this film (on VHS rental) so long ago I might have been in it. My (ex) wife & friends thought it was stupid - "What's going on? Nobody's saying anything". I found it mesmerising and have been looking for it ever since (car boot sales, Ebay etc).

OK, if you've two adjacent brain cells, you'll spot the anachronisms and the cheap effects, but credit where it's due for originality and balls - to the director and the backers.

If you're sick of hype and tripe, find it. If you're hooked intravenously to Hollywood pap (as 99.999% of the world's population seem to be) then give it a miss.

Just my 2p.

I caught this in Boston back in 1981. They played it in the biggest cinema they had in 70mm and in stereo sound. I had only the slightest idea of what it was about but it sounded interesting. When I realized it was a caveman movie I almost left, but the beautiful wide screen cinematography kept me in my seat. Slowly it worked on me and by the end I was mesmerized.

There's not really much of a plot--the caveman discover fire and different sexual positions--and there's no dialogue that we could understand but it didn't matter. The whole cast was excellent--especially Ron Perelman and Rae Dawn Chong (who had guts to do this). Their whole performances had to be done using some foreign language and body movement but they pulled it off. I heard Anthony Burgess was called in to develop the language used and coach the cast in how to use it. The cinematography is just breath-taking and the prehistoric animals look realistic all the way. I can't exactly say why I loved this movie but I did.

20th Century Fox deserves credit for actually acquiring the film and releasing it. Naturally it bombed badly here in the US but it seems I'm not the only one who likes it--when I mention it to friends I just get a blank look back. I haven't seen it since 1981 but it's never left me. Try to see it on a big screen TV. I give it an 8.