La guerra del fuoco

Many of my friends laugh at me when I mention this movie. I don't know what makes so many of them hate it so.. Perhaps the lack of understandable dialogue? Too much like thinking to understand what is going on? Whatever it is, I am one of the few I know who feel this is a very underrated movie.. I know it is not accurate from a scientific perspective... The time line is all messed up.. but so what? I sat there in the theater just thinking.. "suppose live in our distant past WAS something like this movie. Fire=Life=Fire. Along comes a superior tribe and I realize that I could summon the flames at MY WILL. How powerful I would feel.. Almost G-d like! The photography is lush and there is a tinge of humor when the backward tribe learns to laugh. I enjoyed the story and the acting... everything. Rent it! See it twice if you must. Just maybe... we ARE looking back at ourselves.

Ignore the idiotic negative comments of the naysayers. This is a great film. It boldly creates a world unlike any we've seen before, with dedicated actors going well beyond the call of duty in portraying a life and death struggle for survival under the most harrowing conditions imaginable.

Featuring Claude Agostini's splendid wide-screen cinematography of remote, rainswept landscapes and a rich score by Phillipe Sarde, this movie will take you on a compelling journey that, if nothing else, will clarify the routine creature comforts of our civilized world in a manner more direct than anything you might have previously experienced in a theater.

Jean-Jacques Annaud and collaborators tell their tale with dramatic simplicity and virtually no dialogue, but the points made are powerful. Humanity survives, and will prevail despite our weaknesses and faults. Overall, a remarkable, life-affirming work.

Much has been said about the movie and all I want to add is what I think are the two best scenes in the movie. The first is when the clay covered tribe member took Naoh into the cave and showed him how to make fire by friction. The look on Naoh's face could not express more wonder if he had pulled a buffalo out of his ear. The second scene was after they returned to their own tribe and tried to narrate to the rest of their tribe the things that they had seen along the way, seemingly inventing language as they went.

Stanley Kubrick's classic "2001" celebrates the first weapon, when a hairy primate through some burst of savage genius turns a useless thigh-bone into a dominating club. He thereby takes a giant first step in humanity's long pursuit of bigger and better weapons. On the other hand, "Quest for Fire" dramatizes humanity's other side: the civilizing arrival of the campfire. But not just any campfire; instead it's the security found in mastering the technique to make fire any time the tribe wants. As a result, the Cro-Magnons have for the first time some control over their environment and can take time to relax. That's made apparent at film's end when the clan gathers happily around crackling embers to relate stories through crude gestures and grunts. Perhaps the evolution of complex linguistic forms had its origins in just such relaxed moments, when imagination and thinking could take hold and get expression in the company of others.

There's also that overlooked moment when Naoh humbly approaches the lordly herd of marauding mastodons. Tufts of grass in hand, he bows his head in an unmistakable gesture of submission, to which the herd responds-- not very plausibly --by chasing away the attacking cannibal clan. The point here is that Naoh understands in that quiet moment that we must live humbly with those forces much greater than ourselves if we want to survive-- a possible seed of what would later become religious belief, whether in the forces of nature or in the supposed power of the supernatural.

Of course, this is all speculation. The filmmakers don't exactly hit you over the head with their messages. However, the point is that the film succeeds admirably in getting you to think about the natural history of what these lowly but momentous origins must have been like. Moreover, there are other suggestive moments, such as when the camera transitions from Rae Dawn Chong's pregnant belly to the distant full moon and humanity's far-off future. Some reviewers point out scientific flaws in the script and reject the film on that basis. But that misses the point. Of course the film is not a documentary, so no serious researcher would base a study on it. Nonetheless, the movie remains just that, a well-staged and provocative ninety minutes of unusual filmmaking. I've seen nothing like it before or since.

"Quest for Fire" (1981 - 100 minutes), under Jean-Jacques Annaud direction and written by Gérard Brach, was based on the book of J. H. Rosny. The movie develops a travel in time showing one of the biggest conquest of human kind: the domain of fire. It's a 80 thousand years ago beautiful drama. The Ulan tribe lives nearby a natural source of fire. When the fire went out, three members of the tribe have to search for a new flame. After several days of walking and having to face many dangerous situations like wild animals, down temperatures and even cannibal tribes, they found the Ivakas, a more evolved human group that had already discovered how to "make" fire. With locations in Kenya, Scotland, Island and Canada, the movie was based on scientific knowledge, showing convincing habitats and characters. The preparation work of the actors body language was done by the Anthropologist Desmond Morris and Anthony Burgess took care of the "talking" of these human ancestors. Almost an Anthropology documentary, this excellent movie shows at the end a scene that suggests the "discovery of love" between male and female. Absolutely unforgettable.