Antropophagus

I tend to shy away from Joe D'Amato's more sleaze & sex orientated efforts. But I don't mind giving his horror outings a watch. Up until now, I thought "Buio Omega" (aka "Beyond The Darkness") was about the only film I found to really live up to its notorious reputation, while still being a reasonably good film. And as far as I'm concerned, after just having watched "Atropophagus", it still is the only one. Plain and simple, "Antropophagus" was a mild disappointment of the boring kind. It couldn't fascinate me the way "Buio Omega" did, mainly because it drags in so many places, it becomes tedious very quick. So, a bunch of characters on a holiday - all good folks, as they don't drink alcohol, they don't smoke, do drugs or have sex either - get stranded on a Greek island. Not ship wrecked, just stranded as they loose their boat. They find an abandoned village, decide to spend the night there, and rather later than sooner, some mysterious killer starts abducting and killing them off one by one. It takes even longer for them to figure out exactly what's going on behind their backs.

Now, D'Amato sure knows how to present us grisly images, creepy settings and at times inject his film with a bit of atmosphere. He also knows how to make gore look good on screen. But building up tension, clearly isn't his strongest skill (he does try, but doesn't really succeed). Also, the man has absolutely no clue how to make a decent film (with an interesting plot or how to construct a proper mystery) nor does he know how to get on with the story. The acting is awful, the dialogues are close to moronic and the movie suffers too often from scenes in which nothing is going on, really, and even senseless & illogical things occur. Like for instance, those two guys deciding to leave the village to go down to the beach to try and look for someone who was still left on the boat. Now, instead of walking down the hill, to the sea, one of them is suddenly seen walking up the mountain for no apparent reason, only to find some ruins of a castle. Him finding them by coincidence, is very convenient to the plot, of course, as it proves to be one of the hideouts of George Eastman, our demented Cannibal Man from the title of this film. And when it comes to his character, I'll admit I was thankful they gave him some sort of background story, as to why he became what he is. Though it was a very thin explanation, with little info and no elaborations, at least there was one. That did put my fear for this being merely a film about an unknown cannibalistic lunatic (of whom we learn nothing) on some island to rest.

On the other hand, the subplot about the mysterious woman in black was severely - shamefully, even - underused. Of course, you suspect from the get-go that she has certain ties with Eastman's character, but all she ever does, is stand behind a couple of windows. Well, actually, she does something else too (later on in the film), her act making up for a fine, short-lived scene. But what she does, doesn't add anything to her character, nor the story. To switch to a positive note again, Eastman's make-up was good. It really succeeds in making him look gruesome and menacing.

Then there was that one scene, earlier in the film, when a couple was investigating a basement. Another highlight, that's at the same time also a low-point. Suddenly and very obviously, some set assistant out of frame, just throws a kitten on a piano. A fantastic fake jump scare, of course. Well done, D'Amato! But then, the real shock-scare comes on, and that one really is priceless. Behind our couple, is a barrel. Suddenly, a woman covered in blood from head to toe, jumps out, screaming, waving a knife. Great shock-moment, I agree. But only if you don't think about it. If you do, for a second, then explain this to me: The barrel was filled to the top with blood - I presume, or was it wine? Inside, was a woman (waiting to jump out). Now all that time our couple was searching the basement, that woman was holding her breath in that barrel of blood? Or was she drinking the wine? This is typically D'Amato throwing logic and plausibility out the window, only to favor presenting us his precious shock-moment. It turns a cool moment, into sheer stupidity.

The musical score was at times, uh, both amusing and interesting. The big mansion near the end was a great location. And the film had that typical late 70's/early 80's gritty feel to it. But it takes more than all this to make a good film, doesn't it? The couple of death scenes we do see, are fine and bloody, with decent make-up effects. And the two most notorious gory shock-moments (which only happen near the end), are well worth seeing. But the whole film really isn't worth sitting through just for that. You might just ask a friend who was the film, to show you the nasty bits and be done with it. But make sure it's the complete uncut version.

I understand the cult following this film has (D'Amato, George Eastman and the few gory bits, I imagine), and I am glad I finally saw it myself (it is kind of a must-see, if you are into obscure & vintage Italian exploitation horror). But I can't say I watched a good film here. I would like to flunk it, even, but looking at it from all possible perspectives, I find myself able to conclude that as an exploitive shock horror feature, trying to be sickening & unsettling (and hoping to upset your stomach), well... it does succeed. So there you have it.

I originally watched this on SKY a few years back and I enjoyed it then as I did this time around.

That's right I said I enjoyed it and judging by low scores on IMDb and Rotten Tomatoes, I think I'm in the minority.

The worst thing about this film is the soundtrack. To say it's dreadful would be doing an injustice to the term understatement. There are a couple of scenes where the music sets the mood perfectly... but it is only a couple. The rest of the time the audience is assailed with a manic Wurlitzer pianist - I actually had a vision of an old time theatre (back in the silent movie days) and a man, half-crossed between The Phantom Of The Opera and The Joker, going insane of the ebony and ivories... all it lacked was a maniacal laugh.

Apart from that what the writers Joe D'Amato (Director) and George Eastman (Actor) give the audience is a new take on both the Cannibal and Zombie legends, by giving you Nikos Karamanlis, a man turned beast who is something other than alive and with a penchant for human flesh. He acquired this evil and unnatural taste after he and his family were shipwrecked... when you're miles from anywhere and starving you have to eat.

This is so much better than his follow on movie Absurd, which also fell foul of the dreaded Video Nasty title and banning.

The acting is above average. Tisa Farrow (Mia Farrow's sister) who gave a well-disposed portrayal of Julie, a student on her way to a Greek island and summer job. Along with Saverio Vallone who gives an affable portrayal of Andy, the unheralded leader of the group, these two hold the film together. Even the mostly silent Eastman as The Beast does a decent job of being menacing and actually uses his size and facial features to add power and unease (wish he'd done the same in Absurd)

For the time the effects are more than passable, the only let down is Eastman's "Beast" face as it looks like somebody has spilt cold porridge over him. Most of the dead look nasty enough, with decaying skin and maggots writhing in eye sockets. The scene with the rats would have looked more realistic had they not covered a skeleton in spam... they could have added more blood to disguise the fact - go Herschell-Lewis on them.

One thing that did impress me is most of the scenes are shot in daylight and D'Amato still builds a sense of tension and unease. The scene where Arnold is looking for his pregnant wife Maggie and stumbles into a clearing by a ruinated abbey sent a shiver down my spine. You can actually feel something watching him.

There is more to this film than I originally thought and I would recommend it to all horror fans who haven't seen it yet. And I will be watching this again in the future.

A group of young adults go to a Greek island, where things go from bad to worse when they find that everyone on the island -- with the exception of a blind girl -- has been killed. Clearly, they didn't see the exploitation film "Island of Death" to learn why Greek islands are bad. What they encounter is a man who is more beast than anything, with an insatiable thirst for human blood and flesh.

This film has floated around under various names -- "Grim Repaer", "Man Eater" and the misspelled "Antropophagus" to name a few -- for quite some time, gaining notoriety for its banned status in England and two scenes which had to be cut when it was finally released (one involving a man eating his own intestines and the other with a baby being ripped from a womb and devoured). The hype is more than enough to get people to see the film, though it's tame by today's standards. (I hate to reference "Island of Death" yet again... but if you want to be shocked, the goat scene in that one easily outdoes anything shown here).

I enjoyed this one. There's something about older horror films, even those with poor film quality, that have a value to them modern films lack. And the cannibal, played by George Eastman, is a disgusting creature in his own right. Even without the publicity or the previously cut scenes (now restored in many versions) Eastman is convincing and works well. (For what it's worth, the blind girl is also pretty cool -- on par with the blind girl in "Castle Freak" -- and I'm very glad they scripted her in to this one.) Decent plot, decent characters, decent blood and gore. Unless you're impatient with older films, this is one that is worth your time and I can see myself seeing it again and again if the opportunity presents itself. Make sure you get an uncut copy. You don't need those extra scenes to enjoy this film, but if you're going to view it, you may as well get the full effect and see what lead to the banning in the first place. You'd be surprised what gets people riled up.

This is a pretty cool movie, although I do reckon that you need to be a little sick in the head in order to truly enjoy Joe D'Amato's wicked imagination. "Antropophagus" (LOVE the title!!) is a notorious video-nasty because it contains shock-sequences that ...well...aren't exactly for the squeamish! The pivot figure is a savage and bloodthirsty man that prowls a Greek island (Greek islands are dangerous tourist places apparently...anyone remember 'Island of Death'?) and devours pretty much everything and everyone that crosses his path. The film focuses on the encounter between this maniac and a group of young tourists that coincidentally strand on the island. Apart from the downright nauseating gore (he eats a fetus, for Christ's sake!), this is a rather suspenseful and atmospheric Italian horror film that surely ranks among D'Amato's best work, alongside "Beyond the Darkness" and "Death Smiles at Murder". In case you're a fellow Italian horror fanatic, you'll love the cast that includes George Eastman, Tisa Farrow and Serena Grandi. True, there are some really tedious moments to sit through but the gore is rewarding and the music is terrific. There equally is some gratuitous sleaze to enjoy, as well as some nice photography. Due to its violent and raw nature, "Antropophagus" is one of the most cut films ever. Avoid any version that says "Grim Reaper" on the cover because that's the version that leaves out all the sweet nastiness you're so desperately looking for :)

Going into Antropophagus aka Man-Eater (man i have a tough time, pronouncing that) I knew a couple things about it. I knew it was a classic of euro horror and I knew that it was supposed to be pretty gory. And I would say both are true. While watching the opening credits I also found out that it was directed by Joe D'Amato, big time sleaze/horror director. After seeing Buio Omega and this one really gets to know his style of directing.

Antrophoghagahasus....Man-Eater is about a few wealthy people taking a vacation and visiting an island. What they don't know is that the island people have all vanished, thanks to one of the coolest villains in horror history. No joke. So obviously they arrive to the island, and bad things start to happen. Simple but fun.

I hear people find this movie dull, and I can totally see where they're coming from. In the beginning especially there were a few instances I caught myself not even paying attention. But these day-dream episodes didn't happen again and I was pretty happy with the following results. The movie (uncut) isn't full of gore, but it has it's fair share, especially the ending which was funny as hell. It's one of those moments where you're telling yourself - He's not gonna...he's not...Awesome! - Actually there are two moments in this film that gage that type of reaction.

If you're into euro horror, you've most likely already checked this out, but if you're just a horror fan looking for something different, this is one flick I would definitely recommend. It has D'Amato directing, pretty girls, cool gore, some nice suspense and a pretty badass villain. 8 outta 10