Il drago del lago di fuoco

Dragonslayer came out when "Dungeons & Dragons" was getting to be a big thing where I live, so there was a lot of interest. It was even adapted into a book by Wayland Drew (in a rare instance when a movie preceded a book).

Two things I like mainly. First, of course: Vermithrax. I rather hope that Dragonslayer is never remade, for there's no way the digital animation done these days could do this magnificent creature justice. New isn't always better.

It's also nice to see a film which doesn't stereotype Pagans and magicians as evil. In fact, the film treads the whole good-evil line rather lightly; Ulrich displays a certain respect for Vermithrax, even while planning the dragon's demise.

I find it easy to be swept up in the lovely mystery of Dragonslayer: a mystical film from 1981 (a more mystical age).

Dragonslayer is a great fantasy film. The special effects hold up fairly well even today. The dragon is just a model and it looks fantastic. I was only 9 years old when I saw this film and it has stuck with me ever since. There are great performances and the direction is tight. The set design is also done well. Dragonslayer has a great atmosphere and you won't forget the image of the dragon rising from the water behind our hero anytime soon.

After the death of his wizard master, young Galen wants to kill a giant dragon that terrorises people all over Urland. To secure a peaceful living, people have to sacrifice virgins to the horrible fire-spitting beast. How can Galen, who still isn't even a real wizard, beat the dragon?

This movie coming from Walt Disney, I was worried it might be too lighthearted to be a really good fantasy film. Luckily, I was wrong! There are surprise deaths of cast members and even some scenes of gore, helping to create just the right kind of atmosphere. The special effects here are really excellent and hold up very well to today's CGI spectacles. Also, the Dragon looks absolutely incredible. The movie probably would have benefited from a more remarkable musical score, the kind of which a Basil Poledouris might have composed. Still, this is a must-see fantasy film, almost in the league of "The Lord of the Rings".

This movie benefits from an interesting plot, a wonderful female character played by Caitlin Clarke, and good plot twists. I'm not a big fan of the male lead; his looks are a little average and uninteresting to me. The only other drawback are the ugly hats characters wear in this film. However, what makes this movie unique are its visuals, which through creativity and hard work, outshines many fantasy movies of the 90's and early 2000's.

This film proves that it doesn't need 21st century technology to make a beautiful and visually complex piece. As I watched the dragon, it was easy to tell that it was not real; it had flaws in its appearance and its movements were not perfect. But that did not detract at all from the film, because what made the dragon impressive was the artistic elements of its design; its many layers of thin, translucent membrane, its finely chiseled and formed teeth, and the almost charcoal-like, tough scales on its hide. In many modern fantasy movies, the creatures and dragons are uninspired, dull, and drab, despite the computer engineering behind them. In the 80's, directors had to be creative to produce their desired effect, and this creativity went a long way in producing visuals that both wowed audiences with their appearance and the thought of the work that went into making them.

I'm not sure there's more than one compelling reason to see this film, but what a reason! As an SF/fantasy buff, I've seen my share of dragons on film, but there has never been one like Vermithrax Perjorative. The old beast simply looks, moves, sounds, acts, almost smells as one would imagine a dragon would. The filmmakers paid painstaking attention to detail in creating VP. Other film dragons look like animated clay figures, or lizards with wings glued on, or CGI effects (impressive, but still obviously computer-generated). This one looks like the cinematographer actually caught a dragon on film. The rest of the film is entertaining enough - not exactly Wellesian drama, but captivating nonetheless. Sir Ralph is marvelous, even in his twilight. And the fact that the dragon doesn't show until the end serves to heighten the suspense, ala Jaws or Alien. But, oh that dragon!! Well worth the price of admission. Can't wait to see it on DVD.