Una piccola cerchia di amici

This film follows the lives of three friends (Davis, Allen, and Parker) as they attend Harvard in the 1960's. They meet, bond, fall in and out of love, and challenge the system during the time of social upheaval and student unrest. Their friendship is complicated when a love triangle develops, and it takes a senseless tragedy to bring them crashing back down to earth.

Like many films set in this era, most key events, from LBJ refusing to seek a second term to the rise of the far left terrorist groups, are seen through the eyes of the main characters. But unlike films like 'Forrest Gump,' the historical references feel more organic to the film, and not just points on a timeline.

The three leads are very good as well. Through the various ups and downs in their friendships and the world around them, Brad Davis, Karen Allen and Jameson Parker manage to communicate the changes their characters go through over the two decades this film spans. Even though some of the film borders on melodrama, there are enough interesting sections of the film that keep it from becoming trite.

But what I liked most about this film was that it doesn't romanticize the counter-culture. It shows the flaws in the idealism and that not everyone who was against the war was an enlightened peace loving flower child. But it also shows the good things. Like the sense of community, protest through art, and an embracing of love over violence. 'A Small Circle of Friends' manages to show that the hippies were individuals making their own choices and dealing with the consequences, and not some giant smelly organism that shared a collective consciousness.

A brilliantly realized movie, with a lovingly detailed script by Ezra Sacks, about three Boston college students and their changing relationships during the turbulent anti-Vietnam protests of the 1960's. Brad Davis as Leo, the wild man, Jameson Parker as Nick, his straight-arrow buddy and the lovely Karen Allen as the Radcliffe artist they both love. One of the few American movies that succeeds in handling a menage a trois without being tasteless. Both funny and heartbreaking, this is a lovingly realized tale about a tragic period in American history and the toll it took on the student population. Shamefully underrated at the time of its release, this is a superior movie, with quality contributions from all sides, that deserves a much greater recognition than it has received. First time director Rob Cohen does a terrific job, drawing from his own experiences at Harvard during this turbulent anti-war period. A haunting musical score from Jim Steinman that echoes with familiarity from his later works. Anyone purchasing the DVD should listen to Cohen's audio commentary to appreciate just how greatly he was involved in the creation of this movie and to understand the battles that the students of the 60's had to wage against an oppressive and unheeding government. Plaudits to everyone involved in this worthy endeavor. This is a history lesson every student of today should be obligated to watch.

Fun, well-done film about college life in the 1960s, a volatile time. The U.S. still had the draft, so that was one concern. Jameson Parker was probably best known for his role on Simon and Simon. (had some wacky adventures in his personal life.... check it out on wikipedia!) Co-stars Brad Davis (played gay roles before it was common to do so. sadly, Davis died quite young in real life.) and Karen Allen (Indiana Jones and Animal House) are students, who all get to be close friends. Also a thirty year old Shelley Long. War protesting, antics, and love affairs along the way. Good, for the most part. sometimes overly-dramatic and preachy, but good stuff. the short, symbolic scenes really catch the various sentiments of the time. the anger over the vietnam war, and the roles played by presidents johnson and nixon. and some very pretty piano music. Directed by Rob Cohen. made an interesting mix of adventure films and television series. Written by Ezra Sacks, who had only written two other things made into film.

The most resonant element of director Rob Cohen's film is the music score by Jim Steinman, which includes the melody that was later recorded as Total Eclipse of the Heart. Otherwise this tale of a supposed menage-a-tois between Harvard university students Brad Davis, Karen Allen and Jameson Parker is as dramatic as the cartoon opening and closing sketches. The screenplay by Ezra Sacks attempts coverage of the Vietnam era from 1967 to 1971 from a student activist point of view, but the tri-romance hardly seems from the same era since it isn't until towards the end that there is any suggestion of bigamy. There is also even less suggestion of homosexuality interest between Davis and Parker. When the 3 finally go into the same bedroom, the camera is left outside and the door closed. Their lack of involvement in activism is paralled with the radicalisation of a Texan boy scout who comes to Harvard at the same time and ends up a terrorist, and highlighted by a campus riot that comes out of nowhere. Even the Vietnam connection as a comment on the relationship and vice versa doesn't work. Sacks opens with Parker reuniting with Allen in "the present"before we start flashbacking to 1967, with Davis' absence pre-empting the outcome, and Cohen supplies matching love scene montages. Davis' has steam so apparently is more erotic and ends abruptly, whilst Parker's is set to Chances Are and ends more positively. Sacks has 2 lines I liked - a technique of breaking into a glass window "I saw it on I Spy or was it The Untouchables", though Cohen repeats it, and "Only men would come up with a draft lottery using balls". Utilising period TV and photographic images - the assassinations of the Kennedy's and Martin Luther King - and a series of bad wigs, the only sense of reality and truth comes in a moment when someone sings the Star Spangled Banner to TV closure. Davis has the impossible charming/wild man role, not helped by his looking older than the others, and the best he can do is stare child-like for vulnerability. Allen doesn't have a strong screen persona so it's easy to think one is watching Amy Irving or Janet Margolin or Brooke Adams. Of the 3, Parker probably comes off best even when saddled with a Colonel Sanders look. His character's basic dullness is probably the reason he needs to be reunited with Allen. Even when the competition is Davis, anyone that prefers to experiment with rats rather than go to an Ingmar Bergman film is definitely worth reconsidering as a partner. Watch for Shelley Long as a photographer, and Daniel Stern, billed as Dan.

True classic bringing our college life in the 60's to the screen, nostalgic and accurate, and deeply appreciated. I know of no other film which makes it possible for the x-generation to get a glimpse of how we baby boomers emerged.