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Shining

Titolo originale: The Shining
  • 1980
  • VM14
  • 2h 26min
VALUTAZIONE IMDb
8,4/10
1,2 Mln
LA TUA VALUTAZIONE
POPOLARITÀ
301
30
Shining (1980)
Trailer 1
Riproduci trailer0:54
17 video
99+ foto
DrammaDramma psicologicoHorror psicologicoHorror soprannaturaleOrrore

Una famiglia si dirige verso un hotel isolato per l'inverno, dove una presenza spirituale malvagia induce il padre alla violenza, mentre il figlio telepatico vede orribili presentimenti del ... Leggi tuttoUna famiglia si dirige verso un hotel isolato per l'inverno, dove una presenza spirituale malvagia induce il padre alla violenza, mentre il figlio telepatico vede orribili presentimenti del passato e del futuro.Una famiglia si dirige verso un hotel isolato per l'inverno, dove una presenza spirituale malvagia induce il padre alla violenza, mentre il figlio telepatico vede orribili presentimenti del passato e del futuro.

  • Regia
    • Stanley Kubrick
  • Sceneggiatura
    • Stephen King
    • Stanley Kubrick
    • Diane Johnson
  • Star
    • Jack Nicholson
    • Shelley Duvall
    • Danny Lloyd
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,4/10
    1,2 Mln
    LA TUA VALUTAZIONE
    POPOLARITÀ
    301
    30
    • Regia
      • Stanley Kubrick
    • Sceneggiatura
      • Stephen King
      • Stanley Kubrick
      • Diane Johnson
    • Star
      • Jack Nicholson
      • Shelley Duvall
      • Danny Lloyd
    • 2.4KRecensioni degli utenti
    • 400Recensioni della critica
    • 68Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
  • Film più votato #66
    • Premi
      • 6 vittorie e 9 candidature totali

    Video17

    The Shining
    Trailer 0:54
    The Shining
    The Shining
    Trailer 1:30
    The Shining
    The Shining
    Trailer 1:30
    The Shining
    In Memoriam 2024
    Clip 2:53
    In Memoriam 2024
    Stream & Scream: The Best Haunted Houses
    Clip 4:35
    Stream & Scream: The Best Haunted Houses
    How "The Umbrella Academy" Survives 1960s Dallas in Season 2
    Clip 3:36
    How "The Umbrella Academy" Survives 1960s Dallas in Season 2
    'The Shining' | Anniversary Mashup
    Clip 1:51
    'The Shining' | Anniversary Mashup

    Foto626

    Visualizza poster
    Visualizza poster
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    + 620
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    Interpreti principali99+

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    Jack Nicholson
    Jack Nicholson
    • Jack Torrance
    Shelley Duvall
    Shelley Duvall
    • Wendy Torrance
    Danny Lloyd
    Danny Lloyd
    • Danny
    Scatman Crothers
    Scatman Crothers
    • Hallorann
    Barry Nelson
    Barry Nelson
    • Ullman
    Philip Stone
    Philip Stone
    • Grady
    Joe Turkel
    Joe Turkel
    • Lloyd
    Anne Jackson
    Anne Jackson
    • Doctor
    Tony Burton
    Tony Burton
    • Durkin
    Lia Beldam
    Lia Beldam
    • Young Woman in Bath
    Billie Gibson
    • Old Woman in Bath
    Barry Dennen
    Barry Dennen
    • Watson
    David Baxt
    David Baxt
    • Forest Ranger 1
    Manning Redwood
    Manning Redwood
    • Forest Ranger 2
    Lisa Burns
    • Grady Daughter
    Louise Burns
    • Grady Daughter
    Robin Pappas
    • Nurse
    Alison Coleridge
    • Secretary
    • Regia
      • Stanley Kubrick
    • Sceneggiatura
      • Stephen King
      • Stanley Kubrick
      • Diane Johnson
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti2.4K

    8,41178.3K
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    Riepilogo

    Reviewers say 'The Shining' is lauded for its atmospheric tension, innovative camera work, and Jack Nicholson's performance. Kubrick's direction and psychological horror elements are often highlighted. Criticisms include deviations from the novel, underdeveloped characters, and perceived lack of coherence. Shelley Duvall's performance divides opinions. Pacing and length are contentious, with some finding it slow and others appreciating the build-up. Despite mixed views, it remains influential in horror.
    Generato dall’IA a partire dal testo delle recensioni degli utenti

    Recensioni in evidenza

    9richardchatten

    Cabin Fever

    Stephen King was so horrified at what Stanley Kubrick did to his 1977 novel he felt it necessary to later write his own alternative version for TV. Dismissed at the time as an anticlimax the pendulum of history quickly swung in the opposite direction, where it remains today.

    Seldom commented upon is the obvious influence on Kubrick of 'Last Year in Marienbad' - already apparent in '2001' - with its endless tracks through an enormous soulless hotel in the middle of nowhere to the accompaniment of a glacial music score, within which Kubrick stages at least two moments worthy of his name for which the film has been carefully preparing us for over an hour: the discovery by Shelly Duvall exactly what her husband (played by Jack Nicholson as if he's auditioning for the role of Richard III) has been labouring on since his arrival and that she and her son are trapped in the middle of nowhere completely at the mercy of a maniac, and the final track into the photograph of Nicholson among the revellers on July 4th 1921 which is quite an ending but - like so much else in the film - to which there is probably far less than meets the eye.
    9FlickJunkie

    Amazing achievement in filmmaking and the art of terror.

    Chilling, majestic piece of cinematic fright, this film combines all the great elements of an intellectual thriller, with the grand vision of a director who has the instinctual capacity to pace a moody horror flick within the realm of his filmmaking genius that includes an eye for the original shot, an ice-cold soundtrack and an overall sense of dehumanization. This movie cuts through all the typical horror movies like a red-poker through a human eye, as it allows the viewer to not only feel the violence and psychosis of its protagonist, but appreciate the seed from which the derangement stems. One of the scariest things for people to face is the unknown and this film presents its plotting with just that thought in mind. The setting is perfect, in a desolate winter hideaway. The quietness of the moment is a character in itself, as the fermenting aggressor in Jack Torrance's mind wallows in this idle time, and breeds the devil's new playground. I always felt like the presence of evil was dormant in all of our minds, with only the circumstances of the moment, and the reasons given therein, needed to wake its violent ass and pounce over its unsuspecting victims. This film is a perfect example of this very thought.

    And it is within this film's subtle touches of the canvas, the clackity-clacks of the young boy's big wheel riding along the empty hallways of the hotel, the labyrinthian garden representing the mind's fine line between sane and insane, Kubrick's purposely transfixed editing inconsistencies, continuity errors and set mis-arrangements, that we discover a world guided by the righteous and tangible, but coaxed away by the powerful and unknown. I have never read the book upon which the film is based, but without that as a comparison point, I am proud to say that this is one of the most terrifying films that I have ever seen. I thought that the runtime of the film could've been cut by a little bit, but then again, I am not one of the most acclaimed directors in the history of film, so maybe I should keep my two-cent criticisms over a superb film, to myself. All in all, this movie captures your attention with its grand form and vision, ropes you in with some terror and eccentric direction, and ties you down and stabs you in the heart with its cold-eyed view of the man's mind gone overboard, creepy atmosphere and the loss of humanity.

    Rating: 9/10
    9Counterparts42

    Amazing Watch!

    One of those films that is a classic for a reason.

    It's been on my list of movies to watch forever and a day and I finally got to it in 2023.

    This is an experience, masterfully shot and some of the most intense and engaging performances I have ever seen.

    Nicholson and Duvall have a complex chemistry that works at so many levels, which is essential to the make up of this story and anchors the first class direction.

    This is cinematically spectacular, the sets and the the design of this film is isolating, terrifying and captivatingly beautiful all at the same time.

    Worth all of the accolades and hype, even at 43 years old this film delivers in spades.
    chaos-rampant

    Eeriness surpassed by class

    Sometimes all good horror needs is a good idea. But sometimes, rarely indeed, a horror masterpiece will reach us by the hand of a Kubrick, with the adept, elusive touch of a great artist to guide the vision, and we know what separates it from all else.

    Okay, the story has enough promise that even a hired gun would have to try to fail. Heck, even Stephen King himself didn't fare so bad. It's how Kubrick perceives King's universe however, how he fills the frame with it, that renders THE SHINING a feast for the senses.

    Horror that will reach us through the mind and body alike, an assault as it were, tending eventually its pitch to a crescendo, yet curiously not without a delicate lull.

    Kubrick's cinema is, as usually, a sight to behold. We get the adventurous camera that prowls through the lavish corridors of the Overlook Hotel like it is some kind of mystic labyrinth rife for exploration, linear tracking shots exposing impeccably decorated interiors in symmetric grandeur. The geometrical approach in how Kubrick perceives space reminds me very much of Japanese directors of some 10 years before. In that what is depicted in the frame, the elements of narrative, is borderline inconsequential to how they all balance and harmonize together.

    Certain images stand out in this. The first shot of Jack's typewriter, ominously accompanied by the off-screen thumps of a ball, drums of doom that seem to emanate from the very walls or the typewriter itself, an instrument of doom in itself as is later shown. A red river flowing through the hotel's elevators in a poetry of slow motions. Jack hitting the door with the axe, the camera moving along with him, tracking the action as it happens, as though it's the camera piercing through the door and not the axe. The ultra fast zoom in the kid's face violently thrusting us inside his head before we see the two dead girls from his POV. And of course, the epochal bathroom scene.

    Much has been said of Jack Nicholson's obtrusive overacting. His mad is not entirely successful, because, well, he's Jack Nicholson. The guy looks half-mad anyway. Playing mad turns him into an exaggerated caricature of himself. Shelley Duvall on the other hand is one of the most inspired casting choices Kubrick ever made. Coming from a streak of fantastic performances for Robert Altman in the seventies (3 WOMEN, THIEVES LIKE US, NASHVILLE), she brings to her character the right amounts of swanlike fragility and emotional distress. A delicate, detached thing thrown in with the mad.
    us012862

    Best Horror Film I've Ever Seen

    When this film first came out in 1980, I remember going to see it on opening night. The sheer terror that I experienced in viewing "The Shining" was enough to make me go to bed with the lights turned ON every night for an entire summer. This movie just scared the life out of me, which is what still happens every time I rent the video for a re-watch. I have seen The Shining at least six or seven times, and I still believe it to be simultaneously and paradoxically one of the most frightening and yet funniest films I've ever seen. Frightening because of the extraordinarily effective use of long shots to create feelings of isolation, convex lens shots to enhance surrealism, and meticulously scored music to bring tension levels to virtually unbearable levels. And "funny" because of Jack Nicholson's outrageous and in many cases ad-libbed onscreen antics. It never ceases to amaze me how The Shining is actually two films in one, both a comedy AND a horror flick. Ghostly apparitions of a strikingly menacing nature haunt much of the first half of the film, which gradually evolve into ever more serious physical threats as time progresses. Be that as it may, there is surprisingly little violence given the apparent intensity, but that is little comfort for the feint of heart as much of the terror is more implied than manifest. The Shining is a truly frightening movie that works symbolically on many levels, but is basically about human shortcomings and the way they can be exploited by unconscious forces combined with weakness of will. This film scares the most just by using suggestion to turn your own imagination against you. The Shining is a brilliant cinematic masterpiece, the likes of which have never been seen before or since. Highly, highly recommended. - Paul

    Stephen King Movies Ranked by IMDb Rating

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Because Danny Lloyd was so young, and since it was his first acting job, Stanley Kubrick was highly protective of the child. During the shooting of the movie, Lloyd was under the impression that the film he was making was a drama, not a horror movie. In fact, when Wendy carries Danny away while shouting at Jack in the Colorado Lounge, she is actually carrying a life-size dummy, so Lloyd would not have to be in the scene. He only realized the truth several years later, when he was shown a heavily edited version of the film. He did not see the uncut version of the film until he was seventeen, eleven years after he had made it.
    • Blooper
      During the long shot of the Overlook Hotel in the beginning (right before The Interview title card), the maze cannot be seen, though throughout the rest of the movie it is rather close to the hotel.
    • Citazioni

      Jack Torrance: Here's Johnny!

    • Curiosità sui crediti
      The party music plays over the closing credits. After it ends, we hear the Overlook Hotel ghosts applaud. They then talk amongst themselves until their voices fade away.
    • Versioni alternative
      ABC edited 4 minutes from the film for its 1983 network television premiere.
    • Connessioni
      Edited into Hai-Kubrick (1999)
    • Colonne sonore
      The Shining (Main Title)
      Written by Wendy Carlos and Rachel Elkind

      Performed by Wendy Carlos and Rachel Elkind

      Based on "Dream of a Witches' Sabbath"

      From Symphonie Fantastique by Hector Berlioz (traditional requiem "Dies Irae")

    I più visti

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    Domande frequenti46

    • How long is The Shining?Powered by Alexa
    • What is the name of the actor who played the Man in the Bear Costume?
    • If Stephen King hated this movie, why did he completely back a Direct Sequel to this movie?
    • Did the movie events happen the very next winter after Grady killed his family? If not, who was the caretaker in between and what happened during those winters?

    Dettagli

    Modifica
    • Data di uscita
      • 22 dicembre 1980 (Italia)
    • Paesi di origine
      • Regno Unito
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • El resplandor
    • Luoghi delle riprese
      • Timberline Lodge, 27500 E Timberline Road, Government Camp, Mount Hood, Oregon, Stati Uniti(Overlook Hotel exterior)
    • Aziende produttrici
      • Warner Bros.
      • Hawk Films
      • Peregrine
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 19.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 45.634.352 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 622.337 USD
      • 26 mag 1980
    • Lordo in tutto il mondo
      • 47.979.668 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 2h 26min(146 min)
    • Colore
      • Color
    • Mix di suoni
      • Mono

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