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Alien

  • 1979
  • T
  • 1h 57min
VALUTAZIONE IMDb
8,5/10
1 Mln
LA TUA VALUTAZIONE
POPOLARITÀ
124
47
Alien (1979)
A mining ship, investigating a suspected SOS, lands on a distant planet. The crew discovers some strange creatures and investigates.
Riproduci trailer2:05
10 video
99+ foto
CyberpunkHorror mostruosoInvasione alienaOrrore corporeoSpazio e fantascienzaTragediaFantascienzaOrrore

Dopo che una nave mercantile spaziale percepisce una trasmissione sconosciuta che interpretano come una chiamata di soccorso, uno dei membri dell'equipaggio viene attaccato da una misteriosa... Leggi tuttoDopo che una nave mercantile spaziale percepisce una trasmissione sconosciuta che interpretano come una chiamata di soccorso, uno dei membri dell'equipaggio viene attaccato da una misteriosa forma di vita durante il suo sbarco sulla luna, e presto si rendono conto che il suo cicl... Leggi tuttoDopo che una nave mercantile spaziale percepisce una trasmissione sconosciuta che interpretano come una chiamata di soccorso, uno dei membri dell'equipaggio viene attaccato da una misteriosa forma di vita durante il suo sbarco sulla luna, e presto si rendono conto che il suo ciclo vitale è appena iniziato.

  • Regia
    • Ridley Scott
  • Sceneggiatura
    • Dan O'Bannon
    • Ronald Shusett
  • Star
    • Sigourney Weaver
    • Tom Skerritt
    • John Hurt
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,5/10
    1 Mln
    LA TUA VALUTAZIONE
    POPOLARITÀ
    124
    47
    • Regia
      • Ridley Scott
    • Sceneggiatura
      • Dan O'Bannon
      • Ronald Shusett
    • Star
      • Sigourney Weaver
      • Tom Skerritt
      • John Hurt
    • 1.9KRecensioni degli utenti
    • 294Recensioni della critica
    • 89Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
  • Film più votato #49
    • Vincitore di 1 Oscar
      • 19 vittorie e 22 candidature totali

    Video10

    Theatrical Version
    Trailer 2:05
    Theatrical Version
    Alien
    Trailer 1:06
    Alien
    Alien
    Trailer 1:06
    Alien
    Close Encounters with Xenomorphs on 'Alien: Romulus'
    Clip 2:36
    Close Encounters with Xenomorphs on 'Alien: Romulus'
    Why We Can't Wait for Alien: Romulus
    Clip 2:43
    Why We Can't Wait for Alien: Romulus
    5 Award-Winning Sci-Fi Films to Stream
    Clip 1:00
    5 Award-Winning Sci-Fi Films to Stream
    A Guide to the Films of Ridley Scott
    Clip 1:40
    A Guide to the Films of Ridley Scott

    Foto362

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 355
    Visualizza poster

    Interpreti principali10

    Modifica
    Sigourney Weaver
    Sigourney Weaver
    • Ripley
    Tom Skerritt
    Tom Skerritt
    • Dallas
    John Hurt
    John Hurt
    • Kane
    Veronica Cartwright
    Veronica Cartwright
    • Lambert
    Harry Dean Stanton
    Harry Dean Stanton
    • Brett
    Ian Holm
    Ian Holm
    • Ash
    Yaphet Kotto
    Yaphet Kotto
    • Parker
    Bolaji Badejo
    Bolaji Badejo
    • Alien
    Helen Horton
    Helen Horton
    • Mother
    • (voce)
    Eddie Powell
    Eddie Powell
    • Alien
    • (non citato nei titoli originali)
    • Regia
      • Ridley Scott
    • Sceneggiatura
      • Dan O'Bannon
      • Ronald Shusett
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti1.9K

    8,51031.5K
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    Riepilogo

    Reviewers say 'Alien' is celebrated for its groundbreaking effects, iconic creature design, and atmospheric tension. The film's suspense, realistic interactions, and minimalist horror approach are frequently praised. Sigourney Weaver's performance as Ripley and the film's genre influence are often commended. The production design, eerie soundtrack, and practical effects are noted for their impact. Despite some pacing and character development criticisms, 'Alien' is regarded as a seminal sci-fi work.
    Generato dall’IA a partire dal testo delle recensioni degli utenti

    Recensioni in evidenza

    9Fella_shibby

    The facehugger scared me as a kid and i still find em creepy.

    Everything has already been said about this great film n there seems to be little left to say but lemme contribute a lil more by praising how good this film is.

    I first saw this in the late 80s on a vhs n as a kid i found it to be a bit slow but was shaken by the chestburster scene.

    The facehugger terrified me as a kid.

    Revisited all the four parts in the early 2k on dvds which i own.

    Revisited this part again few days back as i am on Alien movie marathon n very impatient to check out Prometheus n Covenant.

    I feel that this part is inspired by Bava's Planet of the Vampires.

    The ruins with the skeletal remains, the design and shots of the ship itself does have the deja vu effect.

    This one is atmospheric n dark, gory at times, it has enuff stuff for sci fi fans, it also has slasher n war like tone.

    But the best thing is the feminist tone where in this part the women are not being cast as the helpless victims.
    9chrishn

    "Alien" is not just the monster, it's the atmosphere and the way you feel!

    In "Alien" we follow a seven man crew en-route to earth on board the huge space freighter "Nostromo". The crew is in cryosleep, but the on board computer interrupts the journey when a foreign radio signal is picked up. It originates from an uninhabited planet and the crew lands to investigate. There they make contact with an alien life-form...

    What makes Alien so great is the constant feel of uneasiness. Right from the beginning you have a feeling that something is wrong. The crew is not particularly friendly towards each other, and you truly feel all the in-group tension. The ship itself is a huge worn out industrial-style maze of halls and corridors, and it feels more like a prison than a place to live. It is as if not only the alien but also the ship itself is against the humans. The Alien itself is the scariest monster in history because it is a ruthless, soul-less parasite completely devoid of any human or civilized traits. The design of the monster is a stroke of genius. Sure it has a humanoid form, but it has no facial traits or anything else which could give away emotions or intentions. Its actions reveals no weaknesses nor civilized intelligence. The Alien is more or less the opposite of everything human and civilized, plus the creature is more well-adapted to the inhumane interior of the ship than the humans who build it. To sum up, you then have a setting where the humans are caught in a web of in-group tensions, an inhospitable ship and the perfect killer which thrives in the ships intestines. You almost get the feel that the humans are the ones who are alienated to each other and to their own ship.

    Ridley Scott tells the story with a perfectly synchronized blend of visuals and sounds.

    The actors do a superb job, portraying their characters in a subtle but very realistic way. The seven man crew is not a bunch of Hollywood heroes. They are ordinary people with strengths and weaknesses, likes and dislikes. In this way they all seem so fragile when confronted with the enemy.

    As mentioned the ship is very claustrophobic and Ridley Scott adds to the eeriness by using camera movement, lights and shadows in an effective way. The living quarters are bright and should be comfortable to the crew, but there is something sterile about it all. The rest of the ship is basically a huge basement.

    The music by Jerry Goldsmith underlines the eeriness so well, and the movie wouldn't have worked without his score. Combined with the sounds of the ship it all adds to the uneasiness.

    This is not a story about heroic people who boldly teams up against evil. It's a story about ordinary people facing true fear, which is the fear without a face. The fear we can't understand and can't negotiate with, because its only goal is to survive on the expense of us. It's a story where some people bravely fight back whilst others are destroyed by the terror. It's a story where people a killed in a completely random way. There is no higher-order justice behind who gets to live and who dies. All seven characters are just part of a race where the fittest - not necessarily the most righteous - will prevail, and all seven characters start the race on an equal footing. None of them are true heroes, and none of them are true villains.

    All the above makes Alien so great as a horror movie. The terror isn't just the Alien itself, it's the entire atmosphere which gets so effectively under your skin, that you just can't shrug it off after the end credits like you can with so many other Hollywood horror movies. The title "Alien" doesn't just refer to the monster, it is the theme of the movie and it is the feeling you have during and after the movie. 9/10
    oneshotstop

    Structural perfection matched only by its hostility

    Director Ridley Scott's well-honed talents of pacing and editing create a tense atmosphere that superbly conveys dread and fear of an unknown, unseen evil entity. In 1979, the technology didn't exist to generate a computer image of a Being from another world, and thank God, because this film would have sucked just like all these post-Alien creature features do. Everyone who loves this movie knows what I'm talking about. Ridley Scott had to be extremely careful not to show a full shot of the Alien, except in very brief scenes, and not to reveal exactly how it moves, because then we would see that it is just some tall, skinny guy in a rubber suit. Nowadays, some computer guy would whip up a really scary-looking, but nevertheless FAKE-looking (yes, computer guys, we can tell) Alien, and the director would not have to even think about trying to breathe life into H.R. Giger's hallucinations to make a successful picture.

    The dark, cold beauty of this film will never be equaled.
    bob the moo

    Classic horror

    The further we go in special effects, the more movies show us and ignore the unseen, the more people will return to dark horrors like this one.

    It's hard to look at this film without considering the sequels and knowing the alien itself, however when made the alien was mostly unseen and a mystery. It's difficult to forget what you've seen, but it's important to approach this film first if possible rather than joining the series late.

    It's amazing that this is over 20 years old - apart from the actors looking so young, the film doesn't feel dated at all. The sci-fi visions here are still bleak and futuristic as they were then - this is not the Star Trek vision of the future. The foreboding exists long before John Hurt spills his secret, Scott's direction is excellent throughout. Once the alien is "born" the tension is cranked up and the characters dispatched one by one (a formula we know oh-so well now!)

    However here the characters are not merely alien-food but have some dimension to them. Weaver is excellent, while the support cast is full of great support actors (Stanton, Kotto, Hurt, Skerritt, Holm), but of course the real star is the one we see least of.

    We barely see the alien in full detail, most of the time it is set in shadows, moving with deadly intent.The alien here is not simply a killing machine as seen in later films but is cruel with it. Witness the alien trap a female crew member and slowly rub up her leg, moving with slow seductive movements before moving with terrifying speed to kill another crew member sneaking up behind it. The slow movements betray the alien's pure cruelty.

    The film is a study in terror. It may not be as action packed as the other films in the series but it brings the claustrophobia of being hunted to a new level.
    8pooz_the_gun

    Still holds up better than most horror movies of today's age

    I just came around to watch the original Alien on Netflix and I have to say that I was positively surprised that a horror movie from the '70s is this suspenseful and effective.

    The characters actually behave like thinking human beings. The soundtrack is great and the direction is superb. Especially when comparing this movie to the modern movies with similar stories that borrowed many of the things that are working well here.

    A classic every horror and overall movie fan should watch.

    All 'Alien' Movies Ranked by IMDb Rating

    All 'Alien' Movies Ranked by IMDb Rating

    See how the Alien franchise films rank, according to IMDb user ratings.
    See the list
    Production art
    Lista

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    Orrore

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      According to Yaphet Kotto, Sir Ridley Scott told him to annoy Sigourney Weaver off-camera, so that there would be genuine tension between their characters. Kotto regretted this, because he really liked Weaver.
    • Blooper
      (at around 1h 35 mins) A crewman with a black panel of some kind is visible through the smoke as Ripley runs through the corridors at the end of the film.
    • Citazioni

      Ripley: Ash, can you hear me?

      [slams her hands down on the table]

      Ripley: Ash?

      Ash: [awakens and starts speaking in an electronic and distorted voice] Yes, I can hear you.

      Ripley: What was your special order?

      Ash: You read it. I thought it was clear.

      Ripley: What was it?

      Ash: Bring back life form. Priority One. All other priorities rescinded.

      Parker: The damn company. What about our lives, you son of a bitch?

      Ash: I repeat, all other priorities are rescinded.

      Ripley: How do we kill it, Ash? There's gotta be a way of killing it. How? How do we do it?

      Ash: You can't.

      Parker: That's bullshit.

      Ash: You still don't understand what you're dealing with, do you? The perfect organism. Its structural perfection is matched only by its hostility.

      Lambert: You admire it.

      Ash: I admire its purity. A survivor... unclouded by conscience, remorse, or delusions of morality.

      Parker: Look, I am... I've heard enough of this, and I'm asking you to pull the plug.

      [Ripley goes to disconnect Ash, who interrupts]

      Ash: Last word.

      Ripley: What?

      Ash: I can't lie to you about your chances, but... you have my sympathies.

    • Curiosità sui crediti
      The title of the movie is slowly created one line at a time at the top of the screen during the opening credits, starting out with the I, then the slash in A and the backslash in N, and then the vertical lines in L and E (so it looks like / I I I \). After that, the ensuing lines of each letter are added slowly one at a time until the title is fully visible.
    • Versioni alternative
      The 2003 DVD release plasters the 1979 version of the 20th Century Fox logo with the 1980's version.
    • Connessioni
      Edited into Star Trek: The Next Generation: Datalore (1988)
    • Colonne sonore
      Incidental music from 'Symphony No. 2 ('Romantic')'
      by Howard Hanson

      [Played over end credits]

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    Domande frequenti35

    • How long is Alien?Powered by Alexa
    • Where is the planetoid the Nostromo visits, and does it have a name?
    • How does the spaceship create gravity? The spaceship does not seem to be rotating, although rotation is necessary to create gravity in the space.
    • Does the Alien species have a name?

    Dettagli

    Modifica
    • Data di uscita
      • 25 ottobre 1979 (Italia)
    • Paesi di origine
      • Regno Unito
      • Stati Uniti
    • Sito ufficiale
      • Facebook
    • Lingua
      • Inglese
    • Celebre anche come
      • Alien, el octavo pasajero
    • Luoghi delle riprese
      • Shepperton Studios, Shepperton, Surrey, Inghilterra, Regno Unito(Studio)
    • Aziende produttrici
      • Twentieth Century Fox
      • Brandywine Productions
      • Scott Free Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 11.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 84.206.106 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 3.527.881 USD
      • 28 mag 1979
    • Lordo in tutto il mondo
      • 109.102.567 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 57min(117 min)
    • Colore
      • Color
    • Proporzioni
      • 2.39 : 1

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