L'ultimo viaggio dell'arca di Noè

First off, I'd like to say that I haven't seen this movie since I was a kid. I just finished watching for the first time in 16 years, with mixed opinions. First, the story is good. The dialogue is decent (swearing in a Disney kids movie? Right on!). The cinematography is ok. The directing is pretty good. The acting is okay. The music is HORRIBLE. I've noticed, not only with this picture, but almost every Disney movie from the late 60s on into the mid 80s, if you turn the music off, it's actually more enjoyable to watch. Being a music theory major in college, I have come to really appreciate good scoring for movies. There are several scenes where the music is entirely inappropriate (such as after the crash, when they're rounding up all the equipment and animals and the music is straight from Yee Haw). Still, after all these years, it was good to watch it again. So if you can cringe your way through the sappy music, you're good to go with this edgy Disney movie.

'The Last Flight of Noah's Ark' is average.

One of the reasons for that is the lacklustre plot, which is one we've practically already seen before from Disney in years prior - like 1960's 'Swiss Family Robinson' and 1966's 'Lt. Robin Crusoe U.S.N.'. This isn't incredibly similar to those two, but they are certainly in the same ballpark.

The premise doesn't have much about it in terms of action or heart, the ending threatens to finish with a highly meaningful moment but instead bottles it in favour of a more happier conclusion. Elsewhere, you have a forgettable cast. Elliott Gould (Dugan) and Geneviève Bujold (Bernadette) are alright, though they lack the necessary chemistry together.

Close to being a good'un, but just misses out in my books.

In fact, it wasn't Bette Midler who first brought new blood into the heavy-handed 7O's and 80's Disney productions. It was people like Elliott Gould who originally provided the shot in the arm that Disney needed. In this movie he lends his wise-cracking, go-to-hell character to the role of Noah Dugan and it's a joy to watch! The whole cast is great, and the whole movie is a delight from start to finish.

Despite real talent in this movie -- Charles Jarrott directing Genevieve Bujold and Elliot Gould from a story originally written by Ernest Gann, this one is a real misfire.

Gould is the pilot of a B-29 Superfortress converted to island-hopping cargo. He's got a load of assorted animals, missionary Bujold, and a couple of kids, including the always-annoying Ricky Schroeder. They crash land on a Pacific island where they encounter two Japanese soldiers who don't know the war is over. Eventually everyone makes friends and they convert the plane to a boat to try to get back to civilization.

The problems with the movie seem to stem from its script and Disney's uncertainty of what this movie was supposed to be. It borrows from several other movies, including FLIGHT OF THE PHOENIX, SWISS FAMILY ROBINSON and FATHER GOOSE to sheer adventure on the high seas and vague Biblical references, with no consistency of tone, and no real character engagement. Each actor seems to be playing a one-note character, only to switch gears as the plot dictates.

I blame Ron Miller, in his last credit as producer, at the trough of Disney's post-Walt era. After this, it was back to the office and only "Executive Producer" credits as Disney's CEO, where he tackled the company's problems by eventually replacing himself with abler movie people.

I remember it being very good. Christians won't be offended. A missionary brings a man to Christ, and they do not make Christians appear to be idiots. A good adventure movie, with a tinge of action and adventure, though not violent.