La mansión de los muertos vivientes

A view on a pristine, impeccable beach. Suddenly the camera zooms onto an ugly, rusty iron drum. Behind a facade of beauty, a perfect holiday site, decay has set in. It's this surreal symbolism that often keeps a Jess Franco movie above the average exploitation flicks, and "Mansion of the Living Dead" continued his best works of the 70s better than most of his movies from the 80s. It was shot at Gran Canaria in a deserted hotel, where 4 waitresses arrive for their holidays. Although they are assured the hotel is almost fully booked, they meet nobody and they sense there is something wrong here. In a long, beautiful scene without any dialog, one of the girls walks to an old church, while a stormy wind rings the church bell and shakes the branches of the palm trees. As a counterpoint to this slowly created spooky atmosphere, Franco introduces a crazy gardener for comic relief and of course shows what the girls do in their hotel room for the carnal element of the show ;-). But horror prevails as an order of undead satanic monks - many viewers feel reminded of the Spanish classic "Tombs of the Blind Dead" here - tries to get hold of the chicas for sacrifice... Not perfect, but recommendable.

Reportedly fifth and so-so sequel of the Templars dead series , though there's absolutely no connection to it . The blind dead Templars return again from the 13th century with this eerie story in which a group of German vacationing waitresses (Lina Romay , Mabel Escaño, Mari Carmen Nieto , Elisa Vela) following the travel agency's recommendation and filled with high expectations of having a good time decide to take a few days off work to visit a sunny and dream hotel. Then they go to a completely vacant resort hotel on the Canary Islands . A mysterious director of the hotel called Savonarola, shows them to their rooms, but soon, weird events start happening and they sense strange vibes. Then the priests warriors wake up from the tomb beginning their criminal rampage . Ancient Zombies return of graves causing wreak havoc on the hotel , horrifying and torturing some beautiful women . They make a brutal massacre at the touristic hotel and the protagonists are surrounded and slashed. We find the famous blind dead zombies which rise from the tombs 500 years after to wreak havoc upon some beautiful Euro-babes . The zombie-like pack of ancient warriors priest awake and rising from the graves to kill and torture the unfortunate victims . They were condemned and eternally dammed by a doomed curse and developing a sinister cult practicing human sacrifices . A fantastic secret lies hidden behind the thick stone walls of the nearby abandoned convent which dates back to Middle Age ! . A Crazy Jess Franco Experiment!

This is a cheap Spaniard production with lack luster , low budget , including lots of nudism and strong erotic scenes . Special effects are ridiculous and embarrassing, absurd and frankly lousy. The film gets a bit slow but there's sufficient tension and creepiness. .This atmospheric and eerie horror movie contains scary scenes in which some attractive tourists come to a deserted hotel and only to find the ancient Templar monks nearby have returned as living blind dead. Of course , the better scenes result to be when appear the living dead Templars . Although being badly shot this ¨Mansion of the Living Dead¨contains atmospheric and disturbing scenes as the wailing sound of the wind blowing, adding the echoes from the empty corridors that bring chills down the spine and some strange situations linked somehow to the grim hotel history . This is allegedly the firth following of the first great success and immensely popular ¨Tombs of the Blind dead¨ which to be continued by a trilogy : ¨Return of evil dead¨, ¨Ship of Zombies or Blind dead 2¨ and ¨Blind dead 3 or The night of the sea gulls¨ , all of them directed by the craftsman Amando de Ossorio ; these Zombie-like monks were blinded by crows but they made human sacrifices and were executed and the clergymen returning eventually to the life . It was released in several countries as fifth part of the "Blind Dead" series, even though ¨Mansion of the Living Dead¨(1982) nothing to do with it . In the film appears some Spanishtrash actresses playing waitresses at a topless cabaret such as Mabel Escaño , Mari Carmen Nieto , Eva León , and of course Lina Romay , Frank's wife . Furthermore , some Franco's regulars as Albino Graziani and Antonio Mayans or Robert Foster .

Creepy and frightening music especially when the dead attack is well composed by Jess Franco himself , imitating the classic Antón Garcia Abril soundtrack . Packing an appropriate cinematography by Franco , entire film was shot on location in Gran Canaria, Canary Islands, Spain. This lack budget film was lousily written/edited/musicalized/produced/directed by prolific Jesús Franco. This is a mediocre attempt to cash of following exhausted medieval warriors saga.

Jesus Franco is a director who has made dozens of horror, soft-porn crossovers that all have in common that they are being really bad ones. If you ever wondered what sort of movies Ed Wood would be making, would he still be alive today, all you have to do is pick up any random Jesus Franco movie.

By credit this movie is a remake of the 1971 Spanish horror-classic "La noche del terror ciego" but quite frankly, this movie has very little or nothing to do with that movie. Seriously, don't watch this movie expecting an horror, for this movie is more all about its nudity and lesbian fondling than about any horror. As a matter of fact there aren't even scares or graphic killings in this movie. Just a couple of hooded men standing around and occasionally, not so graphically, raping a girl.

As always, the story is an absolute mess and very little in the movie is making sense. The way the entire movie is progressing is laughable and just very far from convincing. It has some really stupid characters in it, that you just don't ever care about. Jesus Franco doesn't seem to be able to see and fill up any gaping plot-holes, or he just simply doesn't care about it. Either way it's a bad thing.

And yes well, then there are some of the sex sequences that literally come out of nowhere often and show absolutely nothing. I don't even think that the lovers of soft-core porn flicks are going to get excited by anything that gets shown or done in this movie.

Again Jesus Franco uses his own wife Lina Romay in the movie as the main lead. Like all of the other girls she spends most of her time walking around naked in the movie. The girls in this movie are either being naked, having sex with each other, getting raped by a man, or talking each others head of, like a bunch of annoying, loud, naive, helpless, chicken.

I must say though that I still enjoy watching older Franco movies better than the newer ones, that he is still making this present day and age. At least these movies still had a bit of style over them and got shot at location instead of in a studio or in the garden of one of the cast-members.

Trademark bad Jesus Franco stuff.

3/10

http://bobafett1138.blogspot.com/

La mansión de los muertos vivientes bathes in the surreal fog of euro-horror excess, but much like its half-buried zombies, it never fully rises from the sand. There's an eerie sense of quiet to the opening minutes, an almost meditative atmosphere created by long, static shots of desolate coastlines and abandoned structures. Franco, ever the provocateur, knows how to stage a dreamlike environment, and the cinematography does try to evoke something otherworldly, though it's often undermined by flat lighting and unsteady framing. There's potential in the location work, especially the monastery ruins that seem to loom with menace, but the camera lingers too long and says too little.

The acting is exactly what you might expect from a Franco genre outing in the early 80s: languid, loosely directed, and often secondary to the film's real priorities (which, let's be honest, are sex and spectacle). Lina Romay, a frequent collaborator of Franco's, gives a performance that's oddly watchable despite the minimal material she's given. Her expressions hint at emotional undercurrents the screenplay never fully explores. The rest of the cast drifts through the scenes, seemingly as lost as the script itself, mouthing lines that feel incidental rather than essential.

Atmospherically, the film reaches for slow-burn dread, but the tension rarely sustains. Instead, the pacing feels narcotized. Scenes of nudity are as abundant as they are repetitive, lacking narrative propulsion or deeper significance. The undead monks, while conceptually intriguing, appear too briefly and with little payoff. The sound design doesn't help either, relying on stock moaning effects and a synth-heavy score that wobbles between hypnotic and outright distracting.

Still, there's something oddly captivating in how Franco commits to his bizarre cocktail of sexploitation and gothic horror. It doesn't quite work, and it certainly won't land for most audiences, but it's a curio-a fever dream framed as cinema.

So, I get this movie on the basis that it's supposedly a remake of Tombs of the Blind Dead, a good movie. It's all in Spanish and the closest thing to Spanish I can speak is a little Latin. No problem, I'll fast forward to the Templars.

Yeah, right, what Templars? The movie starts out with some eeeeeevil cultists meandering around a ruined church, carrying torches. For all the world they look like Ku Klux Klansmen. Then, onto something completely different, as four female friends check into a rather large resort that seems to have no guests and only one guy staffing it.

I'd be alarmed, wouldn't you? They apparently aren't, as they start having all sorts of graphic (for a movie of this calibre) lesbian sex. Quite a bit of nudity. Easy on the eyes, as well. Anyhow, some other mysterious guy shows up, has sex with two of the four women, then has a couple discussions with them. Is the the one that threw a meat cleaver at them when they were doing some nude sunbathing? What's with that creepy little guy spying on them? All negated, as one of the women (who was hiking around some church ruins) is killed by a death cult of some sort that bears no resemblance whatsoever to the promised Templars. More chicanery occurs before the main character is raped and...something. She shows up, offs the other two females. The Klan is defeated (?) by a giant cross, then walks off as the movie ends. I think my copy is missing a minute or two, because the ending as such is terrible, there are no credits, yadda yadda.

The movie itself is dull. There're none of the promised Templar knights, just some Klansmen with really dry skin. There's no gore, no violence, and the film-making is inept. Several scenes last entirely too long, several close-ups are impossible to make out, the absence of any type of music in many parts is annoying, and the death cult appears from nowhere.

Since the nudity and lesbianism is the only reason a male would want to watch this film, it'd be more recommended to pick up some sort of porn. Recommendation to avoid this film, even from a completist point of view.