Una giovane donna disperata si infiltra nella struttura di salute mentale del brutale guardiano Ilsa per le donne sessualmente deviate, dopo la misteriosa scomparsa di sua sorella.Una giovane donna disperata si infiltra nella struttura di salute mentale del brutale guardiano Ilsa per le donne sessualmente deviate, dopo la misteriosa scomparsa di sua sorella.Una giovane donna disperata si infiltra nella struttura di salute mentale del brutale guardiano Ilsa per le donne sessualmente deviate, dopo la misteriosa scomparsa di sua sorella.
- Regia
- Sceneggiatura
- Star
- Wardress
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- No. 9
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- No. 20
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- Dr. Milton Arcos
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- Prisoner
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- Prisoner
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- Prisoner
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- No. 18
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Recensioni in evidenza
Though I wouldn't say that ILSA is exactly a good film, I was still quite surprised by how it managed to hold my interest throughout. Not that it made particularly inspired use of the various subtexts suggested in the script (the snuff movie angle, for instance, is not dealt with in any depth) apart from its over-the-top, and undeniably horrific, conclusion but it was certainly above-average for an Erwin C. Dietrich production with adequate scenery, an evocative if repetitive score and competent performances. The dialogue of the German-language version, however, was pretty hilarious (the various odes to Greta/Ilsa recited by the inmates, the sanitation officials who arrive for a surprise inspection complaining that the rumors of the supposedly corrupt management inside the prison are unfounded for obvious reasons, they may not have been taken to see the dungeons where the female convicts are tortured, but did they even question themselves why these were forbidden the use of underwear while serving their sentence?!); still, the English dubbing (heard during the interview section of the supplements) makes it sound even worse!
I haven't seen the 'original' Ilsa films but, while Dyanne Thorne seemed to be relatively at ease inhabiting the Jess Franco movieworld, I also feel that her character was pretty one-dimensional and not really the main focus of the film; Lina Romay, on the other hand, has a lot of fun with one of her better roles; even Tania Busselier (in her third and last film for Franco) seems to have matured somewhat and here makes for a creditable heroine (for whom Franco boldly reserves an unexpected tragic fate, though this was perhaps done so as not to involve her in the film's cannibalistic climax).
Unfortunately, this edition was cut by more than 2 minutes by the BBFC: the death-by-asphyxiation of Rosa Philips was evidently trimmed as it now occurs in a split-second; I may be wrong but I reckon that the remainder of the censored footage involved the lobotomy performed on the Tania Busselier character (did they even show this?) as her sudden appearance as a 'vegetable' is most jarring
Anyway, I look forward now to renting and watching another of Franco's notorious 'Women-In-Prison' films for Dietrich, namely BARBED WIRE DOLLS (1975).
Dependably twisted schlockmeister Jess Franco dishes up enough nastiness, violence, sex, nudity and sleaze for a dozen average exploitation pictures. A female journalist infiltrates a women's prison to expose the corruption within. Once inside (posing as a prisoner), she is exposed to the grim, vile world that is a women's prison.
Ilsa (Greta? Wanda?), played by Diane Thorne, is the vicious warden, who puts her prisoners through all sorts of physical and psychological abuse, although the prisoners manage some pretty outrageous behavior on their own. There's a nice, long, voyeuristic catfight in the showers, as well as an unspeakably tacky scene in which self-appointed lead prisoner Lina Romay forces the reporter to lick her ass clean after a bout of diarrhea. That pretty much sets the standard for taste in this movie.
Franco shows an odd Tinto Brass-like fetish for female buttocks in this movie, as every prisoner's standard uniform is knee high boots and a prison shirt--no pants or underwear--thus giving the viewer plenty of glimpses of bare bottoms.
Overall, THE WICKED WARDEN is about as sick and twisted a movie as the average viewer is ever likely to find. There are nastier movies out there, even nastier women in prison movies, but this will more than acquaint you with the subgenre.
This one goes by about three or four different names which confuses matters even more. Whats even more confusing is just how little entertainment value there is. I know this is an exploitation flick but the previous two had their moments, this is just bafflingly poor.
This is the worst third part of a franchise since Terminator, I mean seriously who thought it'd be a good idea to make that R rated franchise so tame and do cut away deaths? That person needs to be punished with having to watch this Ilsa movie on a loop for 6 continual weeks. That right there is cruel and unusual punishment, but so is this film
Lo sapevi?
- QuizAt least seven different languages were spoken on the set, as cast and crew came from all over the world.
- Citazioni
Juana: Lick my boots now. I mean it. Come on.
[Abbie licks her left boot]
Juana: Okay, the other one.
[Abbit licks her right boot thoroughly]
Abbie Phillips: Will that be all?
Juana: No. When I asked you to wash me, you refused. You'll make up for that.
[hands Abbie a tissue, then stands up and bends over slightly]
Juana: Wipe my culo.
[Abbie wipes her and throws the tissue aside]
Juana: Oh, you're not done yet. Now you'll really eat it. Come on, lick my culo. Don't you wanna know about Rosa Phillips?
[Abbie does as she is told]
Juana: That's not so bad. Lick it clean. Now don't quit. You are doing well. Keep it up.
[suddenly giggles in some form of titulating pleasure, and continues laughing as Abbie runs to a nearby toilet to throw up]
- Curiosità sui creditiThere are no technical credits listed on screen, just the title and the principal actors.
- Versioni alternativeAnchor Bay's DVD release is the complete, uncut version of the film.
- ConnessioniFeatured in Triple X Selects: The Best of Lezsploitation (2007)
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