Tutto in una notte

Plenty to enjoy here in this escapist movie. Goldblum & Pfeiffer are fun in the main roles. Suspend belief and take the exciting journey that Goldblum has with Pfeiffer. Look out for the running joke with many famous directors in cameo roles. Look out for David Bowie and Carl Perkins in a knife fight (is this a metaphor for traditional rock v glam rock?). Although an escape action drama it has plenty of amusing scenes eg. the hoods eating peanuts and breaking candy with their guns.

And the title track and soundtrack by the worlds best blues guitarist -BB King.

Jeff Goldblum plays a man with a boring job, a cheating wife, and insomnia. One night beautiful Michelle Pfeiffer enters his life on the run from trouble of her own. The two have a wild night ahead of them as they run from irate Iranians. That makes more sense than it sounds, trust me. Lots of cameos from directors such as David Cronenberg, Jonathan Demme, and Don Siegel. Also a fun cameo by David Bowie. Goldblum and Pfeiffer are great. A solid comedy from John Landis; good escapist fun. Great soundtrack including the title song from B.B. King. Also worth checking out for a very rare (but brief) Pfeiffer nude scene.

In Los Angeles, the insomniac aerospace engineer Ed Okin (Jeff Goldblum) has a boring job and a cold relationship with his wife. One afternoon, Ed leaves his job earlier to rest and discovers that his wife Ellen (Stacey Pickren) is cheating him with her colleague Stan (Carmen Argenziano). During the night, Ed can not sleep and he decides to drive to the airport to kill time. When he parks in the parking lot of the airport, he sees a beautiful woman, Diana (Michelle Pfeiffer), chased by four Iranians. He helps her and drives away to her place. Sooner he discovers that Diana has smuggled six emeralds from Iran and now she is chased by the gang of Shaheen Parvici (Irene Papas) and by the dangerous British killer Colin Morris (David Bowie) that works for the French Monsieur Melville (Roger Vadim). Ed Okin has an unforgettable night with Diana.

"Into the Night" is one of my favorite movies of the 80's. I have just watched this film at least for the sixth time and Michelle Feiffer is stunningly gorgeous. The engaging story is funny and one attraction is to identify the cameo of directors and other personalities, such as David Cronenberg, John Landis, Don Siegel, Jonathan Demme, and Lawrence Kasdan working with names like Vera Miles, Irene Papas, David Bowie and Dan Aykroyd among others. The awesome music of B.B. King gives a touch of class to this wonderful film. My vote is nine.

Title (Brazil): "Um Romance Muito Perigoso" ("A Very Dangerous Romance")

Note: On 14 April 2019, I saw this film again.

'Into the Night' stands as one of my favourite films of the '80's. In fact it stands as one of my most favourite films ever. Why? To be quite honest, I'm not sure why. It wasn't the best concept or script, the performances are okay -(with the exception of Goldblum who is outstanding)- and even John Landis' direction was at times on cruise control.

But what it did in 1985, was to reflect so much of what was going on. The ruthless drive for efficiency that makes Okin's aerospace company so demanding, the 'me' approach to relationships that results in Ed's wife's adulterous behaviour, the worship of fortune that dominates Diana's life and drives her so relentlessly - until Ed brings her something a little more worthwhile.

It had the right look, the right feel and the right cast to make you smile and go along with the goodtimes and the in-jokes between peers of the movie establishment. Here was a collection of successful players in Hollywood showing just how slick movie-making could be.

The screenings must have had the feel of a home movie with most of the cast sitting in the theatre enjoying their various cameos. Bowie, Cronenberg, Kasden and of course Landis himself, all doing it for their own.

I loved it when I first saw it and I'll be buying the DVD in Sept '03 when it finally appears. Is 'Into the Night' a great film? Probably not, but it makes me feel great everytime I take that ride to LAX in the little white Fiat...You had to be there.

Ed Orkin is an ordinary guy with insomnia, has a very boring job and finds out his wife is having an affair. Can his jaded life get any better? Well one night, it does take a sharp turn when he rescues a lovely, but mysterious blonde named Diana from some ruthlessly zany thugs at the airport. From this point onwards Ed and Diana are caught up in a cheerfully dashing and murderous chase throughout the night in Los Angeles. Where everyone seems to want a piece of those six emeralds, which Diana has smuggled into the country.

The first time I saw this flick I stumbled across it accidentally when I was on holidays. Instead of going out for the night in the rain I decided to stay in and watch some telly. Well, from the opening scene I was totally captivated by its maniac humour, trigger-happy cameos, kooky situations and that this road movie took place mostly at night. I don't why, but I just dig that last point about the flick. Years later I had forgot what the title was called, but I still could remember certain scenes and it entered on my ever-growing film list to track down. After a while I kind of forgot about it, but like my first viewing I came across it unknowingly on cable and it came flooding back again. That time I got the title! And I tracked down the DVD only a couple of weeks ago. From my second viewing of it I thought it was John Landis' best film, so when I got the DVD, I was hoping that it would be as good as I remembered it to be. So was it? Oh yeah, it was! I'll definitely go to say that this is my favourite Landis flick, yeah even more than "Animal House", yep more so than "Trading Places", a tad better than "An American Werewolf in London" and way ahead of "The Blues Brothers". I know that's a pretty big statement, but I thoroughly had a wowser with Landis' woozy attempt at film noir.

There's no denying that it's pretty much a self-indulgent flick with Landis getting a whole bunch of friends to join in the act, or is it just one big joke? But I didn't care as I just rolled with the punches and tried to pick up on all the familiar faces. Gee, there are a lot of them popping up, especially directors. The story of a bored guy meets strange gal and get into some weird mess where they're both risk their lives on a plan to get rich has been done time after time, well bits and pieces out of the story obviously have. Though, it just has a knack with its quirkiness, murderous impulse and unpredictable pattern. I can see why some people say it's disjointed, overly padded and that it doesn't know what it wants to be. Sure some things lack depth and meaning, but those out-of-the-blue situations make it more eventful and the pacing can somewhat become plodded, but I always found something noticeable in every frame to keep my full attention. Hmm, maybe it's just me? One moment would be when "Abbott and Costello Meet Frankenstein" is playing on a TV and what's happening there seems to fit in to what's going on in the particular scene. The dialog just seems to clash with the action. But then again maybe I'm reading things that aren't there?

This is not all a light-hearted comedy even if it has some slapstick shenanigans mixed with some offbeat and eccentric charm. The thriller element gives it a serious boot and the violence doesn't hold back with some outrageous murders. That especially goes for the tense and forceful climax, where nothing goes to plan. The story's idea is cleverly conducted with its many unexpected turns, scheming and plenty of fruitful characters adding to the zaniness. When it gets going, it gets going. Now what did get going was the simply smooth and steamy soundtrack. It ran with an oozing blues score and legendary musician B.B King was involved and he provided the main theme song. The melodies and score had a strangely hypnotic appeal weaved into them. The glowing performances are all great, though it's Michelle Pfeiffer that heads the top. She was just gracefully attractive with her glittering appearance and believably convincing as the mysterious Diana. Jeff Goldblum as Ed was his usual glum and awkward self with his dry sarcasm. But he has a watchable screen presence even though he seems to be sleepwalking. Even saying that, both of the leads are fleshed out rather well and they fit their parts perfectly. The sensational supporting cast provide a lot of odd and wonderful characters too. With the likes of Irene Papas, Paul Mazursky, Roger Vadim, Richard Farnsworth, John Landis, David Bowie, Kathryn Harrold, Clue Gulager, Dan Aykroyd, Vera Miles and Carl Perkins. Then you got the blink and you'll miss them cameos, which are rather diverting from Amy Heckerling, Jim Henson, Don Siegel, Rick Baker and David Cronenberg. I told ya it was long, but that's just the tip. All of these familiar faces had a witty script to work along with too. Well, what can I say; stimulating madness that dabs some touches of film-noir, comedy and thriller to proceedings.

An excitingly dangerous and unusual night road flick that has a variety of ingredients chucked into this very much 80s product.