Amore all'ultimo morso

I've always found this a "guilty pleasure," an extremely entertaining profane-gross-funny film about a female vampire who likes "Italian food," meaning she likes to kill members of the Mafia!!

I am a bit partial in favor of this movie, anyway, because I am fan of Anne Parillaud. She starred in two of my favorite films: Map Of The Human Heart and Frankie Starlight. To me, she's always great to look at listen to, especially with a comedy here. This is about as good as she's ever looked. I also enjoyed her narration. Also, with director John Landis, you almost always get a very entertaining movie.

The special effects in here are fun to watch and the general off-the-wall humor is great. If you appreciate dark humor, you'll like this movie. The filmmakers also did not go overlong on the action scenes. The film is almost a put-on about vampire movies.

The negatives are too much profanity, too much for a comedy. It sometimes gets ridiculous. Robert Loggia plays most of the profane characters I've ever heard on film, yet is very funny at times. The gore is overdone in parts, too, but nowadays - even watching television (i.e. CSI) - we're used to that now. My other complaint is why this DVD is not on widescreen. Why is it only offered in pan-and-scan?

If you don't mind blood, guts and foul language, this is a hilarious film.

This is not something I would typically enjoy, but it was recommended to me by someone I trust, so I watched it and was happily surprised. Citizen Kane it isn't, but we already have one of those and not everything has to be Great Cinema anyway. This is a very bloody (not my cup of tea, so to speak), very funny take on vampires and criminals. Good script, good performances, particularly from Parrilaud, Loggia and Don Rickles (!), playing a lawyers that even other lawyers would give a wide berth to in distaste. What happens to him is hilarious and proof that there can be justice, at least in films! Watch for the scene with the ambulance attendant and for the blonde nurse in the hospital. Check out the credits for some familiar names. Don't expect Art here, just sit back and have some fun. Recommended.

I'm not really into the vampire movie thing, but this film is not serious and does not take itself seriously. That said one must bear in mind that there is an incredible amount of bloodletting, so if gore isn't your cup of tea I'd recommend you miss this one (unless of course you're a Parillaud, LaPaglia or Loggia fan in which case ignore my preamble, they are all great!!)I thought the film at 112 minutes was a little too long and at times lost pace; but if you like blood, sex and nudity than that shouldn't be a problem. I think John Landis made this film specifically to entertain and amuse his director chums including Sam Raimi who has a cameo part. The use of Dracula and Hitchcock films screened on as many televisions as possible throughout the movie is a witty touch. I particularly liked the blood swirling down the shower drain in the style of "Psycho" as vampire Marie sluices off after her latest kill. The photography is in many scenes quite unexpectedly lovely. For example the sex scene in the motel is strangely beautiful, gentle and tasteful in the middle of this bloodbath of a movie, and came as a pleasant surprise; as does in general the photography of the snowy Pittsburgh streets. Naturally the film is an utter load of tosh, but there are some great one-liners in there. And Parillaud and LaPaglia make a very sexy duo.

This underrated and under-appreciated horror comedy from John (AMERICAN WEREWOLF IN London) Landis has everything you could possibly want in a 90's vampire movie...good special effects, stylish direction, a top-notch cast, action, comedy, explosions, sight-gags, freefalls off of rooftops, shootouts, blood, gore, dismemberment, clever film references, gangsters, spoofy dialog, car crashes, sex, nudity and a slew of cameos (a trademark of the director). Seldom has a filmmaker gone all out to please genre fans, but Landis has done just that with this fun and entertaining film.

Slinky French beauty Anne Parillaud (of LA FEMME NIKITA fame) is Marie, a sexy vampire prowling the snowy streets of Pittsburgh. She only kills the scum of the city and controls vampire overpopulation by blowing the heads off her victims with a shotgun after feeding! When she becomes involved with a local gang of mobsters and accidentally turns mob moss Sal 'The Shark' Macelli (Robert Loggia, who's terrific) into a vampire, things get a bit out of hand. When Sal is bitten and escapes, he realizes the extent of his newly-acquired vampiric traits and sinks his teeth into his crime family members, creating a whole slew of nearly-unstoppable bloodsucking gangsters intent on taking over the entire city! It's up to Marie and cop Joe Gennaro (Anthony LaPaglia) to stop them.

Aside from the three appealing leads, Don Rickles contributes a great supporting performance as Sal's sleazy lawyer and there's fun to be had in playing spot-the-horror-celebrity. Look for Forry Ackerman, Dario Argento, Steve Johnson (who also did the make-up effects), Frank Oz, Linnea Quigley, Sam Raimi and Tom Savini. Plus, you can spot Peter Cushing, Alfred Hitchcock, Christopher Lee, Bela Lugosi and others on TV sets throughout the film.

This is a film made by horror fans FOR horror fans. Enjoy!

John Landis is not the type of director who goes for any deeper meaning in his films outside of the occasional well-staged car chase in heavy traffic; however, this time, working with Michael Wolk's first-rate screenplay, he excels in narrative as well as in visual form. An undercover cop in Pittsburgh, posing as a thief for the Mob, becomes attracted to the scintillating French woman who is hellbent on killing kingpin Robert Loggia (seems she's a bloodsucker by night--and forgot to "finish the food" the evening she put the bite on Loggia's Sal the Shark!). Not terribly bright, but full of puckish black humor and one exciting, masterfully staged sequence after another. And when things calm down a bit, as with the motel sequence between hot twosome Anne Parillaud and Anthony LaPaglia, Landis is adept at smoothly changing the movie's rhythm. It's an impressive, gory, foul-mouthed, yet adrenalized and satirical piece of work, Landis' best. *** from ****