La gabbia infernale

HELLHOLE begins with the murder of a woman by a madman named Silk (Ray Sharkey), who is dressed in Rob Halford's pajamas and sports an electrocuted Elvis hairdo. The victim's daughter, Susan, witnesses the crime, and survives an attack herself, while Silk slips away like a studded, leather-clad shadow.

The ordeal puts Susan in the Ashland Sanitarium for Women, where she meets the odious Dr. Fletcher (Cult goddess, Mary Woronov!). Susan soon sees Fletcher's sadistically eeevil side! By some astonishing coincidence, Silk works at the hospital too! Luckily, a wondrous shower scene breaks out, culminating in a miraculous Greco-Roman style, kickboxing catfight!

Uh oh!

There's trouble in the cafeteria! Here comes Fletcher and her goon squad, including the halfhearted Dr. Dane (Schlock god, Marjoe Gortner!) and iron-jawed Brad (Cult, Schlock idol, Robert Z'Dar!)! Soon enough, a patient is whisked away, and we are shown Dr. Fletcher's maniacal view of modern medicine! Meanwhile, pointless nudity erupts, and Brad leers a lot. How will Susan ever survive this loony limbo of the lost?

THIS MOVIE CONTAINS: #1- Mad science! #2- Mind-twisting torture! #3- Drug-induced mutations of madness! #4- Heavenly mud therapy! #5- Unnecessary, uncalled-for, unholy nakedness every few seconds! #6- Nurses in big, paper hats! #7- An actual rubber room! #8- The most epic finale since REFORM SCHOOL GIRLS!

Exploitation film fanatics need look no further! You have reached the promised land! Glory! Glory! Hallelujah!...

Hellhole (1985)

** (out of 4)

Susan (Judy Landers) witnesses her mom murdered due to her having some papers, which could lead her boss to prison. The young woman takes off running and the killer believes he has finished her off but she survives and in order to cover up the crime she is sent to a mental hospital. Once inside the hospital Susan realizes that the evil Dr. Fletcher (Mary Woronov) is doing bizarre experiments on the women.

Pierre De Moro made three films in his short career and this here was his final credit. Producer Samuel Z. Arkoff wanted to make a WIP movie and the end result is something that isn't nearly as raw as the Jess Franco films of the 1970s like BARBED WIRE DOLLS and ILSA: THE WICKED WARDEN but at the same time it's a tad bit sleazier than the majority of the American films from the genre.

As you'd expect, when one makes a WIP movies there's a checklist that the screenwriter goes down. This includes an innocent hot woman. There's also the nudity. There are the drugs. There are the lesbian scenes as well as the lovely shower scenes. There's also the butch-type warden/leader doing the bad experiments. There's also the sweet guy who tries to save the innocent woman. All of that stuff is included here and for the most part it's mildly entertaining as long as you're not expecting an Orson Welles type of film.

The performances are pretty much what you'd expect from a film like this, although I found Landers to be a bit too bland in the lead. Woronov is certainly the best thing about the picture but there's plenty of nice eye-candy as well. The biggest problem with HELLHOLE is the fact that it runs way too long at 95-minutes. The film certainly could have used some editing and the "plot" tries to do way too many things.

Pierre De Moro's "Hellhole" is everything that we can expect in a 1980s horror flick: psycho killer and a plethora of naked women. In fact, the movie seems to be an excuse to show off the babes' bodies (and I mean full frontal). The plot - so to speak - is that a young woman (Judy Landers) gets sent to a mental institution after she develops amnesia resulting from seeing her mother murdered. This particular institution is run by a sadistic doctor (Mary Woronov of "Eating Raoul") who has some nasty punishment for the inmates who get sent to the title location.

If you watch this movie expecting nothing except pure brainless fun, then you won't be disappointed. Otherwise, avoid it. Also starring Ray Sharkey, Edy Williams and Marjoe Gortner.

There is a lot of nudity in this film. There is a mud bath and a girl on girl fight in the asylum showers. As far as the horror goes, the lobotomized victims do act like zombies. The leather and studs killer, named "Silk" leaves something to be desired. After a slow start the film picks up the pace only to have a drawn out ending where far too many characters need to be killed off. Some familiar B-movie stars on this not very common tape. I did not care for the ugly 80's make-up that the main character always wears, even too bed. Still, there is no real reason to pick at the plot details in this kind of film. At least it does not try to be too socially conscious.

Judy Landers plays Susan. She jumps out of the shower, puts a pink aerobics outfit on, walks downstairs to seeing her mother strangled to death by Ray Sharkey(playing a killer named Silk). She runs out of house and into a construction site, meets up with Sharkey and falls. The fall doesn't kill her but gives her amnesia, so with some strings pulled by the man behind Silk's deeds - Susan is put into a sanatorium till she recovers her memory. Unfortunately for Susan, she is admitted to a mental institution run by Dr. Fletcher - the sultry Mary Woronov - who enjoys being sado-masochistic and experimenting on patients in a basement called Hellhole. The hospital is like no other. Most of the wards are playboy playmate caliber-looking girls. All of them disrobe quite freely. In fact this film has a lot of nudity in it with a cat-fight in the showers and a mud bath as standouts...anyway,...ah the mind wanders...Susan is being stalked by the man that killed her mother all the while learning about the atrocities committed by Dr. Fletcher. I found this film somewhat interesting for a number of reasons. It is outwardly a sleazy picture in many ways. It has a spin on the women-in-chains motif. Nudity and shock effects override storyline through much of it. The acting ranges from weird and bizarre(Sharkey) to competent(Richard Cox as the hero) to camp(Mary Woronov doing her best Dyanne Thorne impersonation) to less than credible(Judy Landers((but hey who cares right?))). There are a number of cool cameos by genre notables from the past. Terry Moore from Mighty Joe Young fame has a nice role, Marjoe Gortner has an intriguing yet thin role as a doctor in league with Woronov, and the aforementioned Dyanne Thorne has a brief cameo as a patient that thinks she is an actress. Director Pierre De Moro even has flashes of talent here and there. The opening sequence is somewhat chilling and the settings of Hellhole are very well-utilized in terms of atmosphere, lighting, etc... The ending is wholly predictable but somehow satisfying for a film of this ilk. But make no mistake, while outwardly a horror film, this is also a sexploitation film equally. Watch for Renee Vicary as Silk's girlfriend. Just lovely!