The Dark Side to Love

From King of Kings writer Phillip Yordon comes this strange and Haunting film about a young girl(played in Superb Fashion by Merideth Haze) who becomes entangled with a handsome stranger, a bizarre "Death Club", and a strange millionaire who wants her only for himself. This film never got to play in theatres(it went straight to video in 1985.) Yet somehow it grows on you. if your a fan of Mr. Yordon's work I recommend Cataclysm,Scream Your Head Off,Bloody Wednsday, and the downright frightful Night Train To Terror. Maybe someday Anchor Bay will release all these titles on DVD as "The Phillip Yordon Collection". Until then give it another look.

As an avid fan of exploitation films I picked up Steven Thrower's "Nightmare USA" as soon as it came out. For those of you not in the know, "Nightmare USA" is THE book for American exploitation horror films made between 1970 and 1985 and is full of reviews and interviews highlighting many forgotten classics. As with any good film guide, "Nightmare USA" came complete with a checklist of all the films that the parameters of the book covers. And as a movie geek, I am going to try and watch ALL those films one day. I know I'm never going to do it, but it's been fun hunting down all these rare films. As I watch more and more of these films, the quality has begun to decline as I'm scraping the bottom of the barrel more and more. Still, occasionally a film does surprise you, like this number from 1983, "Death Wish Club". Now, this film is best known for being used a few years later in "Night Train to Terror", which I have yet to see, but I think it should be known in its own right. This film is a totally bizarre assault on sanity, so I don't want to spoil anything by trying and explain the plot, but let's just say that it you dig weird and offbeat films that often make very little sense, you'll dig this. In addition to its weirdness this film also contains some tasty nudity and some very cool scenes that involve a club for really sick people. Overall a solid and enjoyable offering, fans of oddball cinema will want to check it out. Now keep in mind its horror elements are very subdued, but the other elements work well, so it's actually not a big loss as long as you go into it knowing what to expect.

I saw this under the title GRETTA as a DVD extra on the NIGHT TRAIN TO TERROR disc. The feature-length GRETTA has a very different tone to it than the segment in NIGHT TRAIN. Meredeth Haze (in her only film credit) gives an incredible performance as Gretta. She's mesmerizing. It's easy to see why Glenn, played by Rick Barnes, is so taken by her. Barnes is a good actor, but 15 years too old for a part where he is referred to as a college boy. Worth seeing.

This film is acted and directed with just the right amount of tongue in cheek satire. I love watching it, especially the character of Mary Contrary. Paul Keefer, the actor playing this role stands out and really makes the film. A lot of films are just badly made and that is what makes them cult classics. However, this film is intentionally made to look and feel campy. John Carr does a terrific job of directing. However, the real star of the film, is (I hate to repeat myself) Paul Keefer as Mary Contrary. Every time he is in a scene, I just can't stop laughing. The one character that stands out however, like a sore thumb is William C Moore as Federico Lebuse. He tries too hard to act with a foreign accent and doesn't even come close to doing it with any type of ability. He isn't funny. He isn't clever. He isn't appealing. He just isn't an actor. In spite of his horrible job of acting and dragging the film down, it is a delightful film and a must see for anyone who appreciates fun comedy.

This movie is such an amazing achievement that I am struggling with what to say about it. No review or plot summary can ever even touch on the layered brilliance of this holy grail. As you may notice, I have had to invent the word 'cramfabulant' just to attempt to describe the emotional cocktail in which I was bathing while watching this cramfabulant film. Don't believe the poor star rating, or anyone who tries to explain this complex display of cramfabulessance. It simply needs to be experienced. But if I had to best describe it without mentioning the insanely amazing story, it would be something like "Imagine David Lynch directing the script of a low I.Q. first time screenwriting mental patient while both of them abused unapproved prescription meds in a closed garage full of open paint cans."