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The book A Murder Is Announced is a brilliant book, one of my favourite Agatha Christies, intricately woven and quite complex. This adaptation is a million times better than the Geraldine McEwan version, and not only was it faithful to the book, but it almost surpassed it. The adaptation is lovingly photographed, with stunning locations and costumes. The music is beautiful, reminds me a bit of a day in the country, peaceful and relaxing. The script is well crafted, the plot is brilliantly constructed and like I've said already, the adaptation is very faithful to the book. The lights-going-off scene was very haunting, and gave me nightmares when I first saw this when I was 11, six years ago, just like in the book, that scene was underplayed in the Geraldine McEwan version. The acting was very, very good, Joan Hickson doesn't just play Miss Marple, she IS Miss Marple. There was one scene with a sideways close up into Hickson's face, and that moment in particular was extraordinary. Samantha Bond was lovely as Julia, and Ursula Howells was superb as Letitia Blacklock. Joan Sims also delights as Amy Murgatroyd, and before he did Inspector Morse Kevin Whately did this, and he is a breath of fresh air as Sergeant Fletcher. Everyone else was just as superb. In fact, I have no criticisms of this at all, the ending will have you completely by surprise if you haven't read the book, the length was just right and everything about this was delightful. 10/10 Bethany Cox

This is, in my opinion, Christie's best Miss Marple book. The plot is ingenious, carefully woven and highly intricate. The ending is pure brilliance, and you will kick yourself because you didn't guess the identity earlier.

This BBC adaptation is also superb. It has a suitable running length, enough time for the viewer to absorb the information given to them, and Joan Hickson excels as Miss Marple. Her apparent scattiness hides her true genius to the rest of the cast, and Joan Hickson is perfect at playing Miss Marple in this way; far better than Margaret Rutherford and Geraldine McEwan's dreadful attempts . The supporting cast are also very good, featuring Ursulla Howles, Paola Dionisotti, Joan Sims, Sylvia Syms, Kevin Whately and Simon Shepard (of 'Peak Practice' Fame).

Having read the book very recently, and then watched this adaptation over Christmas on UKTV Gold, I can say that the plot is faithful to the original tome. I can highly recommend it.

I'm a fan of the genre. I have the aforementioned rewind button. I loved the show.

I didn't find it too implausible, considering that this did take place in the 1950s (no faxes, e-mail or digital cameras), and I thought it possible and plausible that the people in question could assume someone else's identity, especially as their performances were being given for the benefit of people who hadn't seen the "original identity holders" in many years, if at all.

Hints at Hinchcliffe's and Murgatroyd's lesbian "partnership," without ever coming directly across and labeling it (although it does more broadly hint at the relationship than Agatha Christie's original novel). Issues of youthful Communism and unrequited love are almost too felicitously handled, although one wishes that real life could be this uncomplicated!

Watch for a spunky performance from Samantha Bond (now universally recognized as Miss Moneypenny in the 007 series). Paola Dionisotti (The House of Elliott) is also greatly likable as Miss Hinchcliffe.

A MURDER IS ANNOUNCED in the Chipping Cleghorne Gazette at the very start of this clever Christie tale about an announcement in the local paper that sends several people to Little Paddocks cottage, just curious observers who wonder if anything actually will happen as predicted ominously in the quaint cottage shared by Letitia Blacklock (URSULA HOWELLS) and her old friend Dora Bunner (RENEE ASHERSON). Indeed, when the lights go out that evening, a man enters and a gunshot sound alarms the gathering, only to find that the intruder himself is the murder victim and Miss Blacklock has a flesh wound which makes her look like the intended victim.

The storyline soon involves a bunch of others and it becomes clear that nothing is really what it seems as to the identities of several people and the purpose of the murder scene. This is one of the most enjoyable of all the Agatha Christie books that I read years ago at a time when I was going through a number of her books, as a mystery fan. I always found this particular story one of special interest, and could easily have pictured Olivia de Havilland as Letitia Blacklock (what a name!!), the kind of role that would have been perfect for her at a time when she was playing more difficult roles.

However, the casting here is highly satisfactory with most of the British cast doing well in their parts--notably SAMANTHA BOND, SIMON SHEPHERD and SYLVIA SYMS.

This was later remade for the series starring GERALDINE McEWAN, all of which are less well regarded than the series here with JOAN HICKSON as Miss Marple. Hickson has a pensive, inquisitive look that makes us believe she is slowly coming to realize the truth, while McEwan is only able to suggest a sweet little old lady with a sly look, but never intelligent enough to unravel the mystery.

I can understand why many people see this as the best of Joan Hickson's adaptations. The production values are so high, the casting director did a fantastic job and got every characterisation spot on. ITV's remake I did enjoy and compares well with this one, partly because it moves at a pace. This version is far more intricate, more detailed and of course more true to the novel. Joan Hickson was of course born to play Miss Marple, to this day I don't think anyone catch match her, she was incredible. It's funny, I was 5 when this was transmitted, and I have a vivid memory of the scene where Miss Murgatryod is strangled with her washing, think that's why I was so keen to watch them again (and again.) As with all Agatha Christie's it's the endings I enjoy, and this is one of the best, if you've not seen it, you are missing out. Ursula Howells, Renee Asherson and Paola Dionisotti are particularly brilliant. a definite no questions asked 10/10