I Muppet alla conquista di Broadway

The Muppets Take Manhattan

The best of the "Muppet" films sees the iconic furry creatures venturing to Manhattan in hopes of lighting up Broadway with their songs and dancing. Funny, touching, and simply great fun for all ages--I haven't seen the original "Muppet" film but I think it'd be hard-pressed to beat this. I got this as a free rental at my video store and kept renting it over and over again for free. If I ever see it on DVD I'm buying it immediately.

**** 1/2 out of *****

I personally don't think it is QUITE as good as Muppet Movie or Great Muppet Caper, and one or two scenes towards the beginning could have been better paced, but along with those two Muppet movies, Christmas Carol and Treasure Island, The Muppets Take Manhattan is one of the better Muppet movies by far. It has a great story, different but still a fun one, bouncy songs especially It's Time for Saying Goodbye and the superb Together Again, the Manhattan locations are clever and truly stunning and the cameos from the likes of Liza Minelli, Joan Rivers, Brooke Shields and Gregory Hines are fun personified. And the Muppet performers are once again spot on, and any scene with Miss Piggy especially is a joy. Overall, terrific fun and recommended. 8.5/10 Bethany Cox

With all the crazy stuff going on in my life, I'm glad to get some relief by watching the last Muppet movie for me. I have now seen every theatrically released one! I was initially confused throughout the first hour of this movie. I believe I saw this movie being advertised and it was saying it would be about Kermit losing his memory. That kind of disinterested me. This was something that had been done many times before. It ended up being something that was only important in the last third! I really do appreciate the good pacing in this film. It's great to see all these heartwarming scenes.

I wasn't expecting to see "Sesame Street" characters making cameos. Of course, there's always cameos in these movies. I just love this part in the credits where they say that all characters were fictitious except for the cameos. Yeah, look at that there! There was a short sequence that was like "Muppet Babies". I didn't know whether this movie came out before or after out but it actually came out at the same time! The emotions are quite strong and the resolution is nice. I'm glad to have seen every Muppet movie now! ***

The Muppets gang graduate from college, and try to make it on Broadway. Only they can't find any takers. The gang decide to go on their own, and not depend on Kermit so much. Meanwhile Kermit works in a diner, and try to get his play off the ground.

This starts off great with a lot of comedy from the whole gang. Dabney Coleman is great for some gut busting laughs. It's too bad that the gang is scattered after the start. Miss Piggy has some hilarious fun, but I prefer to have the whole gang together. They're funnier together.

The main live action lead is Juliana Donald who's trying to help Kermit get the play off the ground. She doesn't have any sparks, and looks awkward like she's acting with a bunch of puppets. There are a lot of famous cameos. I'd prefer to have Brooke Shields as the lead. Beside that, there is a lot to love, and a lot of laughs in this Muppets movie.

I distinctly remember seeing "Muppets Take Manhattan" in the movie theater when I was 8 years old--following the film, I immediately demanded that my parents purchase the soundtrack LP (yes, on vinyl!). I loved this movie then; I love it still.

Actually, it's my favorite among the first three, classic Muppet films; "Muppet Movie" is great but overlong, while "Great Muppet Caper" is terrific, but seems a bit dated now. "Muppets Take Manhattan," on the other hand, never fails to entertain me, still makes me laugh out loud (the purse-snatching scene; Kermit in his Bert Convy 'fro), and even tugs at my heartstrings.

What's particularly nice about this adventure is that it's an affectionate love letter to Hollywood musicals of yore, without being overly parodying. The musical comedy cliches are presented in a matter-of-fact manner; just as we were expected to suspend our disbelief when Ruby Keeler went out onstage a nobody but "came back a star!", we suspend our disbelief to encompass a group of talking animals putting together a big budget Broadway musical in 2 weeks. These kind of hoary plot devices are presented straight-faced, without any self-conscious "winking" or irony.

The songs are all pretty darn terrific; the show-stopping "Together Again" finale is as good as any contemporary musical number of the last 20 years or so, while "It's Time for Saying Goodbye" always puts a lump in my throat: it's sentimental without being maudlin. The finale, "He/She Makes Me Happy" goes from being sweet to comically over-the-top in less than 3 minutes, and it's a joy.

The expected parade of cameos work well within the structure, without being intrusive. My particular favorites are Liza Minnelli's (the whole Sardi's scene is wonderful), Linda Lavin's (another terrific comedy moment: "YOU are Mr. Enrico Tortellini of Passaic, New Jersey!"), and Joan Rivers' (another gem). The Muppet performers are their usual, endearing selves: lovable, warm, likable. The "love triangle" between Kermit, Piggy and the human Jenny plays surprisingly well, and Piggy's jealous reactions are hysterical.

These days, "family entertainment" usually means disgustingly white-washed pap that anyone over 10 or 11 would find either sedating or inane. (Disney's live action "101 Dalmations" and its sequel spring to mind.) The Muppet movies proved that a G-rated film could be intelligent, witty, funny and entertaining for all ages. It's a formula that has yet to be improved upon, and "The Muppets Take Manhattan" just might be the best example of it.