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Some good fight scenes and stunts. The big disappointment is we only see Bill Wallace for maybe 30 sec on screen sparring with the main character. Bill W. was a legend, a karate guy back in the 80's. The movie is very slow until the end when they bust the bad guys. I'm a big fan of B movies but this is one belongs in the dollar discount bin at the local rental store.It's a pity they didn't have Bill Wallace go up against the bad guys, he's a great martial artist.

What an amazing movie this is ... a true classic masterpiece! Inspiring dialogues and amazing martial arts techniques will take your breath away ... Highly recommended! I really look forward to see a remake of this movie with the original cast (if they're still alive and well) . Many action movies that are more popular and well-known are more or less based on the plot of Kill Point ... the plot is one of a kind;originality is one of the qualities of this movie that is clear to see. Let us hope that this movie company will produce more brilliant products like these and enjoy other great movies featuring Leo Fong in the meantime ... Last but not least I would like to propose the concept of a sitcom based on this movie;that would be truly amazing ...

This movie is on the slow side for me. There's action and plot. But there's a lot of killing in it. Leo Fong plays a cop who goes after a violent gang who raped and killed his wife. Stack Pierce play the stoic gun runner and killer who hires and fires the people who have helped him. Richard Roundtree plays the Fed who helps the police find the killer. The martial arts scenes are always for me. The fight scene however is slow and stiff. Very effective.

It's not a bad movie, but it's not a good movie as well. Too many flaws. It needs a lot of work. It looked more like a documentary than a flick.

2 out of 5 stars.

An awful sub-par thriller from Crown International Pictures, much along the lines of their follow-up LOW BLOW. It's hard to know what's worse: the quality of the martial arts fights (in which the blows are the softest ever and barely hit the opponent half of the time), or the acting from a cast slumming it throughout. The plot, in a nutshell, is about a criminal gang armed with stolen weapons who go on a killing spree through the city, leaving one tough cop to track them down.

Actually, I think the worst thing about this film is the quality of the editing. It's incredible - worse than in an Ed Wood film, for instance. One shot will have a character coming up to somebody from the left, then the next shot will see them randomly standing to the right of that person. It makes for a disconcerting viewing experience to say the least.

The production values are very poor, although at least the outdoor locations are sunny. Leo Fong gives an appalling performance in the lead role, just as he did in LOW BLOW; throughout the movie I couldn't work out what was worse, his acting or his wig. Cameron Mitchell seems drunk in his turn as the villain, and only Richard Roundtree and Stack Pierce in support give anything approaching halfway decent performances. Yes, there's some quite graphic violence in KILLPOINT and a storyline that just about passes muster, but the execution is so poor that it's a real chore to sit through.

My review was written in March 1984 after a Times Square screening.

"Killpoint" is a perfunctory police picture made in asemi-documentary fashion that reduces audience involvement. Prospects on the action circuit are okay.

Filmmaker Frank Harris (who takes five credits on the pic) has sought to out-do Louis de Rochemont and Jack Webb in low-key realism, but the result is dull. Dozens of members of the Riverside, California police department plus the local coroner's office and people off the street fill most of the "acting" roles, and several lead players are so ice-cold in their performances that the film seems remote instead of exciting.

Leo Fong, a Chinese-American martial arts expert, toplines as Lt. James Long, a cop troubled by his wife's rape and murder, who is assigned to work with government agent Bill Bryant (Richard Roundtree) in catching the killers who have stolen automatic weapons from a National Guard armory and are creating mayhem by selling them to local criminals and gangs. Stack Pierce portrays Nighthawk, the key gunrunner whose boss, played behind dark glasses by Cameron Mitchell, is a nut who gets his jollies torturing and killing women.

Fong, whose immoblie but strong featured visage suggests an Oriental counterpart to Woody Strode, is unimpressive, a totally unemotional nonactor. Pierce's one-note "Mr. Cool" is counter-productive, Mitchell is silly and guest star Roundtree tarnishes his "Shaft" superhero image by getting blown away in routine fashion. Technically merely adequate, "Killpoint" delivers none of the fun that once made B-features so enjoyable.