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This movie is very violent, yet exciting with original dialog and cool characters. It has one of the most moving stories and is very true to life. The movie start off with action star Leo Fong as a down and out cop who is approaching the end of his career, when he stumbles on to a big case that involves corruption, black mail and murder. This is where the killings start. From start finish Fong delivers in this must see action caper. This movie also co-stars Richard Roundtree.

I really enjoyed this film as a child but as I got older I realized that this film is pretty cheesy and not very good. I would not recommend this film and the action is very, very bad.

An awful sub-par thriller from Crown International Pictures, much along the lines of their follow-up LOW BLOW. It's hard to know what's worse: the quality of the martial arts fights (in which the blows are the softest ever and barely hit the opponent half of the time), or the acting from a cast slumming it throughout. The plot, in a nutshell, is about a criminal gang armed with stolen weapons who go on a killing spree through the city, leaving one tough cop to track them down.

Actually, I think the worst thing about this film is the quality of the editing. It's incredible - worse than in an Ed Wood film, for instance. One shot will have a character coming up to somebody from the left, then the next shot will see them randomly standing to the right of that person. It makes for a disconcerting viewing experience to say the least.

The production values are very poor, although at least the outdoor locations are sunny. Leo Fong gives an appalling performance in the lead role, just as he did in LOW BLOW; throughout the movie I couldn't work out what was worse, his acting or his wig. Cameron Mitchell seems drunk in his turn as the villain, and only Richard Roundtree and Stack Pierce in support give anything approaching halfway decent performances. Yes, there's some quite graphic violence in KILLPOINT and a storyline that just about passes muster, but the execution is so poor that it's a real chore to sit through.

Killpoint is a standard violent action flick from the 80's. It's about a criminal gang who steal weaponry from the National Armoury and then sell it on to various hoods, while still finding time themselves to go around annihilating a variety of unfortunate people. A Chinese cop is put on the case to track them down.

This is an entertaining actioner which is somewhat rough around the edges it has to be said. It's poorly edited throughout in a manner that often doesn't make it too clear what is happening in certain scenes. But it has enough bloody violence and martial art fighting to ensure it's never boring. B movie stalwart Cameron Mitchell plays the gang lord who is combines his crime boss role with a penchant for sadistically killing women, while lovingly fawning over a small pet poodle. Richard Roundtree's name is prominent on the poster but he's hardly in it, it's more Leo Fong's movie - I hadn't even heard of him – and he puts in a stony-faced and decidedly uncharismatic performance while sporting an impressive pudding bowl haircut throughout. But best of all is Stack Pierce who plays the menacing character Nighthawk, who is Mitchell's sidekick/enforcer – he is a convincing bad ass and his performance is very committed.

On the whole this is quite middling fair though. Certainly entertaining enough but just don't expect too much.

Essentially plotless action film has two good guys (Fong and Roundtree) pitted against two bad guys (Mitchell and Pierce). Fong is perhaps the most uncharismatic action lead of the 80s, Roundtree's small part is a far cry from his "Shaft" days, and Cameron Mitchell adds another shameful role to his career, one to sit right next to his laughable turn in "The Toolbox Murders" (this man was a respected actor once, now he has come down to wearing flowers in his hair and complaining about people bleeding on his carpet). Only Stack Pierce acts with some dignity. As for the violence, don't worry: most of it is too badly done to offend anyone. (*1/2)

I had to write a review for this movie based on the ones that are saying gory, non stop action, great movie..

These people were obviously watching a different movie. Killpoint honestly sucked from the word go!! I kept waiting and waiting for this film to get better and it was to no avail. Some said this movie was brutal and others said gory but I can't find either of those adjectives actually showing up in this, I mean hell there are so many scenes with people getting shot and there being no blood at all it's not even funny!! I guess the best way to sum this up is it probably should've been rated PG by 1984 standards and now in the year 2010 there is no doubt this would be PG!! Bad, BAD not in the fun cheesy "B" variety movie!!

Killpoint is another film that earns it's place in the sick category, or like a film, whose story lost it's way, like Hollywood Cop. In that Cameron Mitchell was a cranky cop (a good guy). In this, animal lover that I am, he's one sick, unhinged, son of a bitch, who deals in stolen arms. One senseless scene has his black partner shoot up a room of people. A separate incident, where an Asian cop's wife and child were killed, the same gun was used in that massacre. The wife was initially raped, and being a cop (Leo Fong) we know it's personal. Working with an another L.A. cop, (Richard Roundtree, before his Seven days) wasted in this amateur scripted dribble, they soon find the source of the heavy artillery and begin to close in on these bad as...s. Again as reference to Hollywood cop, some written scenes, are so amateurish, and lazy, it seems as the dialogue was written as it went along. Fong is the most calm and collected cop, while still maintaining a coolness. He's also the most unresponsive. Could it be that he's just a bad actor. Killpoint is a movie I hesitate to watch again, one that leaves me double minded, cause I know it won't leave me feeling really good at the end of it. Much is the blame on Cameron Mitchell's loathe character, and his actions.

Some good fight scenes and stunts. The big disappointment is we only see Bill Wallace for maybe 30 sec on screen sparring with the main character. Bill W. was a legend, a karate guy back in the 80's. The movie is very slow until the end when they bust the bad guys. I'm a big fan of B movies but this is one belongs in the dollar discount bin at the local rental store.It's a pity they didn't have Bill Wallace go up against the bad guys, he's a great martial artist.

Leo Fong as Lt. James Long is slightly subdued in his role but he still makes good in his scenes. There are some good fights here and a good 80's type of soundtrack. The song by Ramona Gibbons ... "Living On The Inside" is great for the ending of this movie.

Well the plot isn't brilliant and some of the actors are a little bit wooden. Michael Farrell as Captain Skidmore and Larry Lunsford as Agent Crawford are the sort of characters that would have appeared in the TV series of Mission Impossible in the sixties.

But this in its own way works for this movie. Still other actors make up for it. You'll notice a few actors here that Leo Fong uses in his other films. Stack Pierce , Hope Holliday and Cameron Mitchell and a couple of the extras too.

Stack Pierce as Nighthawk is great and very menacing. He is one of the most under appreciated actors around. Its hard to believe that he hasn't greater status as an actor.

Leo Fong well he gives an OK performance as LT Long and he is a pretty tough looking guy. And of course quite handy with his fists.

Cameron Mitchell who's was a very good actor seems to be the most weird perverted psychopathic creature around. This has to be seen to be believed !

Richard Rowntree is also in this movie which makes it worthwhile.

I could see what could nearly have happened if the film was directed in a different way or more avenues explored. There were some hints at excellence in different parts of this movie ,nearly there but just not quite ! The movie was probably made on a reasonable budget and there is good entertainment value in it. The shortcomings of this movie are out-weighed by its positive aspect. The thing about this movie is the memory of it isn't good as the actual watching. Seeing it again and then I think ..... mm that was quite good !

KILLPOINT (1984) pits "dangerous" police detective Fong and ATF agent Richard Roundtree against gangster Cameron Mitchell and his stone-faced second-in-command Stack Pierce, who've stolen a load of weapons from a nearby military depot for resale to the city's gangs, who in turn use them to shoot up restaurants and supermarkets for kicks. The "high" point of the picture (or low point, depending on your POV) is Mitchell's performance, which is so detached and dazed that it's tough to tell if he's acting or just really, really plastered for much of his screen time, which is spent passively-aggressively canoodling with his pet poodle and killing those who irritate him in even the most perceived of ways, and giving Pierce plenty of reason to suspect that his boss is turning gay. Even on autopilot, Roundtree proves to be the consummate professional, delivering a solid performance that outshines virtually everyone around him.

What an amazing movie this is ... a true classic masterpiece! Inspiring dialogues and amazing martial arts techniques will take your breath away ... Highly recommended! I really look forward to see a remake of this movie with the original cast (if they're still alive and well) . Many action movies that are more popular and well-known are more or less based on the plot of Kill Point ... the plot is one of a kind;originality is one of the qualities of this movie that is clear to see. Let us hope that this movie company will produce more brilliant products like these and enjoy other great movies featuring Leo Fong in the meantime ... Last but not least I would like to propose the concept of a sitcom based on this movie;that would be truly amazing ...

This movie is on the slow side for me. There's action and plot. But there's a lot of killing in it. Leo Fong plays a cop who goes after a violent gang who raped and killed his wife. Stack Pierce play the stoic gun runner and killer who hires and fires the people who have helped him. Richard Roundtree plays the Fed who helps the police find the killer. The martial arts scenes are always for me. The fight scene however is slow and stiff. Very effective.

It's not a bad movie, but it's not a good movie as well. Too many flaws. It needs a lot of work. It looked more like a documentary than a flick.

2 out of 5 stars.

My review was written in March 1984 after a Times Square screening.

"Killpoint" is a perfunctory police picture made in asemi-documentary fashion that reduces audience involvement. Prospects on the action circuit are okay.

Filmmaker Frank Harris (who takes five credits on the pic) has sought to out-do Louis de Rochemont and Jack Webb in low-key realism, but the result is dull. Dozens of members of the Riverside, California police department plus the local coroner's office and people off the street fill most of the "acting" roles, and several lead players are so ice-cold in their performances that the film seems remote instead of exciting.

Leo Fong, a Chinese-American martial arts expert, toplines as Lt. James Long, a cop troubled by his wife's rape and murder, who is assigned to work with government agent Bill Bryant (Richard Roundtree) in catching the killers who have stolen automatic weapons from a National Guard armory and are creating mayhem by selling them to local criminals and gangs. Stack Pierce portrays Nighthawk, the key gunrunner whose boss, played behind dark glasses by Cameron Mitchell, is a nut who gets his jollies torturing and killing women.

Fong, whose immoblie but strong featured visage suggests an Oriental counterpart to Woody Strode, is unimpressive, a totally unemotional nonactor. Pierce's one-note "Mr. Cool" is counter-productive, Mitchell is silly and guest star Roundtree tarnishes his "Shaft" superhero image by getting blown away in routine fashion. Technically merely adequate, "Killpoint" delivers none of the fun that once made B-features so enjoyable.