Hundra l'ultima amazzone

Hundra, a fabulous warrior woman sets out to punish via execution as many of us wicked man things she can. All of us drunken, slobbering, sexually obsessed men need death and she is more than happy to deliver. All the while she hopes to find that one "special" guy who will give her a baby. The guy she takes aim at just happens to be a doctors...soo there.

Hundra is a very nicely produced eighties sword and sandal epic that produces its share of entertainment on various levels. Yeah, the entire concept is kinda dumb but its actually one of the better Conan type films made in that era...the genre was not done justice. The costumes look pretty decent and the on location filming is a big plus. Surprisingly, the fight scenes are better done than one would expect. This is not Shakespeare so don't approach it expecting Hamlet...K?

The lady playing Hundra is athletic and does lots of stunts, and pulls them off nicely. There isn't much need for acting here so we won't go there. If its slightly campy action and adventure you crave...you could do a lot worse than Hundra!!! PS...the thing with the dog is a big plus...not really, but cool anyhow!

In a mythological land, a female tribe is slaughtered by marauding male barbarians leaving the warrior Hundra as the lone survivor. She sets out to find a suitable male to mate with to re-start a new tribe. Soon, she winds up in a walled city run by a group of chauvinistic men.

Hundra has the one original angle of being a feminist slant on the sword and sorcery cycle of films from the mid-80's. The genre had been usually typified by scantily clad barbarian women with little in the way of political correctness. So Hundra stands out a little from the crowd, although Red Sonja from a few years later was coming from a similar place. That said, it isn't above having the heroine ride her horse naked into the ocean for an unorthodox bath! In fairness, it's hardly the most gratuitous nudity and the film overall is noticeably less dependent on erotic moments than most others from this type of flick. Laurene Landon is spirited in the title role. She clearly does a lot of her own stunts and gives a very physical performance.

It's not a great film though sadly. The main problem is that its pace lags in the middle too much. After a great start the action slows down once the heroine arrives at the city. This means that it feels like the running time could have been reduced by ten to fifteen minutes. But, that said, there are good fight scenes that bookend the film. And the production values overall seem pretty good with some decent locations and a stirring Ennio Morricone score to add some additional class. In the final analysis, Hundra is no classic and is weak in its middle section but it does have some good things about it.

Beautiful blonde warrior woman Hundra (Laurene Landon) would rather have a good horse between her legs than a man, but after a savage attack on her tribe by a horde of hairy barbarians she is forced to seek out a mate to ensure the continuation of her people.

Matt Cimber's Hundra supposedly turns the tables on the male-dominated fantasy genre with a barbarian woman who is more than a match for any man; it soon becomes apparent, however, that the feminist angle is just for show, the film exploiting its female star's physical appeal—and that of the other women in the film—just as much as any other B-movie trash. Bad news for the women's liberation movement, but good news for fans of sexy ladies in small loincloths.

Landon's wooden delivery of her lines makes it abundantly clear that she was not hired for her acting ability, but rather for her sex appeal and athleticism. Hundra might swing her sword as skillfully as any Cimmerian, but she does so in a skimpy outfit that frequently gives glimpses of her shapely behind; when she's not fighting, she likes to go for a naked ride through the surf on her horse.

Cheap titillation aside, Cimber's movie is at its most entertaining whenever there is fighting, the blood flowing freely as Hundra hacks and stabs at her opponents; however, there is a prolonged absence of action once our heroine enters a city where the local high priest, whose temple doubles as a knocking shop for barbarians, vows to add her to his stock of subservient women. While avoiding capture, Hundra falls in love, gets pregnant, gives birth to a daughter, and teaches a slave girl how to fight, all of which is fairly dull to watch.

Things eventually pick up for a rousing finalé (aided immensely by Ennio Morricone's epic score) in which Hundra rallies the women to revolt against their captors, but despite more bloodletting and the hilarious demise of the high priest (a woman suffocates him by straddling his face), Hundra remains a fairly mediocre affair overall.

After her all-woman tribe gets wiped out by some nasty men for no reason, Hundra takes off in search of a man to impregnate her (hopefully with a girl) to ensure the tribe does not die out for good. After giving the aforementioned men what-for, Hundra, her horse and her pet dog that follows her around everywhere, travel in search of the perfect man for the job. After a failed attempt with a drunken slob who Hundra ends up thumping, she arrives in a near-by desert village run by a chauvinist pig and his merry men. This "prince" likes to select the most attractive-looking female residents of the village and uses a hot mistress to teach them how to be the perfect woman, so they can then serve the drunken, brutish town aristocrats. Hundra stumbles upon the plot and tries to stop it, but is abducted and forced to undergo the same "training". Meanwhile, she falls for the village doctor and wants him to be the father of her child, but he is not very willing...

Hundra could possibly be the world's earliest feminist. She hates men and is strongly for women's rights, trying to force her beliefs on every woman she comes across later in the film. She is also well-versed in fighting and weaponry, making her no novice when it comes to taking-on these men. After she is forced into "training" by the prince, she discovers that her teacher has an illegitimate son, which the prince would kill her for. In exchange for keeping this secret, the teacher agrees to help Hundra win-over the doctor so they can make a baby. Hundra tries and tries and finally convinces the teacher to fight back against the prince and his merry men, and stand-up for her rights. There are many women's lib speeches from Hundra, almost as much of that as there is sword and sorcery, so you get my drift when I say feminism...

As for the sword and sorcery, it's a grand old fare with much slicing and dicing. There's a fair amount of blood and heads coming off, and even the poor old pet dog gets into a fight with a prince! There also seems to be a few horses who didn't get the good end of the bargain, falling all over the place. Speaking of horses, there's a strange scene where Hundra rides her horse through the ocean naked, presumably to bathe them both? You've also got a tiny bit of slap-and-tickle and the acting is fairly ordinary. No one stands-out much. The ending is what you'd expect, with the oppressed women rising up against those brutal men. None of them just seem to be as good with a sword as our Hundra! She also does it with the doctor and gives birth to a baby, but when she says "Give me my daughter", the doctor and the teacher exchange concerned glances, as if the baby's actually a boy. But Hundra says nothing of it later, so who knows what that scene was about... It must have been a girl, then! Doing her bit for the women of the village, Hundra takes her baby and rides off into the sunset, ready to try and replenish her tribe so that they may thrive again...

With the feminist themes, this film is an interesting twist on the abundant sword and sorcery plot. The locations were very well used and the film was well edited. Can't say much of the music, but there's nothing there that will truly annoy you, except for some of the storyline, of course! Not a bad viewing.

Sword-and-Sorcery epic with female lead taking on multiple adventures and fierce battles . Thrilling and stirring movie full of imagination and fantasy that introduces us a brave heroine , female counterpart to Conan , she leads a valiant tribe of women who dares to be free . This is a delightful action/adventure romp set in the Dark Ages , where savage and violent men enslave all women . There appears a valiant warrior woman , her name is Hundra (Laurene Landon) , a Red Sonja-alike , she was born in a tribe of fierce warrior women . Hundra is an archer and sword fighter , whose Amazon tribe was wiped by nasty Vikings in some scenes similarly shot to Conan film . Hundra is superior to any male , woman of beauty , a warrior of strength , a hunter of man . Hundra The Invincible finds her family slain and takes a vow of vendetta until one day she meets her match (Ramiro Oliveros) .

This exciting film packs noisy action , adventure, and rip-roaring fights . Dumb images , unintentionally hilarious and lots of amusement and entertainment . Made on a fairly middling scale with passable set design , glimmer photography and excellent musical score . This entertaining picture contains frenetic action , tension , bloody fights , and moving action scenes , including blood , gore and beheading . The film is full of freaks and bemusing situations ; it is quite entertaining because being a laborious and intriguing adventure tale with some unintentional humor . Sympathetic performance by Laurene Landon as Hundra the Invincible , a valiant woman who has been raised to despise the influence of men , she the finest warrior of her people . Laurene Landon executed almost all of her own stunts in the film , the only stunt she didn't carry out was a backwards fall from a high tower . Agreeable support cast full of Spanish actors such as Maria Casal , Luis Lorenzo and Spaghetti usual as Eduardo Fajardo , Fernando Bilbao and Frank Braña . Although all the dialogue and dubbing for this movie proceeded by nice actors was looped in post-production . Colorful and evocative cinematography by John Cabrera . Very derivative special effects , acceptable production design and matte paintings . Impressive musical score composed and conducted by the master Ennio Morricone . The picture was shot in La Pedriza , Manzanares , Madrid , Texas Hollywood-Fort Bravo, Almeria , Spain and ¨Condor¨ fortress , where was filmed several Spaghetti/Paella Western as ¨ Blind man, Massacre at Fort Holman¨, ¨A man called Noon¨ , ¨El Condor¨ and ¨Conan the Barbarian¨ .

The motion picture was middlingly directed by Matt Cimber . He has directed all kind of genres , in the mid 70s did three immensely enjoyable blaxploitation pictures : The Black Six (1973) , Lady Cocoa (1975) and the terrifically trashy The Candy Tangerine Man (1975) . Matt made a rare foray into the horror genre with the disturbing psychological shocker The Witch Who Came from the Sea (1976) . His next work was based on a Mario Puzo story, a World War II drama A Time to die (1982) starring Rex Harrison and Rod Taylor . Later that year Matt teamed up with Pia Zadora for two films : the underrated Butterfly (1982 ) , Orson Welles last film , and the fun Fake-out (1982) . The following year Matt joined forces with actress Laurene Landon for Hundra (1983) and Yellow Hair & the Pecos Kid (1984) , both of them being shot in Spain with similar cast and technicians . The film will appeal to adventure buffs with enough action to make it worth looking in on . In other words , it seem likely Conan enthusiasts and juvenile viewers will be delighted because thrills, action and adventures are regularly presented and edited to offer the enough impact . Rating : 5,5 ; it's an old-fashioned B film on an acceptable scale and basically enjoyable because of it.