Un salto nel buio

I don't know what the last reviewer was talking about but this show is truly scary. I can recall watching this show when it orig. aired and the opening seq. alone scared me to death. When it would come on and I was alone I would run from the living room and in to my bedroom w/ the covers over my head. I remember that I also forgot to turn the television off so hidding from the scary intro. did not work : ) As for the episodes, I remember that the opening credits and closing credits , but I don't remember EVERY episode. I remember several classic ones that are a MUST. One involved a woman that wanted to stop over eating and loss weight. So she went to buy a "special" pair of glasses. Lets just say it did not end good for the woman. I wish I could tell you more but I don't want to spoil it. It's very creepy and scary episode. Another classic was one w/ a puppet master whos dummy comes to life and tries to take over and kill his master.

The shows were not as scary as maybe some would like but I doubt anyone would be disappointed in this show. It is a VERY VERY CREEPY SHOW. Trust me. You watch this show at night or in the daytime alone or with someone and you will be very creeped out and perhaps scared.

"So try and enjoy the daylight."

"Tales From the Darkside" is an interesting anthology series which has been syndicated for as long as I can remember. Every now and then you can catch the episodes on WGN out of Chicago or on the Sci-Fi Channel. The series is a poor man's "Twilight Zone". I believe that all of the episodes were made in the mid-1980s and dealt with subjects very similar to those dealt with in Rod Serling's series. The special effects were usually sophomoric and so were the performances, but the suspense and sense of the "unworldly" usually kept me on the edge of my seat. The writing and direction of most of the episodes are clever and intelligent. However, there are several duds in the series. For the most part "Tales From Darkside" is an interesting supernatural series that has been overlooked, but is usually just as potent as "The Twilight Zone" or "The X-Files". The series was popular enough to spawn a theatrical movie in 1990, but the movie falls far short of the original television episodes. Overall I give the series 4 out of 5 stars.

This wasn't a bad show, but watching it on a regular basis could leave you with a hollow feeling. The bad guys occassionally won in this very dark series, and I was sometimes repulsed by some images. However, if you were in the right mood, you might find something to enjoy, and I myself actually enjoyed most of the episodes. Some that stand out include one Christmas episode about the "grither," kind of an anti-Santa Claus being; an episode where a grandmother makes a birthday wish, and it comes true in rather painful ways for her other family members; and an episode set in a baker's shop, where an old black lady combines baking cookies with voodoo. Pretty good stuff, just not for the faint-of-heart.

Every anthology TV series has its duds. It's just par for the course with these types of shows. It does seem that Tales From the Darkside had far more duds than brilliant episodes. Still, even the duds are dripping with mood. In that respect, it's a far creepier show than, say, Tales From the Crypt. That show might be more consistent in terms of the writing and the acting, but Tales From the Darkside wins in terms of mood and atmosphere.

Some of the more interesting episodes are Halloween Candy, Trick 'R Treat, Anniversary Dinner, Miss May Dusa, Baker's Dozen, and The Geezenstacks. There's some creepy, haunting stuff in there.

Tales From the Darkside is still worth checking out, but just be prepared to have to wade through a lot of bad/mediocre episodes to get to the good ones.

The premise which inspired "Distant Signals" is guaranteed to ignite the inspiration of anyone who has loved the characters of a TV series. Mr. Smith (Lenny Von Dohlen), an otherworldly visitor, approaches the creator of a 1965 detective series (David Margulies) which was canceled in mid-season. This "fan" offers him $2 million - in gold - to write and direct six more episodes, including a vital series finale, which will remove the wandering hero from "limbo." Darren McGavin, with heartbreaking pathos, portrays the actor who is physically and metaphysically transformed from an aging dead-drunk bartender into his former self as a mythic star. This peculiarly "impossible," yet patently real idea glows with magic and life as an example of how a mere half hour installment of a small screen anthology can represent "the height of televisual art."