Cuore d'acciaio

This movie struck home for me. Being 29, I remember the '80's and my father working in a factory. I figured, if I worked hard too, if I had pride and never gave up I too could have the American Dream, the house, a few kids, a car all to call my own. I've noted however, without a degree in something (unlike my father that quit at ninth grade) and a keen sense of greed and laziness, you can't get anywhere.

I would like to know if anyone has this movie on DVD or VHS. it's made for TV, and I just saw it an hour ago. Ic an't find it anywhere! I'd love to show this to my friends, my pseudo friends, family and other relatives, see what they think and remind them that once upon a time, Americans WOULD work for the sake of feeling honor and that we had pride in what we accomplished!! I think the feeling is still there, but in a heavy downward spiral with so many things being made overseas...

I was there for the filming in 1983. I taught business and economics at a local H.S and remember very well the circumstances surrounding the events portrayed in the movie.

In the scenes filmed at the USWA Local (actually in Steubenville, OH about 5 miles upriver), the references to the mill possibly being sold to the workers actually happened to Weirton Steel across the river in Weirton, WV as an ESOP (Employee Stock Ownership Plan). I also remember the flight from the valley after the bad recession of the early 80's of many, many workers. The summer of 1983 I visited relatives in San Antonio, TX where I saw signs outside small shops begging for welders and skilled tradesmen. I imagine some displaced Ohio workers migrated to those jobs.

It's a shame families were ruined because of these disruptions but unfortunately it currently happens daily on a smaller, less noticeable scale. I have a gut feeling we'll be seeing more and more of this due to GATT, NAFTA, and the Illegal Alien problems. Ross Perot, you were right! The sucking sound continues!

Just as there are remakes of "State Fair" and "Insomnia" or "The Lake House" perhaps we'll sadly be treated to a remake of "Heart of Steel".

Emory is a Cincinatti steel worker like his father before him and for most of the 20th century the twin pillars of his family's existence have been the steel mill and the union. The mill, which once employed 45,000, has seen its numbers dwindle to 5,000 recently and now 1, as the plant just shut its doors, leaving a single security guard. At first, newly-unemployed Emory and his pals enjoy their independence, hanging out around town and carousing at their favorite bar, where they down "depth charges" with reckless abandon. They think the mill will reopen after listening to their union rep's optimistic spiel, but reality starts to sink in when they find themselves selling their personal vehicles in a struggle to put food on the table and stave off foreclosure of their homes. Emory's father - a dedicated union man - is sure the plant will reopen and recalls for his son all the short-lived closures during his own 35 years at the mill. Meanwhile, some of the unemployed men take demeaning make-work jobs or hop in their trucks and take off in a desperate search for employment.

Finally the union admits its helplessness, as Emory explains to his stubborn father that times have changed and that the mill won't ever open again. Emory tearfully asks "What did I do wrong?" as a lifetime of hard work and devotion to job, union, church and family have left him with nothing and nowhere to turn. He hits rock bottom when in a drunken rage he manhandles his young sons and knocks his wife to the floor. Tossed out of his own home and stinging from the plant manager's comments that he and his men didn't work hard enough to justify their substantial paychecks, Emory recruits the steel workers still left in town to do something that will demonstrate to all what they are capable of. Early in the morning they break into the mill, fire up the furnaces and work harder than they ever have in their lives, producing in one shift enough high-quality steel pipes to fill the loading docks from wall to wall, top to bottom - something the plant manager thought was impossible.

Arriving at the suddenly-reopened plant, the stupefied manager looks around him at the tremendous output that came from a single day's work, realizing that production like this could make the plant profitable again. The manager asks Emory: "Can you do this every day?" Emory is forced to nod "No" and the manager asks: "Then what were you trying to prove?" Emory explains that the workers' decades of hard work, honesty and devotion to their jobs had meaning and that by showing how much they could produce in one day "We just spit in your eye." Emory bids a tearful farewell to his wife and kids as he takes off with his buddies to look for work down south, promising to relocate the family when he finds it.

This is a powerful and honest treatment of the plight of American workers displaced by foreign competition and gives a realistic view of the costs they bear for the short-sightedness of concession-demanding unions and greedy plant owners who extracted every penny they could from their factories but never gave back by modernizing them. Peter Strauss as Emory, John Goodman as his best friend, Gary Cole as his college-boy brother, Pamela Reed as Emory's sympathetic wife and John Doucette as his dying father all turn in excellent performances in this fine picture.

A brutally depressing script, some fine low-key performances by Peter Strauss and Pamela Reed and some good location shooting in Ohio power this fine TV movie about hard times in the rustbelt. As the mills close and the union jobs disappear, the blue-collar workers are threatened by everyone: management, owners, their wives and children. Strauss is completely believable in his role, and Pamela Reed is, as always, wonderful. See if you can recognize John Goodman before he put on weight.

The heavy metal score -- was someone making a pun? -- is, at times, obtrusively annoying, but the cinematography by Frank Stanley is knockout, particularly the mill scenes.

There's this myth that things are worse or harder today than they were in the 50's, 60's, or 70's.

However, the truth is that median (typical) incomes are much higher than they were in the 50's and 60's, and as high as they've ever been, even adjusted for inflation.

(I'm in my late 30's, so I also saw the movie when it came out, and remember those times.) The truth is that Americans today have far more opportunities than they've ever had in the past. It helps to get an education, of course, but that's also much easier than in the past. So the same values of hard work, honor, etc., can pay off just as much today as ever (if not more so).

The "Downward Spiral" of global trade the above poster notes is actually an upward spiral that has been lifting standards of living everywhere around the planet, including here. (White male incomes are again as high as they've ever been, and incomes for women and minorities are MUCH higher today. Incomes in places like Japan, China, and Europe are also much higher than they used to be.

Because of this trade, we benefit from cheaper goods and services, including things like cell phones, flat screen tvs, computers, and other products that were unimaginable 30 years ago.

And because of this global trade, there is much less chance of major global wars in the future, because we are tied together by mutually beneficial trade.

Yes, some of our dirtier, harder, and more dangerous jobs have been farmed out elsewhere. But is that really such a bad thing? In other words, don't believe the hype, do some research, and look at the entire picture before making judgments. It's always natural to look back and believe things were better in the past, but this isn't necessarily the case. My 5th grade teacher, in 1979, told me that someday people would look back at that time as "the good old days", even though inflation and unemployment were high, industry was suffering, etc. In other words, that nostalgia didn't always make much sense. He was right.