Nate tra le fiamme

A 1983 release of a future society where women stage a rebellion against the male dominated world they live in. More of an agitprop distillation of a dramatic 'what if' of a time to come w/the immediacy of a found footage documentary/social message screed, finds women fed up w/the status quo focusing on an outspoken gay, black woman who's a DJ who fills her airwaves w/the vitriol & anger (justified since we see men alternately trying to rape their counterparts or dismiss them from the workplace w/o a justified rationale) spurring a movement (the intended rape is thwarted by a phalanx of 10 speed riding Valkyries blowing whistles). When the DJ is arrested (the powers that be fear her power is becoming uncontrollable) she commits suicide in custody which sets the scene for a guerilla movement (replete w/automatic weapons) culminating in the destruction of the transmission antennas on top of the World Trade Center (eerily foreshadowing the '93 & 9/11 attacks). Yes, the film is rough w/all the odd ends kept in for flavor & texture but it touches on so many totems of protest (the metoo movement, Black Lives Matter, et al) one can forgive the unpolished sheen of the presentation. No big stars to remark about but genre fave, the late, great Ron Vawter shows up as a power broker out to derail the outspoken radio DJ, writer/actor Eric Bogosian has a quick scene as a TV tech & character actor Mark Boone Junior pops up as a perv accosting a woman on a train.

Made over six years between 1977-83, this film reminded me strongly of the films labelled the No Wave. These were underground lo-fi movies made primarily in New York in the late 70's / early 80's. They often had political messages and were uncompromisingly uncommercial. I'm not sure but I would think that Lizzie Borden's feature Born in Flames must surely qualify as one, as this is a wilfully challenging and direct bit of underground cinema which is a rallying cry to women generally. It has a sci-fi premise. In the near future, America is celebrating the tenth anniversary of a socialist revolution but despite this, many issues remain the same, such as racism, homophobia and sexism. A militant group called the Women's Army have been formed, they take direct action to fight for women's rights. Their leader is arrested for a minor offense and mysteriously dies in custody in prison, leading to further revolution.

I'll come out and admit it straight away that I didn't fully enjoy this one. Not on ideological grounds but merely because I did not find the film fully engaging due to its fragmented experimental presentation. Having said that, I do respect what it was doing and it does have an unmistakable energy to it which I found interesting. It's clearly low-budget as underground films always are but it definitely has ambition for sure. It takes the form of a pseudo-documentary and mixes in some real news footage in with staged material. The actors are all amateur but this does ensure the feel remains more radical and less watered down. It focuses on feminist politics primarily and it does have to be said that many of the issues discussed still exist today so it does still have a relevance in terms of what it is saying. I also enjoyed the punk soundtrack which had a sort of proto riot grrrl feel to it. So, while I cannot pretend to have fully engaged with this one, I do respect it and admit it has a certain unique feel.

This film has some amazing visuals by virtue of being a time caspule to pre gentrified NYC. The plot is secondary to its actual ideas but still coherent and hits home.

The music is brilliant too and and when you add all this up, it gives you something a 100 million studio film would not be able to replicate. Worth watching.

There's a lot of talking about political ideas in here, but not a lot of movie. It's a mash up of short clips of big talk with amateurish acting and stock footage and poorly shot blips. There are some still valid ideas and messages, but it comes across more like a university thesis than anything that you'd want to watch. Important more than watchable.

An interesting and timely movie for 2019. I found it particularly interesting that the writers of this movie, in 1981, we able to craft dialogue for the "Men's movement" that is exactly what the alt-right men of today are spouting.