Nate tra le fiamme

A film with almost mythic status as a feminist dystopian classic. Obviously the point is the politics but as a film its horrible. A cut-up of fake TV news coverage and documentary performance clearly improvised by a non-professional cast. Like finding yourself accidentally trapped in an argument you have no interest in. Fine if your burning interest is 1980's feminist agit-prop. Otherwise a complete waste of time.

This is a very radical political film. As a black lesbian feminist, I could relate to the premise of this film. The plot unfolds in a semi-documentary style, making this film all the more interesting. Set against the gritty backdrop NYC, the film has a distinctly apocalyptic feel to it. This movie harks back to the militant, left-wing revolutionary fervor, of the 60s and early 70s.

Despite the changes in society resulting from feminism, gay rights, and the civil rights movement in the last 40 years, this movie shows that there's still much work to be done, to achieve real equality for all. It's not surprising to me that the radical political movement in the film, is led by a working-class black lesbian. Women who happen to be lesbian, blue-collar, and of color, are still the most oppressed people in our society.

Jean Satterfield is superb as Adelaide Norris, the dedicated member of the Women's Army. Jean conveys the militant stance of Adelaide, in a very visceral way. The supporting cast of this film, was also compelling. Especially Honey as Honey, the feminist revolutionary radio DJ. The film was slow-moving at times, but packed an emotional punch.

Rights of the oppressed in society, have been rolled-back by right-wing conservatives for the past 28 years. So, we could use a radical political strategy that addresses the rights of the oppressed again, like we did in the 60s and 70s. History has been known to repeat itself. In this day and age, a radical uprising by women in pursuit of equality, is needed more than ever. This movie could very well be a sign of things to come, in that regard. I recommend this film, to all who take women's rights seriously, and want to become more aware of women's oppression in society.

Made over six years between 1977-83, this film reminded me strongly of the films labelled the No Wave. These were underground lo-fi movies made primarily in New York in the late 70's / early 80's. They often had political messages and were uncompromisingly uncommercial. I'm not sure but I would think that Lizzie Borden's feature Born in Flames must surely qualify as one, as this is a wilfully challenging and direct bit of underground cinema which is a rallying cry to women generally. It has a sci-fi premise. In the near future, America is celebrating the tenth anniversary of a socialist revolution but despite this, many issues remain the same, such as racism, homophobia and sexism. A militant group called the Women's Army have been formed, they take direct action to fight for women's rights. Their leader is arrested for a minor offense and mysteriously dies in custody in prison, leading to further revolution.

I'll come out and admit it straight away that I didn't fully enjoy this one. Not on ideological grounds but merely because I did not find the film fully engaging due to its fragmented experimental presentation. Having said that, I do respect what it was doing and it does have an unmistakable energy to it which I found interesting. It's clearly low-budget as underground films always are but it definitely has ambition for sure. It takes the form of a pseudo-documentary and mixes in some real news footage in with staged material. The actors are all amateur but this does ensure the feel remains more radical and less watered down. It focuses on feminist politics primarily and it does have to be said that many of the issues discussed still exist today so it does still have a relevance in terms of what it is saying. I also enjoyed the punk soundtrack which had a sort of proto riot grrrl feel to it. So, while I cannot pretend to have fully engaged with this one, I do respect it and admit it has a certain unique feel.

An interesting and timely movie for 2019. I found it particularly interesting that the writers of this movie, in 1981, we able to craft dialogue for the "Men's movement" that is exactly what the alt-right men of today are spouting.

There's a lot of talking about political ideas in here, but not a lot of movie. It's a mash up of short clips of big talk with amateurish acting and stock footage and poorly shot blips. There are some still valid ideas and messages, but it comes across more like a university thesis than anything that you'd want to watch. Important more than watchable.