La casa di Mary

An unusual, but rather enjoyable no-nonsense and wicked low-budget cursed haunted house/witch feature. A Reverend and his family move into a strange, remote house with a horrific past. Mysterious occurrences begin to happen and people within the property start dying or disappearing to only end up dead.

The plot is quite slight, with a premise relatively basic... revenge from beyond the grave; A drowned witch who reappears in demon form hidden under a cloak with glimpses of her long green hands and evil laughter to go with it. Its set-pieces are there for nothing more than atmospheric shock effects (gory, but creative and insane deaths), but director James W. Roberson effectively handles them and suitably paces the narrative with a dark, nervy energy.

It plays out like a haunted house ride... false jumps to only pump out the real one within its predictable superstitious framework (like the all mighty cross; the torment of all evil and good for exploding doors). Also there's a real nasty streak, which doesn't hold back for anyone and this makes the downbeat ending even more fulfilling. There's a real italian horror vibe to it all. The imagery is well-photographed (especially of the witch) and the score does pack that an ominous sting that crackles with intensity. Characters are one-dimensional, but the cast are committed with James Houghton, Larry Pennell, Lynn Carlin and Albert Salmi as a stubborn, hard-pressed detective.

I thought it was silly, but lively and unpleasant 1980s horror pulp that doesn't outstay its welcome. Fans of 80s horror overabundance should love.

This movie has all of the elements that you expect from a horror film--and I mean that in the best way! All right, it's admittedly low budget, but the frequent deaths, presented with almost metronomic spacing, are inventive and entertaining. Plus, it is a delight to see a film that really does have a supernatural grounding, instead of the so-tired slasher bit.

You should definitely watch this movie when you are alone at night--watching it with friends or in the daytime gives you too much chance to let the low budget distract you from the flow...

I found this to be a very enjoyable film, and quite unique.

The supernatural /slasher/gore mix works really well, and the pacing of the film is excellent, not a minute is wasted, there's no padding, so it doesn't outstay its welcome.

Obviously not the biggest budget, but the sequence set in 1692 looks great and really adds to the atmosphere.

I definitely recommend a viewing. I watched the Scream Factory blu ray, and when the film is well lit, it looks great, in the darker scenes, not so much. There are also a lot of speckles/flecks evident in the darker scenes, but overall the picture is good.

Brought to us by producer Ed Carlin and co-producers Mario Kassar and Andrew G. Vajna, who gave us haunted house horrors The Evil and The Changeling, Superstition is yet another supernatural offering set in and around a creepy old property. This time around, the spooky shenanigans are accompanied by a whole handful of creative, bloody deaths, and lots of jump scares (probably in an attempt to draw in the slasher crowd)—a good job since the plot is an often illogical mish-mash of hoary old horror clichés.

In 1692, a witch is executed—drowned in a pond, and trapped there with a crucifix. For almost three hundred years, the evil woman's spirit is the cause of violent deaths in and around the nearby church-owned property. When Reverand George Leahy (Larry Pennell) and his family move into the old house, the witch soon starts to cause trouble, now even more powerful thanks to the removal of the crucifix during the dredging of the pond. Reverand David Thompson (James Houghton) discovers the truth behind the killings and tries to put an end to the witch once and for all.

The film opens in terrific style with a juicy double death scene: having played a prank on a courting couple (thereby providing the film with the first of many jump scares), a pair of pranksters meet their fate in the creepy property, one being decapitated, his severed head exploding inside a microwave oven, the other getting chopped in two by a sash window. Several other macabre set-pieces follow in quick succession, including the hanging of an electrician in an elevator shaft and the death of a priest, a circular saw blade spinning into his chest and exiting through his back.

Also adding to the fun: Sheryl and Ann (Maylo McCaslin and Heidi Bohay), sexy teenage daughters of Reverand Leahy, going down to the pond for a spot of fun in the sun (wearing bikinis, naturally), only for one of them to be grabbed around the ankle by a severed hand; a flashback to the trial of the witch that allows for some silly Exorcist style guttural utterings, a few cool facial bladder effects, and the sight of a priest being crushed in a wine press; some memorable visuals with impressive lighting effects (somewhat reminiscent of Argento); Reverand Thompson's surprised expression every time he uses the crucifix to open (or blow up) a locked door; George having his face lacerated by flying shards of glass from an exploding mirror; Sheryl getting nailed through the head with a big spike; and blonde daughter Ann (Heidi Bohay) running around in skimpy silk night-gear.

I was surprised by this low budget horror movie. It isn't a masterpiece, but overall it's well done - certainly better than THE AMITYVILLE HORROR. Things happen in this movie that take you by surprise - both genuine shocks, and seeing stuff you usually never see in horror movies! And there are some splatter scenes that will really take your attention. You probably won't see this on TV, (and if you do, it'll be severely cut), so do some detective work in the video stores in your area. You won't be disappointed.