Lo squartatore di Los Angeles

The Toolbox Murders is one of those early pre date slashers that came out even before Halloween and has become well known among slasher fans due to it's entry on the Video Nasty list back in the 1980's, This is a film that I have seen many times, I dunno why I've never reviewed this movie before, no reason just never got round to it.

"The Toolbox Murders" starts out with a bang, as we get too see various sexy looking women getting murdered in an apartment building, (dunno why people still live there why don't they just move) not that it's a bad thing, just adds extra cheesiness. Hammers and Nail Guns are the weapons of choice favoured by a convincing menacing serial killer, nothing to complain about there and we even get a likable final girl who is quickly menaced by the killer early on and even kidnapped leaving her brother to try and find her and solve the murders. An interesting subplot even.

But then this movie takes a sudden dramatic turn, everything that is shown in the first half of this movie, namely the murders, is almost abandoned in the second half, when the killer is revealed and kidnaps the female lead and has her tied to the bed. It's at this point where the movie quickly becomes rather tame and all the fun of the first half has been sucked out here. Okay like I said before we do get a rather interesting sub plot involving her brother attempting to solve what's going on but that's over way too quickly in a rather unsettling twist. Okay I do like the fact that they have attempted to do something different rather than the usual stalk and slash fest, but in my opinion it does feel rather out of place when it comes to the second half of this movie and even when they do try to flesh out some of these characters it's just not enough development in my opinion. And when it comes to the final moments of this film it does kind of fall flat as it tries to be shocking, which does work in a way.

The performances in this movie are quite strong especially from veteran actor Cameron Mitchell who gives a chilling yet convincing performance that's rather menacing and yet quite engaging. Pamela Ferdin who plays Laurie is very sweet and convincing.

All in all "Toolbox Murders" is a decent enough entry, with an awesome first half just try not to be put off with the second half.

While this is no flawless masterpiece it is still an entertaining enough slasher that has a simple straight-forward plot, and the killers MO of killing with various tools is an interesting one. For fans of the genre this should be solid entertainment.

"The Toolbox Murders" follows a series of killings in a Los Angeles apartment complex, which culminate in the kidnapping of a 15-year-old girl, Laurie (Pamelyn Ferdin) who resides there with her family. From thereon, police attempt to unravel the crimes with the assistance of the building owner (Cameron Mitchell) and his employee nephew (Wesley Eure).

While it has been often written off as cheap exploitation fodder, "The Toolbox Murders" is something of a minor unsung achievement, especially when you examine the context. It was made and released pre-John Carpenter's "Halloween", and while it definitely riffs on "The Texas Chainsaw Massacre," it does deserve some credit for being an early adopter of the slasher mould. The main criticism of the film (not unwarranted) is that it makes the shift from slasher flick to police procedural at the midway point, which is a bit jarring on a tonal level. The last half of the film mainly focuses on young Laurie being tied to a bed and subject to the religious ramblings of the villain.

This issue aside, where "Toolbox" excels is in its elaborate, effective death sequences, and moody cinematography. The film is shot remarkably well by Gary Graver, and the murders--most of which occur in a slam-bang succession in the first 30 minutes--are effective and disturbing. The locations make for '70s overload, full of furnishings and styles that evoke "The Brady Bunch," but there is a seedy L.A. aesthetic to the film that gives it a gritty and sometimes unpleasant edge. Some moments, particularly the surreal, foggy flashbacks that help explain the killer's motive, predate similar sequences in Paul Lynch's "Prom Night," released two years later.

The performances here are better than the material warrants, especially from Pamelyn Ferdin (best known for her voice roles in the "Peanuts" cartoon and as Fern in "Charlotte's Web," but also in the fantastic 1971 film "The Beguiled"), who proves herself a legitimately talented young actress. Cameron Mitchell hams it up here big time, but his performance is enjoyable and over-the-top.

All in all, I truly believe that, despite its shortcomings, "The Toolbox Murders" is an underrated entry in the slasher film canon. While it does make a downshift in pace and tone in the latter half, it remains a nasty, hard-edged odyssey through the shiftier characters of '70s Los Angeles. Slasher fans will no doubt love the first half, though the second will leave them divided. My suggestion is to take the film on its own terms, and remind oneself that it was made before the slasher prototype was fully edified with "Halloween," which came in the latter part of the year. 7/10.

The Toolbox Murders starts out with 20 minutes or so of grisly and very well done kill scenes, all of which involve tools. If you like violence, then you'll love the introduction of this film. I personally don't have a preference when it comes to nudity in horror films (since it's overdone and pointless 90% of the time), but if you're a sucker for that sort of thing, then you'll appreciate the introduction to this film for that as well. After the kills are complete, however, many people will be bored by the lack of action that takes place on screen until the final moments of the movie. The middle portion of this movie is a lot of talk with little or no gore. I didn't mind this, because I found the dialog between the killer and the kidnapped girl to be very interesting. "What's it like?" the killer asks, referring to dying. The girl responds that "everything is purple, like a lollipop, and you can't see God, and there are people flying around, and you can see all of their thoughts, and you know the answers to all of their questions, but you can't answer them because nobody can talk." I enjoyed listening to this conversation, and although I'm sure I didn't get it word for word, there is something creative and maybe even worthy in here. Lots of people complain that the acting in this movie is terrible. These people cannot be horror buffs, as I have seen countless other films in which the acting is much MUCH worse. I would go as far to say that the acting in this film is very decent. If you have the attention span to sit through 'slower' moments of this film, then you'll find something to enjoy in it. I give The Toolbox Murders an 8/10.

I never thought an actor from a campy Saturday morning kids show (Land of the Lost) could find a project even worse, but here we are! I saw this movie at the drive-in back in 1978. Bad acting? Yes! Bad script? Yes Bad lighting and sound? Yes. Horror? A little bit thanks to an item we all have in our homes, a toolbox. Cheap, expliotive trash like this can be enjoyed on a certain level if you check your brain at the door. I think everyone involved in this movie had a late payment on their new car pending or were dire need of some quick cash. Wesley Eure mutters the funniest line in the whole movie! After examining blood stains around an apartment in a rather inquisitive manner he finds a vibrator and picks it up and says "disgusting"! Blood and brains on the wall is okay but I guess a sex toy was just too much for his delicate psyche. Speaking of which the scene in which the victim uses her toy in the bathtub was quite erotic for a 1970's film. Cute, perky Pamelyn Ferdin was attempting to break into adult roles after years of playing kids roles but she should have held out for a better part or at least a more memorable one. Her character gets kidnapped and spends most of the movie gagged, I guess she did get an early copy of the script! After viewing this movie again the 90's I wanted to go to my toolbox and beat myself over the head with my rubber mallet.