Shakti
- 1982
- 2h 46min
Aggiungi una trama nella tua linguaA scrupulously honest cop refuses kidnappers' demands at grave risk to the life of his son. The son is rescued but lives forever scarred by his father's willingness to sacrifice his own son ... Leggi tuttoA scrupulously honest cop refuses kidnappers' demands at grave risk to the life of his son. The son is rescued but lives forever scarred by his father's willingness to sacrifice his own son for the sake of his principles. This works out to devastating effect when the son grows up... Leggi tuttoA scrupulously honest cop refuses kidnappers' demands at grave risk to the life of his son. The son is rescued but lives forever scarred by his father's willingness to sacrifice his own son for the sake of his principles. This works out to devastating effect when the son grows up to be a Mafia don, and his father is assigned the job of bringing him in.
- Premi
- 4 vittorie e 1 candidatura in totale
- Senior Police Officer
- (as Chandra Shekhar)
- Ganpat Rai
- (as Dilip Tahil)
- Satish Rai
- (as Satish)
Recensioni in evidenza
The actors are very good - Kumar is typically understated in the part and so is Bachchan who gives another fantastic performance, letting the viewers sense his inner pain all through. The two actors work really well opposite one another, while Raakhee and Smita Patil absolutely shine each in her role. Raakhee takes up the risk of playing wife to Kumar and mother to Bachchan, usually her regular romantic costar. While in other films such casting decisions are pathetic and seem to belittle the value of the actresses and their sell-by-date, here it seems like Raakhee's conscious choice to challenge herself. She is excellent. In a smaller part, Patil, a stupendous actress, does a lot with so little. Bachchan's scenes with Raakhee and Patil are of the film's best. Shakti is an unoriginal story which turns into an original, captivating film, which is not extraordinary but worth a watch.
While Salim Javed's Deewaar (1975) had two warring brothers on opposite sides of the law, their Shakti saw the same situation arise between a baap - beta duo. Noted for being the only film to feature acting legends Dilip Kumar and Amitabh Bachchan together, Shakti is one of the most powerful and intense films made in Bollywood.
Continuing to stir a debate on who was better - Dilip Saahab or Amitabh - Shakti remains favourite film of both the legends fans. In my opinion, Dilip Kumar had an edge over Amitabh at script level itself as his role of upright honest cop Ashwini Kumar was far better written than Amitabh's Vijay who is a flawed brooding anti hero with minimum dialogues.
Even then, Amitabh was excellent in the film and his rant in drunken stupor to Smita Patil demonstrates the actors class. Every scene where Bachchan and Dilip Kumar come together is electrifying experience for the audience. The police station scene where Dilip Saahab reprimands his reel son Amitabh to Rakhee's death scene where Amitabh consoles a weeping Dilip Kumar is extraordinary.
Full marks to director Ramesh Sippy for not only doing total justice to the Salim Javed script but also for extracting outstanding performances from the entire cast - Rakhee and Smita Patil included. If not for Sholay (1975), Shakti would've been the best film of his illustrious career.
RD Burman's music is melodious and the awesome background score (BGM) was later referenced in most of 80s and 90s films. MS Shinde's editing is another strong point of the film.
Shockingly, Shakti underperformed at the box office when released in late 1982 though it has gathered a cult following today. Earlier in the same year, Jeetendra's masala potboiler Farz Aur Kanoon, which had a similar plot, became a super hit while the hard hitting realistic Shakti tanked. But then, who remembers Farz Aur Kanoon today??!!!!
Regards, Sumeet Nadkarni.
Lo sapevi?
- QuizShakti was launched in 1977 and the mahurat showed Amitabh come on a helicopter, get down and talk to Dilip Kumar. This sequence was not in the film. Many thought this film would never be made. The shooting started in 1980, about 3 years later after it was launched because director Ramesh Sippy wanted to complete Shaan first. By then Neetu Singh who had initially been considered for the heroine's role had retired. Smita Patil was signed for the role. This was her first big commercial break.
- Citazioni
DCP Ashwini Kumar: [answering ransom demand over the phone] Yeshwant is a criminal, and I am a police officer... I cannot let him go.
K. D. Narang: Do you understand what this could mean?
DCP Ashwini Kumar: Yes... I understand that right now my son's life is in your hands...
[conflicted pause]
DCP Ashwini Kumar: Kill him. Kill him. You can kill him, but I won't misuse my badge. No matter what you do, do you guys hear me? No matter what you do I will never violate my duty, ever.
- ConnessioniReferenced in Love Ke Liye Kuch Bhi Karega (2001)
- Colonne sonoreHamne Sanam Ko Khat Likha, Khat Me Likha
Performed by Lata Mangeshkar
Lyrics by Anand Bakshi
Music by Rahul Dev Burman
Music on H.M.V.
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