Trishul

Amitabh and Shashi and Shashi and Sanjeev and all three in Trishul made by Yash Chopra who later remade this film into VIJAY(1988), PARAMPARA (1991) and even worser David Dhawan's YEH HAI JALWA(2002)

The film starts with Sanjeev-Waheeda romance and then Amitabh comes in with a stylish swagger that only Amitabh could do After an emotional talk with his mom, Vijay comes to Mumbai to find R.K. Gupta

Shashi always got the flirting scenes and shared good chemistry with Hema. But Rakhee impressed as the genius secretary of Amitabh Her chemistry with Amitabh was awesome

Direction by Yash Chopra is superb, He does a great job handling the drama Music by Khayyam is superb too, Mohabbat Bade Kaam Ki is the best one and all songs are superb, Here too Kishore is a voice for Shashi and not Amitabh just like DEEWAAR Dialogues are power packed

Amitabh excels in his tailormade role, every expression, dialogue leaves such a huge impact. Yash Chopra and Amitabh were a great team and always gave their best together Sanjeev Kumar too is superb in his chameleon kinda character He suits the role and his chemistry with Amitabh is superb though he was hardly in his 30s he suits the 50+ character well Shashi is relegated to the background mostly though he does have some moments, He does a great job Though he doesn't get much importance compared to DEEWAAR and KABHIE KABHIE Amongst rest Rakhee does a great job, in 1978 she paired with Bachchan in other blockbusters too like MQS and KASME VAADE Here too she does a great job Hema Malini is good too and looks nice, Poonam Dhillon is okay Sachin is awkward Prem Chopra does a good job as the bad guy Waheeda leaves a mark in a cameo

Trishul is one of Bachchan's best movies. The role of Vijay was tailor made for him. Yash Chopra has created another master piece with this movie. It was a super-hit, running for more than 100 Weeks. The song 'Mohabbat bade kaam ki' is a very good song.

Review By Kamal K

Trishul - produced by noted producer Gulshan Rai and directed by Yash Chopra - relied primarily on Amitabh Bachchan's simmering intensity and volcanic angst. He played Vijay, a man with a mission to get even with his biological dad R. K. Gupta (Sanjeev Kumar) who had ditched his mother (Waheeda Rehman) to marry a wealthy heiress. Vijay's revenge is not physical but rather an emotional one wherein he wants to destroy his father's business empire. Vijay even conspires to win over Sheetal (Hema Malini) whom his R. K. Gupta's legitimate son and Vijay's step bro Shekhar (Shashi Kapoor) is in love with.

Salim Javed's script wasn't perfect - it had its share of cinematic liberties like a young engineer Vijay with no money or clout becoming a top businessman almost in a jiffy to take on the might of an established business tycoon like R. K. Gupta. But the audience chose to overlook these fallacies only due to Bachchan's charisma and star power to pull off the role of Vijay - an otherwise anti-hero who touches your heart just by his belief and conviction in what he is doing.

Yash Chopra's direction was extraordinary and this is my personal favourite from his illustrious resume - a film he chose to remake again as Vijay (1988) with Anil Kapoor in Bachchan's role but that film turned out to be a box office dud.

Not many know that Gulshan Rai wasn't too happy at the trial show held when the film was around seventy percent complete. Yash Chopra too agreed with his producer that there was something missing in Trishul and he huddled up with Salim Javed to finetune the screenplay further. Amitabh's ambulance wala fight scene was added to the plot which later became the film's highlight. That bit of re-work benefited the film tremendously and it ended up being the second highest grosser of 1978 after Prakash Mehra's Muqaddar Ka Sikandar.

Trishul earned a Filmfare award nomination for Bachchan which he lost to himself for his performance in Chandra Barot's Don (1978). As the saying goes, One should only compete with oneself!

Revenge! Revenge! Revenge! At a point of time during the seventies, almost every third Bollywood movie was being made on the theme of revenge. Sometimes, the story was given the backdrop of banditry and sometimes that of smuggling. However the purpose remained the same in every case - settling score with and teaching a lesson to the wrongdoer(s).

Superstar Amitabh Bachchan's makers in the real sense who only arranged the Angry Young Man tag for him - Salim-Jaaved wrote a brilliant drama for the extra-ordinarily popular hero which was a revenge drama coupled with a family drama, quite different from the routine revenge sagas being made like assembly line production in that period. This unrealistic yet highly impressive movie is Trishul(1978), a multi-starrer made by Gulshan Rai and directed by none other than the legendary filmmaker Yash Chopra.

In Trishul(trident), our hero Vijay(Amitabh Bachchan) seeks revenge from his estranged father Raaj Kumar Gupta(Sanjeev Kumar) who had ditched his mother Shaanti(Waheeda Rehmaan) for the sake of marrying Kaamini(Geeta Siddharth) to get her wealth and make it big in life. He indeed makes it big in his life and becomes the biggest construction contractor of the region. He begets one son - Shekhar(Shashi Kapoor) and one daughter Babli(Poonam Dhillon) through his marriage with Kaamini. On the other hand totally alone and resourceless Shaanti fosters her son Vijay with a lot of difficulty but teaches him only one thing - self confidence. Vijay comes to learn that with self-confidence, one can achieve everything. And when his dying mother tells him about his father and what he had done to her, he uses this the only asset of his(self confidence) to settle score with him. The activities of Vijay and his interaction with R.K. Gupta and his family form the bulk of the narrative and keep the audience hooked for two and a half hours in which Vijay seeks his revenge from his father by becoming his business competitor.

Right from Vijay's setting in to seek his revenge(or his mother's revenge) from R.K. Gupta, the complete script runs in typical Salim-Jaaved style of the seventies - blows and counter-blows, checks and checkmates, frequent twists in the tale happening at such a speed that the viewer does not get any time to pause and ponder over what's being shown to him and just keeps on watching holding his breath and finally, lots of action. Most of the masaala movies starring Amitabh Bachchan were made in this style only but Trishul puts itself in a league of its own. There is a heavy dose of sentiments in the action-studded drama and it is underscored both subtly and loud that the hero is the hero because he is capable of doing anything and achieving anything purely riding on the strength of his guts and confidence. However the script is totally unreliable because the way the completely resourceless hero becomes a big construction contractor in a very short period, is possible in fiction only.

Yash Chopra has presented the very fast-paced drama on the screen with elegance. Despite lots of cinematic liberties taken in the script, the characters do not appear unreal and they are able to leave their mark on the audience. No character has been ignored in the huge star cast assembled for the movie, may it be Shashi Kapoor or Raakhee or Hema Maalini or Sachin or Poonam Dhillon or Younus Parvez. Especially Raakhee emerges high through her well-written role(of Geeta, an honest employee of R.K. Gupta) in this male-dominated movie. And the narrator has very skillfully shown that Vijay and Geeta gradually come close to each other without showing any romance between them which is something highly laudable.

Amitabh Bachchan and Sanjeev Kumar are two pillars of the script and both of them have lived up to their reputation. Sanjeev has brought a typical businessman with a professional mindset alive on the screen who keeps the practical aspect of life above personal sentiments whereas Amitabh Bachchan is the popular angry young man of that era expressing his anger sometimes in a controlled way and sometimes a little bit loud. The script has given them ample moments to take on and outwit each other on the screen and they outshine each other on different occasions.

All others including the debutante Poonam Dhillon have done quite satisfactorily. Prem Chopra is the typical Bollywood villain and he has performed stylishly.

The movie is studded with action and fight scenes associated with Amitabh Bachchan in that era. Today, it's a pleasure to watch such action on the screen when the larger than life hero beats many baddies single-handedly.

The production value of the movie is according to the repute of the banner. It's a technically superior movie. Editing is so sharp that seldom do we get a moment to relax throughout the duration of the movie.

Music by Khayyam is not great but not bad either. Tu Mere Saath Rahega Munne, Mohabbat Bade Kaam Ki Cheez Hai, Gaapuchi Gaapuchi Gam Gam, Jaaneman Tum Kamaal Karti Ho etc. are all quite good to listen and have also been presented on the screen very well.

The title of the movie is perhaps as such because the grief in the heart of the hero(due to the injustice done to his mother) keeps on hurting him like a trident.

It's one of the blockbuster movies of Big B, i.e., Amitabh Bachchan and renders abundant entertainment even when watched today. I wholeheartedly recommend this evergreen movie to one and all.

Yash Chopra's films are mainly about love, whatever love it may be. This story revolves around R.K Gupta, a wealthy businessman whose illegitimate son, Vijay, comes to take revenge on him because of his late mother Shanti's loneliness and miserable life. Back in time, Gupta was deeply in love with Shanti, but his ambitious mother convinced him to marry his rich employer Din Dayal's only daughter Kamini so that he could find success in life. And he did. And now, Vijay, painful and lonely, is decisive to use every possible way to destroy his father, whether it's his business or his personal life, while Gupta does not even know who he is.

Beautiful and poignant, the film's most impressive aspect is the portrayal of upper-class Indian people and their relationships. It deals mostly with people who are wealthy, modern and intellectual, yet they have great values which are very Indian. The film shows hidden feelings, ego, love, respect and different basic principles of life. There were many scenes which were touching and exciting, many of which showed how great humanity can be. I personally was moved by the scenes where Vijay meets his father and siblings for the first time. My two favourite scenes (or better called moments) include one scene between Vijay and his father's wife Kamini after a particular accident (you'll know what I'm talking about), and Vijay's scene with his secretary/love interest Geeta, played by Raakhee, when he asks her to stay with him when he feels very lonely and depressed.

The film quite clearly belongs to Mr. Amitabh Bachchan who delivers a very sincere performance as the serious, decisive and deeply hurt Vijay. He is good-looking, convincing, and delicately lets the viewer sense his character's pain, pride and determination. Sanjeev Kumar gives another example of his extraordinary acting talent. Shashi Kapoor is very good as Shekhar although his feel-good attitude tends to be a bit exaggerated at some points. Raakhee is brilliant as Geeta, the faithful, honest, intelligent and loving secretary. Hema Malini takes a break from her vivacious and comic roles, and is restrained as the modern and lovely Sheetal. Waheeda Rehman is simply outstanding and makes a remarkable impact with her brief role of Shanti. Poonam Dhillon is quite pretty, and Prem Chopra is as hateful as ever.

Overall, Trishul is one of Yash Chopra's most underrated films. A beautifully written drama, it has everything a Yash Chopra movie is known for: a moving story, exceptional dialogues, fantastic music, good emotions, great actors and a very lifelike depiction of relationships, love and circumstances. It is interesting, well directed and well narrated, and should provide a pleasant watch for any Hindi cinema lover.