Il messaggero della morte

Fitfully effective creep-out, one that sneaked in and out of theaters but managed to find a small audience once it premiered on cable in the mid-1980s. Lovely Kathryn Harrold is very good as a dedicated doctor attempting to understand a handsome young mental patient (Zeljko Ivanek) who is both telepathic and wildly unbalanced. An odd, off-putting piece, though certainly a curious one filmed quite well on a low-budget; its predilection for smashed glass and marauding insects and rodents may turn many viewers off however, and Shirley Knight's performance as the sender's mother nearly lapses into camp (though I actually welcomed this!). ** from ****

My review was written in October 1982 after a Columbus Circle screening in NY.

"The Sender" is a superbly-crafted modern horror picture, credibly using telepathic communication as its premise, for creating nightmarish situations. Boasting spectacular, realistic special physical effects by Nick Allder, the Edward S. Feldman production is certain to engross and frighten terror-film fans and stands a chance to break out into general audience acceptance, along the lines of "The Omen".

Thomas Baum's screenplay, unfolding with almost no subplots or distractions, concerns a suicidal young amnesiac (Zeljko Ivanek) picked up by the police after attempting to drown himself in a lake near the fictional town of Corinth, Georgia. Taken to a psychiatrist clinic, he establishes a telepathic link with the [psychiatrist Gail Farmer (Kathryn Harrold), causing her to experience involuntarily his violent nightmares.

The "sender" cannot control his telepathic powers, and when Dr. Denham (Paul Freeman), Farmer's superior, subjects him to shock treatment and surgical experiments, he sends telepathic images of horror which disrupt the entire hospital. Farmer, who is visited by the sender's mysterious mother Jerolyn (Shirley Knight), tries to cure him by tracing back to what caused his nightmares and telepathic outbursts, with Jerolyn the link to a solution.

Roger Christian in his debut as a feature director marshals the material into a very serious, portentous film, punctuated at irregular intervals by shocking and graphic special effects set-pieces. The basic gimmick of telepathy plays well, since on-screen it amounts to hallucinations. By stressing low-key, underplayed performances by his lead actors. Christian scrupulously avoids the potentially risible moments which have caused many major horror films to lose the audience's involvement.

One problem with "The Sender" is that its trim, no-nonsense approach is a limitation as well as an asset. Various religious angles ad =vanced in the opening are downplayed, as well as the "Shock Corridor" group of fellow patients. Even lead doctors Farmer and Fenman have no relationships or characteristics apart from their contact with the sender. This streamlined, basically "safe" approach denies the film the mythic or romantic potential present in its supernatural predecessors.

Cast is good within script limitations, as Harrold represents an attractive, sympathetic heroine and Ivanek is a mesmerizing, troubled youngster in contrast to his overt loonie debut as the hitchhiker in "Tex". Acting honors go to Knight as the mother who is not what she appears to be, creating a chilling, spooky presence with a minimum of fuss. Technical credits all support the realism established by Nick Allder's effects outbursts, which were executed on the set rather than via post-production opticals or animation. Dynamic use of sound, plus Trevor Jones's ethereal score, drives home the scares.

The Sender has some interesting concepts of the supernatural being housed in science and psychology. The picture unfortunately suffers from the rigors of making monsters out of science and doctors as they ignore and disbelieve the supernatural. The depiction of mental illness is poorly conveyed, but for a film made in 1982, this could have been progressive at the time. The film lacks the larger structure and bite that the Dead Zone was able to capture but a year later. (And no doubt due largely to Stephen King's superb story and Cronenberg's talent to maintain the story but transform it into film.) Acting is generally decent and rises to the occasion. This, and the unsuspected reveal at the start of the 3rd act brings this film to a 6 given the "movie of the week" nature of the story and plotting, as well as the lackluster ongoing tension that wasbnot sustained in this film. Tired of watching the Dead Zone? This one is worth a watch, but don't expect too much from it.

The 1980s are known as the golden age of slasher movies. It's worth noting that not all horror flicks from the era of the Rubik's Cube were slashers. A really good non-slasher is Roger Christian's psychological thriller "The Sender", about a man whose dreams manifest themselves. There are some VERY intense scenes. I liked the whole sequence in the operating room.

As is often the case with horror flicks, "The Sender" features an eye-opening cast and crew. Roger Christian won an Oscar for Art Direction for "Star Wars" and received a second nod for "Alien", but later directed the infamous "Battlefield Earth". Kathryn Harrold used to be married to MSNBC host Lawrence O'Donnell. Željko Ivanek was born in Ljubljana but raised in the United States and has appeared in a number of movies and TV shows. Shirley Knight has been in movies for over fifty years. Paul Freeman played the villain in "Raiders of the Lost Ark". And then there's writer Tom Baum: he also wrote wrote the 1975 animated feature "Hugo the Hippo", one of the most WTF movies ever.

Anyway, it's a neat movie. I recommend it.

PS: "The Sender" opened the 1982 Avoriaz Film Festival.

More people should really seek out and watch THE SENDER. And the less you know about this film before going into it, the better. All you need to know about the plot, is the set-up. The film begins with a skillfully crafted, ominous scene in which a man (John Doe #83/The Sender) tries to commit suicide (how, you just have to see!). He doesn't succeed, and gets submitted to a mental hospital. From there on, the doctors have to find out who he is, and what his problems are. And rest assured, the more they discover, the creepier things get. This is a rather unique film, worthy of a bit more recognition. A bit slow in pace to some, perhaps, but for me the pace and rising tension were perfect. If any of you enjoyed films like Richard Franklin's PATRICK (1978) or Douglas Trumbull's BRAINSTORM (1983) - this one's maybe a bit of a stretch, as it's more sci-fi/thriller/drama orientated - then THE SENDER comes highly recommended.

Aside from the steady pace of lingering creepiness & mystery, I found that there were at least two real "WTF?" moments in this film. Two scenes that took me by surprise in a way I didn't know whether to cheer or be terrified. A very good (psychologically tinted) horror film, indeed! Yes, I'm rating it highly, but compared to some of the trash I watch on a regular basis, this film deserves some extra praises. And Paramount should really make an effort to release a worthy DVD edition of this film, adding a commentary track by director Roger Christian and maybe some other fine special features. Their 2008 release features only the film and nothing more.