The Silent Scream

When Scotty Parker and three other students move into Mrs Engels' boarding house on the coast,they soon begin to suspect that something strange is happening.Landlady Mrs Engels hides away in her attic room and her son Mason is a creepy character who likes to watch brutal TV shows.Then the students start to disappear..."Silent Scream" is pretty good.It's true that some of its elements are stolen from Alfred Hitchcock's "Psycho"(check out the shower scene!),but still the film manages to be quite creepy.The characters are reasonably appealing-a horror queen Barbara Steele is another reason to see "Silent Scream".Overall I enjoyed this little suspense horror.Check it out.8 out of 10.

For a film as cliche ridden as Silent Scream, it's a minor miracle that it came out as enjoyable and fun as it did. The story is well-worn and only slightly remixed for the late 70's/early 80's slasher craze. A young college student finds herself without housing, so she finds a room for rent at a spooky beachside home operated by a repressed young man and his nearly mute mother. Pretty soon, the bodies are piling up and family secrets are flying out of closets left and right.

Only a useless cop subplot (featuring Cameron Mitchell and Avery Schrieber) kills the pacing here and there and feels extraneous. The cast happens to be a likable, agreeable bunch with the charming and spunky Rebecca Balding leading. Veterans Yvonne DeCarlo and Barbara Steele show up to add some class to the seedy proceedings and it works. Silent Scream feels like a cut above most of the early slasher glut due to an emphasis on suspense, mood, and interesting characters.

The slasher film was one of the more popular eighties horror sub-genres, and as a result; a lot of truly awful slashers were made. This one isn't particularly brilliant, but it's more than decent and has more going for it than the vast majority of similar films from the same period. Most of the eighties output was directly influenced by John Carpenter's overrated Halloween, but this film appears to take more from the original slasher - Alfred Hitchcock's masterpiece Psycho - than the aforementioned modern slasher, which is definitely to the film's credit. The film puts it's focus on just one location; that being a boarding house near to a beach. The house is run by Mrs. Engels, who leaves her son Mason in charge as she prefers to stay locked in her upstairs room. Scotty Parker arrives at the house after searching all over town for a room. She gets a room there and pretty soon she is introduced to the other three house mates and mingles with them well. However, it soon becomes clear that there's a member of the household that she hasn't been introduced to, and it's not long before one of her new-found friends turns up dead.

I have to be honest and say that I probably wouldn't have bothered tracking this one down if it wasn't for the fact that it features the great Barbara Steele. Steele doesn't get the lead role, but she is by far the most memorable thing about the film with her deliciously insane character. The plot plays out very directly, and there is little or no attempt to be clever at all. This certainly isn't a bad thing, however, as it means that writer-director Denny Harris (with his only film) is able to put the focus on the popular slasher elements such as murder and atmosphere. The film isn't very bloody compared to its counterparts; films such as Friday the 13th, but there's a few brutal murder sequences contained within the film, and this is sure to please slasher fans. The foreboding and tense atmosphere is a result of the focus on the central location, and the old house at the centre of the film gives it a nice feel throughout, which is also one of the film's main assets. The conclusion is somewhat predictable; but you can't expect much else from this sort of film, and while Silent Scream isn't massively impressive, it's better than a lot of slashers and comes recommended to fans of the sub-genre.

Four college-bound students arrive too late for on-campus housing and are then forced to rent rooms in the creepy old hilltop mansion inhabited by a weird family hiding a dark and disturbing secret. Yvonne De Carlo is the mysterious matriarch who always stays upstairs and always seems to be guarding the attic, and Brad Rearden is her strange son. Cameron Mitchell and Avery Schreiber are detectives called in to investigate when a brutal murder occurs at the eerie place. There's also a nice role for sixties scream queen Barbara Steele. I"ll admit, before I actually saw the film I thought, considering the release date and R rating, that this was just going to be another one of those bloody teen slasher flicks. I couldn't have been more wrong! There actually is a plot, a surprisingly low body count, and even the few characters that do get knocked off are appealing in their own strange way, so you can't help but care what happens to these people. And above all, there is some terrific suspense sequences. It usually takes alot to get my adrenaline running, but at some points in the film, I literally jumped out of my seat! Any horror movie that can do this for me is truly something special. It appears to have been made on a small budget, but the cast handles it all so professionally that it hardly matters. Indeed, there are some real professionals involved, including horror mavens Barbara Steele and Yvonne DeCarlo. Unfortunately, it's a tough movie to find and not likely to be sitting on the shelf of your local retail/rental store, but it's well worth the extra effort.

Let it begin. Post-Halloween slashers are in force. But this just made it in before the major onslaught, and admirably it's a above par entry. Actually it probably has more common with "Psycho" , and touch of "Black Christmas", than most brain-dead slashers. The one-note story is quite typical and fairly bare on building much in the way of sub-plots, but it's the dreary, underlining atmosphere that smothers the gloomy seaside mansion and invokes a real unsteadiness of slow-burn tension. Even the performances lend well, and the central outlook on a dysfunctional family (who rent out spare rooms in their mansion to students) grows incredibly eerie. A silently steely Barbara Steele is memorably striking in her support role, while Rebecca Balding is competently fine as the main heroine. Cameron Mitchell and Yvonne De Carlo also show up. There's a subtle stylishness to Denny Harris' direction in many effective sequences, where obviously his less concerned about a body count and ghastly shocks. The feel is more like an old-fashioned Gothic-tale, with psychotic-drama currents. A problem though, would that there happened to be many flat (or dead-air) moments. Dead silence, and believable actions aplenty. It's low-budget shows, and minimal scope gives the film a tight, dank and creaky vibe that works. Even the vast, forlorn coastal location choices, and shadowy, cob-web house-bound settings are nailed down to perfection. Roger Kellaway's hysterically sombre music score had that familiar sound to it, but Michael D. Murphy & David Shore's murkily prying cinematography really sneaks up onto the viewer. Even within the empty passages, it still emit's a spine-tingling ambiance and workably solid performances by the cast.