I maestri del tempo

I remember I was very young when I saw this movie first. It was famous in Hungary as it was a co-production of French and Hungarian filmmakers (e.g. the animation director was Hungarian). I did enjoy it then, although I could not understand everything. Sometimes I felt it was quite scary. But still, it deserved the best Children's Film award in 1982.

Now I have seen it with friends who remembered how cool we felt then. And it was cool again. Okay, maybe the two songs during the movie were not as incredibly cool as everything else in the movie (okay, so they should have forgotten making people sing in a sci-fi) but well...that's the only tiny problem. Everything else is really cool. Sorry, I don't wanna give away anything from the story but it's truly amazing. Did you go to see Titan A.E.? That was quite good, but very American and quite senseless. This movie is different. Much smarter. Classic sci-fi.

If you don't think only American-type happy ending can be the end of a movie, but something like the ending of 12 monkeys or other almost-perfect movies, go and watch this one. You'll enjoy.

9,5 stars of 10!!!!

Designed by the great graphic novelist Jean Giraud - AKA Moebius – Time Masters is a fascinating piece of animated sci-fi from France, that is well recommended for lovers of the genre and of the artist. Though the animation looks somewhat primitive by today's standards – though not for 1982, it looks quite better than any American cartoon of the time save Disney's, and don't forget that it wasn't a corporate effort like G.I. Joe or Transformers but an independent film with limited budget – but quickly enough you can learn the look past the rather bulky movements and simplistic faces of the characters and find yourself amazed at Moebius' amazing, seemingly endless imagination and creativity. The film is directed mainly at younger viewers – so it's not as liberated and wild as his more independent comics work or his contributions to Heavy Metal magazine – but his incredibly original vision is all there, in the out-of-this-world designs for the landscapes, the structures and the alien characters. Every minute of the film is a complete innovation in terms of design.

Plot-wise, there's not that much to be said for it; it's an intelligent but simplistic sci-fi story with a nice twist ending, which will, I think, appeal mainly to younger viewers. The characters are mostly simplistic and cartoonish, and largely unconvincing. These are the only reasons why I couldn't give Time Masters full marks; but these flaws take very little away from the pleasure of this film. As long as it focuses on the child character Piel, who is largely unaware of what goes on in the larger picture and is therefore touching and interesting, and not on the flat characters of Jaffar (good and brave for the sake of goodness and bravery), Matton (bad and greedy for the sake of badness and greediness) and the other adults; then it manages to be beautiful and gripping. And when any of the alien races are on screen, be they cute and cuddly or bizarre and frightening, you won't be able to look away. Time Masters is essential viewing for any lover of Moebius' work, and is well recommended for fans of science-fiction and of classic animation, and will surely become a treasured favorite for any of these.

As much as I did love Fantastic Planet, I think Time Masters is the better film. It is a spectacular sci-fi film and as an animated film too. While the incidental music is great and fits with each scene very well, the songs for me are nothing special and one or two don't do much to enhance the story.

That said, the story is wonderfully creative, imaginative and clever with a promising intense atmosphere and a convincing twist, and the characters are all likable with great personalities. The dialogue is simple without being too simplistic and mature without being too convoluted. The best asset about Time Masters asides from the story is the animation. The character designs are good enough, but considering when it was made the backgrounds and colours are quite stunning.

Overall, a spectacular film. 9/10 Bethany Cox

Animation is the perfect medium for sci-fi. Unfortunately, few animated sci-fi films have lived up to their potential. French animation master René Laloux is definitely one who let his imagination run amok in his medium. He is best known for his 1973 film Fantastic Planet. He must have had a difficult time getting funded for other projects, because he only ever made two more features. He died just a year ago. Time Masters is his second feature (he made another in 1988, called Light Years). The animation is very primitive, and not in the inventive primitiveness of Fantastic Planet. But, what it lacks in animation, it more than makes up for with its imagination. It's simply wonderful to behold. I especially love those two little telepathic creatures, referred to as "gnomes". The story is good, if not great. The ending is quite clever. I was wishing that it had gone on for at least a half an hour longer, but I won't complain, given the limited amount of material Laloux was able to produce in his lifetime.

I do not know the first thing about animation, and in fact the only animation I have experience with is a few Disney movies and Saturday morning cartoons. Watching this quirky piece of animated science-fiction, I came to the realization that animation opens up an entirely new universe of possibilities for the genre. I have read many science fiction short stories and novels, wondering how they could possibly be translated into film, but using animation, the portrayal of complicated conceptual ideas from sci-fi novels seems much more possible than in traditional live-action. In fact, I'm tempted to say that science fiction and animation naturally complement one another.

This movie is like a funhouse of outrageous otherworldly ideas, one after the next. For a mere 80 minute running time, the filmmakers have packed an amazing amount of material here. If anything, the movie is actually too short, and it seems to gloss over a great deal of important plot points. It is almost like watching a drawing board conceptualization of a longer, more ambitious film, rather than the film itself. As such, character development is at a minimum here, as in the work of George Lucas. But also like Lucas' films, much of that is made up by the wealth of creativity. What is here is fantastic - a story filled with warmth and humor that can resonate with both children and reasoning adults. The startling elliptical ending is intriguing but abrupt. I recommend this for more adventurous filmgoers who want to try something unique.