I diari del terzo reich

Based in large part on the memoirs of Albert Speer, Inside The Third Reich tells the story of Nazi Germany seen from the only Nazi insider to write his memoirs. By pleading guilty with a ringing mea culpa Albert Speer got 20 years inside Spandau Prison for his part in creating the Nazi machine which brought the world to war.

Rutger Hauer plays Speer who post World War I was a promising architectural student and protege of Trevor Howard who is the voice of old Germany. Hauer gets invited to a Nazi rally and hears Adolph Hitler speak and is convinced this is Germany's future and restoration among the great nations.

As an architect he wants to do great things, have his name on some indestructible edifices that will stand the test of time. Who better to follow than a man whose ambition is to create a Germany that will dominate for a thousand years?

Speer's family is also part of old Germany and are not thrilled with Hauer's decision to embrace the Nazi cause. John Gielgud and Maria Schell play Hauer's parents and Blythe Danner his wife Margarethe. Concerned with surviving in a country gone mad, Danner focuses in on being wife and mother and pointedly does not associate with Hitler or the gang around him.

A lot of very good players have essayed the role of Hitler. Coming to mind are Everett Sloane, Alec Guinness Bobby Watson,. I don't think he's ever been better played than by Derek Jacobi. What Jacobi does in playing Hitler from the 20s until the end is capture the charisma of the man. The guy who looks like Charlie Chaplin was a spellbinding orator. Even in English, Jacobi captures the essence of that charisma and his ability to move and sway a crowd. That first speech that Hauer hears leaves you no doubt why so many followed him as he reduces complex questions to simple answers, the great skill all demagogues have had through the centuries.

Inside The Third Reich, a great film and another telling of a tale that needs to be told and retold.

Films about real-life figures are always going to be divisive. All the more so when they are based on the figure in question's autobiography which, naturally, comes from their point of view and is therefore biased, consciously or otherwise. When said figure was a crucial member of the Third Reich- as well as an intimate of Hitler's- it takes a particularly delicate touch to make that film work without inciting offence or condemnation and to appear- at least somewhat- balanced.

A touch director Marvin J. Chomsky demonstrated at the helm of 'Holocaust,' the gripping, poignant 1978 miniseries that helped establish Meryl Streep and James Woods, among others, and brought the titular term into the mainstream. However, his adaptation of Albert Speer's autobiography 'Inside the Third Reich' lacks the nuance of 'Holocaust,' as well as the power. A truncated retelling of the highlights of Speer's book; one wonders how the same director could be behind both works.

'Inside the Third Reich' follows architect Albert Speer, a charismatic German who attracts the attention of those in the burgeoning Nazi Party. Although apolitical by nature, Speer finds himself seduced by Hitler's manic magnetism, and soon is working for the party. During the second World War, Speer is appointed as the Armaments Minister for the Third Reich, though his growing disapproval for Hitler's disregard for human life creates a chasm between the dictator and his minister that not even death can bridge.

Unlike the source material, the film is mostly a glossy, emotionless affair, which makes little impact on the viewer. In contrast, the original book makes for a fascinating read. Although most certainly Speer withholds information regarding the breadth of his knowledge of the holocaust, he demonstrates a remarkable ability to separate himself from his history, observing scenes from his past with a critical eye. He does not try to excuse himself for taking part in Hitler's murderous regime, rather attempts to understand how he fell under the dictator's spell, and why he ignored the obvious signs of the coming genocide for so long.

It is a book full of nuance, offering a unique, intimate look at a part of history from the perspective of one of its central figures. However, something was lost in translation, as Chomsky's version severely underwhelms. Rather than examining the reasons Speer and others followed Hitler, the narrative- written by E. Jack Neuman- plods along linearly, following Speer on his rise to power in the manner of countless dull biopics. Although by no means boring, when considering the opportunities Speer's rich, contemplative book allows for adaptation- for an intriguing film to be made- it is rather disappointing.

Moreover, the film doesn't question Speer's claims once- which, it is worth noting, he himself does multiple times in his book, acknowledging the inherent bias that arises when writing one's own story and recalling one's own history. The characterisation involved is one-dimensional, with the on-screen version of Speer lacking the depth and complexity of the real man. Although the dialogue- largely taken word-for- word from the source material- is strong, Chomsky and Neuman's straightforward approach lets this adaptation down, hampering its potential impact.

Conversely, the visuals are impressive throughout, with Rolf Zehetbauer's detailed production design being of a particularly high quality. Alongside art directors Kuli Sander and Herbert Strabel, he creates an authentic reproduction of the time before and during the Third Reich. The set decoration and design are especially rich and evocative, as is the striking costume design, compounding the realism of the venture. While Tony Imi's cinematography is fairly conventional, he utilises close-ups and lighting well, heightening the drama. Furthermore, Fred Karlin's score is stirring, using period pieces to great effect, and proceedings are generally well-edited.

The large cast of talented actors are also utilised well, more or less. John Gielgud does sterling work as Speer's father, who questions the direction his son's life has taken. Ian Holm brims with a witty menace as Goebbels, while Trevor Howard is typically understated and effective as Tessenow, Speer's mentor. Blythe Danner also does commendable work as Margareta, Speer's wife, while Randy Quaid is terrific as one of his associates.

The real stand out is Derek Jacobi, delivering a startlingly intense performance as Hitler. At times, he could be the megalomaniacal murderer's double; so cannily does he recreate his gesticulations and movements. Oddly enough, in the lead, the usually convincing Rutger Hauer is the weakest link, coming across as a bit half-hearted and disinterested; perhaps unsure of how to approach the role in the face of Neuman's scant characterisation.

In conclusion, where Chomsky succeeded with 'Holocaust', he fails with 'Inside the Third Reich.' The former boasted compelling characters whom one cared for, wrapped inside an engaging, poignant story. The latter is more like a summary of a book written by a student who didn't particularly care for the course they were on. Lacking the nuance or insight so prevalent in Albert Speer's book of the same name, the film disappoints. Although the visuals, score and supporting performances are commendable, both Rutger Hauer's performance as Albert Speer and the film around him are forgettable. A shame, considering the subject is one that one should never forget.

this is a 4 hour mini-series dealing with the life of Hitler's architect Albert Speer, Derek Jacobi does a fine job as Hitler and the film encompasses all 12 years of the 3rd Reich. People interested in the world war 2 years will surely find this movie interesting. I highly recommend this film as it gives the viewer a real inside look at the regime of Hitler and all his cohorts. The whole cast does a good acting job and the viewers get to know the 3rd Reich inner circle members in all their infamous glory. there are a few other movies dealing with this subject but this one is superior to the others. The movie is never dull and can really give the casual person who knows little about the era a sense of what things were like back in 1930's and 40's Germany.

Rutger Hauer brilliantly plays the Nazi architect Albert Speer in a made for tv movie based on his memoirs. Being based on Speer's memoirs obviously Speer is presented in a better light than the other nazi heads of power, but the drama is evenly balanced and indeed interesting. 6 of 10

Written by Speer to cover his crimes. Speer should have been hanged with the other war criminals. His efforts prolonged the war, resulting in millions of additional deaths. This is a bad movie because it allows a lying cover up. It is irresponsible for film makers to represent criminal behaviour as something less than it was/is.

Speer gambled that taking blame for Nazi crimes would save himself from the gallows. The prosecutors and judges at Nuremberg were taken in by crocodile tears shed by a monster. Slaves in factories run by Speer died in thousands under inhuman conditions. Speed's wife WAS NOT an ardent anti-Nazi as she appears in this film.

He DID work against Hitler to spare German basic services, but that's not saying much considering that it was about all gone by the end of WW II.