Vittime di guerra

Although Platoon may have gotten more acclaim, by far the best film on the Vietnam War is this one. Casualties Of War is going to leave Platoon way in the dust when history has its verdict.

Though Sean Penn's got several great films to his credit, by far this is the best work of Michael J. Fox on the big screen. His soldier with a conscious who can't live with himself after witnessing an act of barbarity that the other men of his squad commit should have brought him an Oscar nomination. In fact there could have and should have been a few of them for this film.

Fox plays a young soldier only a few weeks in Vietnam. On patrol Sergeant Sean Penn saves his life, but then on a second patrol because Penn and friends could not get leave to bleed the lizard as they say, they kidnap a young Vietnamese woman and take her on patrol. All the men on the patrol, Penn, Don Harvey, John C. Reilly, and John Leguizamo all gang rape the girl, but Fox refuses. Later on he's got a crisis of conscience.

Kids who grew up on World War II movies and westerns with clearly defined good and bad guys were ill prepared for a war in Vietnam. So was our government which had been involved in more or less degree since the end of World War II and the breakup of French Indochina. The subtleties of the regional politics eluded our policy makers in Washington. It was mighty hard to tell who was a friend and who was an enemy. You treated anyone with a yellowish pigmentation and slanted eyes as an enemy, the only friends you knew were the ones wearing the same green jungle fatigues as you were.

The war twisted Penn and Harvey. Leguizamo and Reilly were essentially followers, only Fox who hadn't been there long enough to have his sense of morality impaired could see this was all wrong. That's the frightening part of Casualties Of War. None of the four could see anything wrong, even Leguizamo who sees his first duty as to stick with the guys who have your back in the field.

As good as Fox and Penn and the rest of the Occidental cast is, the best performance in the film is Thuy Thu Lee. As the bewildered and frightened young girl she will positively break your heart with her one and only film performance.

Casualties Of War was shot in Thailand so we're seeing actual Southeast Asia locations. Brian DePalma's direction of his stellar cast is right on target. Don't ever miss Casualties Of War about the ultimate Vietnam experience.

Based on a true story, the arrogant sergeant (Sean Penn) of a 5-man squad on a reconnaissance mission in Vietnam in November, 1966, decides to kidnap a Vietnamese farm girl for some "portable R&R" because it would be "good for the morale of the squad." But PFC Eriksson (Michael J. Fox) refuses to participate and fears being "killed In Action" for dissenting.

"Casualties of War" (1989) separates itself from other Vietnam War movies by focusing on the incident at hand, including the build-up and aftermath. Its uniqueness is augmented by Brian De Palma's slightly off-kilter style. The picture balances the beauty of the location and the artistry of Brian De Palma's filmmaking with the horror and ugliness of war & rape.

It's also realistic and compelling while simultaneously being mundane, which is why some viewers might find it boring. In other words, this is more of a gut-wrenching war drama with some action than a typical war flick with explosions and action thrills galore. It fairly closely follows the real story; Google Incident on Hill 192 for details.

The movie runs 1 hour, 59 minutes, with the original Theatrical Cut being 6 minutes shorter. It was shot in Phang Nga, Kanchanaburi & Phuket, Thailand, and Dolores Park, San Francisco, California.

GRADE: A-/B+

CASUALTIES OF WAR

Aspect ratio: 2.39:1 (Panavision)

Sound format: 6-track Dolby Stereo

(35mm and 70mm release prints)

During a routine field trip at the height of the Vietnam War, a young soldier (Michael J. Fox) rebels against his commanding officer (Sean Penn) and other members of his patrol when they kidnap a defenceless Vietnamese girl (Thuy Thu Le) and subject her to a terrifying physical ordeal.

Unfairly overshadowed by the simultaneous theatrical release of Oliver Stone's pompous - but still impressive - BORN ON THE FOURTH OF JULY (1989), Brian DePalma's CASUALTIES OF WAR recreates a harrowing incident from the Vietnam conflict - first reported in 'New Yorker' magazine in 1969 - in which a group of otherwise decent men succumbed to their own worst impulses and committed a terrible crime. Filmed with typical cinematic bravado by master craftsman DePalma, the movie uses every inch of the scope frame to convey both the duality of the landscape (vast swathes of breathtaking countryside, where sudden death lurks around every corner) and the moral vacuum which stretches the two central characters (Fox and Penn) to breaking point. Crafted with blistering simplicity by screenwriter David Rabe (himself a Vietnam veteran and author of the acclaimed stageplay 'Streamers'), the soldiers are depicted as brave individuals whose principles are shattered by their traumatic combat experiences, leaving Fox to essay the role of peacemaker in a world where all the rules have been turned upside down. Thuy - a model with no prior acting experience - is truly heartbreaking as the soldiers' terrified prisoner, and her ultimate fate is so horrific (arguably the most disturbing set-piece of this director's entire career), many viewers will be too appalled to see the film through to its inevitable conclusion. All in all, this uncompromising drama emerges as one of DePalma's strongest films to date.

If there's a moral to this story, aside from all the basic ones, its that a lot of casualties of war are because boys are sent in to fight for causes they only know a little about. In this case, Michael Fox plays a boy who, more than any other movie ever made, has to grow up in a hurry. He is part of a fighting unit which has gone loco, thanks mostly to two insane members. The five man unit kidnap a young girl in order to rape and kill her. Fox does all he can to stop it, as a boy who is a member of a respected group. During the movie, Fox realizes he must be more than that to stop the maniacs. He realizes the maniacs will never stop. In essence, he becomes a man, which alienates him from the numerous maniacs in charge, which is the real problem. Excellent writing and production. And one of the best realistic yet Hollywood endings of all time.

This is a true story of what happens in war when morality and ethics are tossed aside. The killing that is involved in war gets mixed up with murder, bigotry, and revenge in this factual horror story.

Fox is excellent as the naive but ethical young man exposed to a "Nobody cares" atmosphere in the midst of war. The film not only shows what can happen to human beings when they let go of any sense of conscience, but it is also a metaphor of the amoral mentality that was behind the Viet Nam conflict and its aftermath.

The struggle depicted here is between going along with the group or maintaining one's own integrity. Are there rules of war? Are there rules of living? These are the profound questions which underlie the action in this disturbing film.