Un urlo dalle tenebre

Richard Conte picks up one last easy paycheck before checking out for good in his last film. Conte fans should probably be warned right away that the man himself doesn't show face until one hour and seven minutes into proceedings, but don't write off the film because of that - there's plenty of stupidity here to keep you going before Conte shows up.

Now, this Exorcist rip-off establishes its plot in a series of flashbacks so it takes a bit of patience to figure out why the film has seemingly jumped to the young guy tied to a bed talking like the singer of Cannibal Corpse. All of this seems to involve young Peter being drawn to a medallion lying in a river by a naked redhead that sends him mental and driving away his childhood sweetheart. Peter by the way sports a massive mullet and can act about as well as a discarded sock lying in the central reservation of the M5.

Peter starts acting a bit strange and when the redhead turns up in his room she prompts him to slash her throat, which causes his girlfriend's throat to be cut even though she's miles away in a disco giving it laldy on the dancefloor. This prompts a series of events where Peter himself tries to do away with family members or he turns into the redhead and does the same. This has got something to do with Franco Garofalo holding some sort of orgy years prior to this which is explained by a priest but by this point I was wondering when Richard Conte would show up.

Basically, this film takes scenes from the Exorcist (moving beds, swearing, spewing up, etc etc) and inserts rampant nudity and sleaze in between. At one point Peter even tries to shag his own mum, then his sister! That's the kind of romantic subplot you need in a film like this. It's bizarre how people's opinions differ massively on these Exorcist rip off films - some say this is the worst, but it's far from boring, and yet others say Beyond The Door is most boring, and I thought that one was the best.

This is pure Italian trash by the way so if you don't like that stuff, forget it. Richard Conte's last film too - he had a fatal heart attack the same year this was released.

The infamous Zodiac killer went on record in 1973 in a letter to the San Francisco Police Department where he/she/it stated that "The Exorcist is one of the funniest satirical comedies ever made." I wonder what they would have thought of NAKED EXORCISM, an Italian made clone that stars Eddie Munster as a troubled young man with latent designs on his MILFish hottie mom, a taste for pretty young nuns with nice perky breasts and a penchants for wandering around the house naked.

Made by two directors nobody has ever heard of before and culling many of THE EXORCIST's most infamous moments for effect, the film has retained the ability to amuse for decades beyond the time when William Freidkn's movie lost most of it's ability to shock. Eddie Munster finds an ancient amulet while out wandering through the woods one day with his camera taking pictures of Euro Horror Sex Sluts that aren't really there, and slowly starts to fall under the influence of an ancient Pagan Sex Cult that practiced satanism back in the 15th or 16th century. We see glimpses of their orgies in historical flashbacks that include images of human sacrifice, lesbian sex and idol worship, and wonder where Rob Lowe is in the picture.

Is he crazy or is he possessed? the film wants us to ask ourselves, and then goes out of it's way to show us that Eddie's new fondness for barking out vile obscenities to those who love him is in fact demonic in nature. Meanwhile his attractive late 30/early 40-something mom is starting to wear more revealing nightgowns, the Euro Horror Sex Slut starts to appear nude in Eddie's bedroom, and a hot young nun with a fantastic rack moves into the house to try and curb his growing fondness for wandering around the house naked, either in his own form or that of the nude female succubus which has possessed him. This leads to various sadisto-erotic lesbian encounters with both the nun and mommy, assorted deaths and eventually Eddie is tied to his bed and an Exorcist is called in.

He is played by Richard Conte, a fixture on Italian genre cinema at the time, most notably appearances in Italian Police/Crime thrillers like MILAN CALIBRE NINE, and it is amusing to note that he plays more or less the same character albeit armed with a priest's frock & a bible instead of a small machine gun. The scene where Conte arrives at the airport and ominously stalks into Eddie's house reminded me of a Spaghetti Western when the professional hired gun strolls into town to confront the wicked and dispense justice, but then again I have been on a Spaghetti Western kick and may just be projecting. The main difference is that the bad guys in Westerns never hurl dressers and chairs at their opponents while rocking about in a bed, spewing liquefied cranberry sauce from special effects hoses and made up to look like Marilyn Manson. Eventually the young nun goes all Jason Miller on the succubus, offering herself instead of Eddie for eternal damnation, and with a rack like hers you can't blame the harlot from Hell for taking her up on the offer.

The bottom line here is that demonic possession movies are absurd in the first place, and once you get down to the brass tacks this one is no better or worse than any of the others. If anything you have to admire the Italians who made this for being honest about their intentions to make a skin flick disguised as a horror film rather than allow the polymorphously perverse nature of the genre formula to exist merely as suggestive, shadowy Freudian references involving little girls ... eww. If you can suspend your disbelief and watch the movie drunk it's actually kind of a hoot, with ample nudity, some interesting gore sequences, perverse sexual juxtapositions and a groovy little musical score.

But if you go into this expecting something profound, shocking or revelation-inducing you are wasting your time. This is a horror movie not a documentary on global warming, you don't have to take it seriously and you are allowed to let it turn you on. It is garbage, trash, and knows that about itself. I found the honesty and self-awareness to be quite refreshing, and wonder when it was that nuns stopped being so hot.

4/10

This is one of your more blatant Italian "Exorcist" rip-offs. The main difference between this and the original model though (besides the criminally low budget and incompetent film-making) is that the possession here involves an adolescent boy rather than adolescent girl. The devil takes the form of a voluptuously naked, red-headed witch, who the boy first spies while taking pictures of a waterfall. Later when she shows up in his room, he does what any normal teenager would do when confronted by an attractive and willing woman--he tries to strangle her! Then he slashes her throat with a knife which somehow causes his tease of a girlfriend to drop dead miles away where she's frugging to bad music in a disco. Finally, the witch takes control of the boy and uses him to go after his mother and his sister (who's a nun) in quasi-incestuous/quasi-lesbian scenes that only the Italians could (or would) perpetrate. It turns out the witch actually had a relationship way back during the Inquisition with an ancestor/previous incarnation of the sister(they're played by the same actress anyway), and she somehow "impregnated" this ancestor with a devil child, who was spared the latter's burning at the stake. This plot-line is summarily dropped, but it does allow the movie to rip-off Mario Bava's "Black Sunday" as well as "The Exorcist", and even more importantly, it allows for lots of scenes of satanic orgies and that old Italian favorite--hot, naked nun sex!

With the exception of the most famous (and most boring)of them, "Beyond the Door", all of these Italian "Exorcist" knock-offs added a lot of sex into the mix. Some are satanic movies with sex ("The Antichrist", "Damned in Venice", "Ring of Darkness") while others could be better describe as sex movies with a little satanism ("The Eerie Midnight Horror Show", "Malabimba"). This movie is roughly half and half with a lot of nude scenes by the sister, the mother, and obviously the witch. This might keep heterosexual male viewers, at least, from slipping into a boredom-induced coma. The movie really suffers, however, from a lack of name or even recognizable actors. Richard Conte collects an easy paycheck by showing up at the very end as the exorcist. Partizia Gorzi, who plays the sister/nun, was in the giallo "Crazy Desires of a Murderer", and also played another ill-fated woman in Joe D'Amato's sleaze classic "Emanuelle's Revenge".

I'd definitely recommend this to all the Italian devil movie completists out there--but that might be tantamount to recommending it to myself. As for everyone else, uhhh. . .

Elo Pannacciò's "Un Urlo nelle tenebre" aka "Cries & Shadows" (1975) is another Exorcist rip-off from the Italian continent, by a director who was totally unknown to me before (and is likely to remain so, too!). There are bad bad films and good bad films, and I'm glad to say this makes it more to the latter part, due to its incredible badliness that makes some of the stupidest efforts of Italian / European exploitation cinema look very convincing. I mean mostly the acting of the possessed protagonist teen; rarely have I seen anyone expressing his emotions of "fear", "hatred", "blasphemy" and so on more unconvincingly and amusingly! Just look at his eyes and how much he tries in every scene! The film runs 82 minutes in PAL version (from Luminous, if anyone knows about possible cuts, please contact!) which is not bad for a film like this and I managed to sit through it very well. The Devil worshipping scene at the beginning of the film is rather funny, with huge, inverted and red pentagram on the wall and bunch of people around the "sacrifice." There's some of the usual nunsploitation/exploitation elements on display, like the group sex orgy and some gore, but compared to some other films of the time and genre, this is surprisingly tame and goreless. I hugely recommend Renato Polselli's "The Reincarnation of Isabel" which is among the sleaziest demonic b-films of the seventies.

There is one thing I find especially amusing in "Cries and Shadows". When the Devil inside the character starts to speak to the exorcist and another people around him, he screams "I live by your lies!!" and the like which makes me wonder how can he be in physical existence in the first place, if the writer suggests the religion He originates from is only lies? Maybe I really shouldn't think about it any more, but it managed to make me smile for the rest of the film! I recommend not to waste too much time or money to track this rather rare and unknown title down, but if you do, some juicy laughs are guaranteed to follow. I promise!

"I hate you" screams possessed teenager Peter at the beginning of Naked Exorcism. It's a particularly ineffectual insult, hardly the most profane language to come from one affected by a malevolent demonic force, but then this Italian The Exorcist rip-off is weak in so many ways.

Director Angelo Pannacciò goes through the possession movie motions, as Peter finds a Satanic amulet and wears it as a lucky charm, only to fall under the power of an evil spirit as a result. The lad develops a mild case of potty mouth, fires a champagne cork at his girlfriend Sherry (a dick move, but not exactly the work of the devil), and appears to his mother and sister as the maniacal woman whose spirit now possesses his body. This is interspersed by footage of a Satanic ritual, those in attendance writhing on the floor in orgiastic bliss.

The woman who possesses Peter also causes the death of Sherry, and pushes his mother down the stairs, driving his sister Elena (Patrizia Gori), a nun, to arrange for an exorcist (Richard Conte) to pay a visit. The final twenty minutes consists of the usual flying ornaments, rotating furniture, vomit spewing, and more vile taunts, including such 'offensive' remarks as "Go away!", "I spit on you and all your mumbo jumbo", and "Go lick your master's feet".

Eventually, the evil spirit is driven out of Peter, only to enter the body of Elena, who does a 'Karras' and throws herself off a precipice.

2.5/10, rounded up to 3 for IMDb. Not scary, occasionally unintentionally funny, with lots of nudity but absolutely no originality.