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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA young girl becomes possessed by a woman from a witches cult, who seeks vengeance, terror, and confusion around her family and the town folks.A young girl becomes possessed by a woman from a witches cult, who seeks vengeance, terror, and confusion around her family and the town folks.A young girl becomes possessed by a woman from a witches cult, who seeks vengeance, terror, and confusion around her family and the town folks.
Julián Mateos
- Father Juan
- (as Julian Mateos)
Marián Salgado
- Susan Barnes
- (as Marian Salgado)
Ángel del Pozo
- Mr. Barnes
- (as Angel del Pozo)
María Kosty
- Esther
- (as Maria Kosti)
Julia Saly
- Helen - Barnes' Maid
- (as La Pocha)
Concha Gómez Conde
- Mother of the kidnapped child
- (as Concha Gomez Conde)
Montserrat Prous
- Nurse
- (as Monty Prous)
Recensioni in evidenza
It's another Exorcist rip-off, but then who cares because it's a pretty entertaining one too. Fernando Sancho fans please note: He does not eat any chicken in this one.
A creepy old woman desecrates a church, steals a chalice, and probably lays a cable on the floor on the way out, causing more problems for an overstretched police force who are trying to track down a kidnapped baby. The young priest in charge of the church is disturbed and thinks that its the work of satanists, whereas the police think it's some young people who are bored with drugs and sex. Good thinking, coppers!
The old woman is the head of a satan worshipping cult and is quickly arrested by the police (which is confusing considering what they were just saying). Turns out the old witchy woman has also kidnapped the baby and wont talk, throwing herself out of a window while her second in command curses the police (including the eighties band led by Sting). Curses, eh? Better keep an eye on that young girl that's the daughter of a local judge - she looks like a typical possible possession case.
What unfolds is kind of like The Exorcist as the girl starts cussing everyone left right and centre, spouting out their secrets, making door handles move on their own, writhing about the floor and turning the top half of her body round the wrong way. You get the usual science/religious conversations from the parents/priest/police/psychiatrist involved, but there are a good few differences that set this one apart.
For one thing, there's an entire sub plot regarding a relationship the priest had with a girl before he became a man of the cloth. I know folks take breakups bad sometimes, but this girl becomes a drunken hussey and blames everything on him! She doesn't stop there either, which i guess sets up the priest for one of those 'crisis of faith moments' near the end of the film.
What's also creepy is the little girl transforming into the old woman (while still being a little girl) and getting all murderous on the population. Reagan out the of the Exorcist just lay in bed waiting for victims - this kid goes out and cuts their tallywhacer off. That would give the impression that this film is gory by the way. It's not at all.
I put this up near the top of the Exorcist rip-off pile. There's an effective burning sequence, the girl climbing down the side of a building, and all sorts of devilly jazz.
A creepy old woman desecrates a church, steals a chalice, and probably lays a cable on the floor on the way out, causing more problems for an overstretched police force who are trying to track down a kidnapped baby. The young priest in charge of the church is disturbed and thinks that its the work of satanists, whereas the police think it's some young people who are bored with drugs and sex. Good thinking, coppers!
The old woman is the head of a satan worshipping cult and is quickly arrested by the police (which is confusing considering what they were just saying). Turns out the old witchy woman has also kidnapped the baby and wont talk, throwing herself out of a window while her second in command curses the police (including the eighties band led by Sting). Curses, eh? Better keep an eye on that young girl that's the daughter of a local judge - she looks like a typical possible possession case.
What unfolds is kind of like The Exorcist as the girl starts cussing everyone left right and centre, spouting out their secrets, making door handles move on their own, writhing about the floor and turning the top half of her body round the wrong way. You get the usual science/religious conversations from the parents/priest/police/psychiatrist involved, but there are a good few differences that set this one apart.
For one thing, there's an entire sub plot regarding a relationship the priest had with a girl before he became a man of the cloth. I know folks take breakups bad sometimes, but this girl becomes a drunken hussey and blames everything on him! She doesn't stop there either, which i guess sets up the priest for one of those 'crisis of faith moments' near the end of the film.
What's also creepy is the little girl transforming into the old woman (while still being a little girl) and getting all murderous on the population. Reagan out the of the Exorcist just lay in bed waiting for victims - this kid goes out and cuts their tallywhacer off. That would give the impression that this film is gory by the way. It's not at all.
I put this up near the top of the Exorcist rip-off pile. There's an effective burning sequence, the girl climbing down the side of a building, and all sorts of devilly jazz.
Demon Witch Child is Amando de Ossorio's answer to The Exorcist. It involves an evil witch who is killed and later takes possession of an innocent little girl to continue her misdeeds. Most people are aware of de Ossorio through his Blind Dead movies. To be honest, I didn't realize he had other horror outings. So this was a surprise to me when I picked up a "Grindhouse" box set which featured Demon Witch Child. After viewing it, I wish I still didn't know de Ossorio made other films. Not only is it a terrible film, but it is also on the boring side. A cardinal sin in my book. It never once shows the promise or atmosphere that Tombs of the Blind Dead had. Unfortunately, I still feel that de Ossorio is an overrated director.
Amando de Ossorio will probably always be my Spanish horror-hero because he made the utterly amazing "Blind Dead"-quadrology and also the even more amazing (but sadly obscure) "Lorelei's Grasp". His horror films, even the less good ones, are hugely atmospheric and often manage to come across as genuinely creepy even though the subject matter is far-fetched and implausible. This theory works for "Demon Witch Child", too. The film itself isn't impressive and certainly not very original. A young girl possessed by satanic forces that cause her to speak foreign languages and make her body to float in thin air? Now, where have we seen that before? Yes, this basically is the umpteenth European imitation of William Friedkin's "The Exorcist" but, please, don't allow this to spoil the fun. It's an adorably weird exploitation effort, with quite a collection of deranged characters and inexplicably compelling sub plots. In a quiet little community, a gypsy woman is suspected of kidnapping infants and commits suicide by jumping out of the police station's (closed) window. She avenges herself by using her witchcraft powers to possession over the eminent politician's nine-year-old daughter. In this younger body, the old witch can carelessly continue sacrificing newborn children to Satan
Her concerned father and nanny call in the help of a young priest, but he's in the middle of being stalked by a girl who can't accept that he chose God over her. This last part describes a completely irrelevant but entertaining sub plot, by the way. Believe it or not, but the scariest thing about this movie is the young actress who plays Susan! And not even during the sequences where the gypsy witch possesses her soul! No offense to her, but Marián Salgado looks almost naturally uncanny and definitely NOT like an innocent schoolgirl! The elderly actress who plays the actual witch looks pretty creepy too, but at least she was supposed to have this effect. Sadly enough, "Demon Witch Child" disappoints in the gore department. There's no exploitative bloodshed and Amando de Ossorio only hits at gruesome events, like a castration and a brutal baby killing. Perhaps the lack of budget is to blame, but that sure didn't stop our director when he made the "Blind Dead" movies. The possession-effects are nice and cheesy and the eerie music is very efficient. Personally, I have a weakness for shameless rip-offs (I usually enjoy them even more than the real thing) but most horror fans will likely enjoy this film, as long as they're not too demanding.
An old hag kidnaps a baby as an offering to Satan from her gypsy witch coven. The authorities, under pressure from their commissioner, bring her into custody, and during an interrogation she leaps from a window to her death. The commissioner is hence cursed by her gypsy "family", and soon his pretty daughter becomes host to the old hag's evil spirit. As one might expect, she starts talking like a trucker, slapping her mother, and taking to an overall Regan Macneil-ish nastiness(which, in this case, includes a castration wherein we find her skipping about gleefully with a bloody, floppy dong in her paw). Before long, she undergoes a physical transformation into something resembling a child with Rapid Aging Syndrome.
DEMON WITH CHILD/THE POSSESSED is generally noted as a kenspeckle Spanish Xerox of THE EXORCIST, though it does have a few small marks of intrinsic distinction. Despite the poor dubbing and intermediate production values, a macabre atmosphere is retiringly maintained which saves the film from buckling over completely...but barely.
In toto, this is a nominal treadmill chiller, but I can't say I found it a regrettable watch, or even that I wouldn't possibly watch it again.
4.5/10
DEMON WITH CHILD/THE POSSESSED is generally noted as a kenspeckle Spanish Xerox of THE EXORCIST, though it does have a few small marks of intrinsic distinction. Despite the poor dubbing and intermediate production values, a macabre atmosphere is retiringly maintained which saves the film from buckling over completely...but barely.
In toto, this is a nominal treadmill chiller, but I can't say I found it a regrettable watch, or even that I wouldn't possibly watch it again.
4.5/10
These kind of movies are usually dismissed as "Exorcist" rip-offs, which is not entirely accurate as they often lacked the budget and talent to "rip-off" a mega-budgeted Hollywood spectacle like "The Exorcist" even if they wanted to. What they really did was take advantage of all the notoriety and publicity surrounding the American film to make something that usually wasn't any good, but was often a lot more original than they have been given credit for. An old gypsy witch is accused of kidnapping a baby. After she dies in custody, her daughter arranges for her soul to possess the neglected young daughter of the local magistrate. Like Ravin in "The Exorcist" the possessed young girl floats in the air and starts speaking in foul-mouthed, adult voices, but she is also far more active, leading the sacrifice of the kidnapped baby to Satan, and luring the male lover of her governess to a park where she kills him,castrates him, and gives his genitalia to his poor girlfriend as a present! Her eventual exorcist meanwhile, like Father Damien Karras, is a local priest facing a crisis of conscience, but a far more ridiculous one--a woman he earlier jilted for the priesthood has become a prostitute.
I, in no way, want to imply that this is a good movie. Amando Ossorio has become somewhat of a cult director, but while he may handle atmospheric horror well in his "Blind Dead" series (or even the much-maligned "Night of the Sorcerers"), he is well out of his element here with this kind of more visceral horror. The script is (obviously)very stupid, the special effects are generally inept, and the atrocious English dubbing makes the whole thing completely risible. The movie should be commended though for its originality (relatively speaking)and its sheer audacity (the infanticide, the castration etc.). Most of the objectionable material, it should be said, is done off-screen (probably more due to budget limitations and censorship than good taste), but it unusual to broach such disturbing subject matter at all in a commercial film. The make-up on the little girl is also pretty good, and is aided greatly by the fact that the young actress looked pretty creepy (and a lot like the old witch) to begin with.
So does all this add up to a recommendation? Well . . . I guess if you like these "Exorcist" rip-offs like I do, you could do worse.
I, in no way, want to imply that this is a good movie. Amando Ossorio has become somewhat of a cult director, but while he may handle atmospheric horror well in his "Blind Dead" series (or even the much-maligned "Night of the Sorcerers"), he is well out of his element here with this kind of more visceral horror. The script is (obviously)very stupid, the special effects are generally inept, and the atrocious English dubbing makes the whole thing completely risible. The movie should be commended though for its originality (relatively speaking)and its sheer audacity (the infanticide, the castration etc.). Most of the objectionable material, it should be said, is done off-screen (probably more due to budget limitations and censorship than good taste), but it unusual to broach such disturbing subject matter at all in a commercial film. The make-up on the little girl is also pretty good, and is aided greatly by the fact that the young actress looked pretty creepy (and a lot like the old witch) to begin with.
So does all this add up to a recommendation? Well . . . I guess if you like these "Exorcist" rip-offs like I do, you could do worse.
Lo sapevi?
- QuizBecause Linda Blair was dubbed by Marián Salgado in the Spanish version of L'esorcista (1973), director Amando de Ossorio cast Salgado as the lead in his answer to the successful American horror movie.
- BlooperAs the demon child levitates out of her bed, 2 wires are seen and bumps on the girl's nightgown where they attach to the halters.
- Curiosità sui creditiThe same opening scene runs twice under the opening credits.
- ConnessioniReferenced in Rewind This! (2013)
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