Cleopatra Jones: licenza di uccidere

Tamara Dobson plays the title character, the best dressed United States Agent in the history of cinema. She's on a quest for justice and for burning down poppy fields.

Her rival is Mommy, played by Shelley Winters, who gives a subtle, restrained perf...naw, I'm fooling ya, she's re-defining over-the-top as she GNAWS on every single piece of scenery, all in a variety of Eva Gabor wigs. Seeing her rub the bottom of her young girlfriend, and then get her feet rubbed by the same girl...I wasn't sure if I was going to vomit or thank the movie gods that created this.

Plot is virtually unimportant as Cleo battles the fuzz, Antonio Fargas and anyone who gets in her way. Movie is vintage fun and it was nice to see Esther Rolle in a small part. 6/10.

One thing's for sure - Tamara Dobson is very very cool in the title role of Cleopatra Jones, the sexy heroine of this satirical blaxploitation flick. That being said, Cleopatra, a Special Agent who fights drug lords and other bad guys in a fire-spitting black corvette, is the only true reason to watch "Cleopatra Jones" of 1973. Apart from the cool heroine the film has not very much to offer, as it is simply not as explicit and exploitation-style as most blaxploitation-highlights of the time, such as "Coffy" and "Foxy Brown" starring the incomparable Pam Grier, for example. Sure, the film has a cool heroine, funky music, action and lots of funny moments, but when I am about to watch a film often labeled as a blaxploitation classic I expect a little more. Namely - a little more violence and sleaze.

Take "Coffy", for example - one of the greatest blaxploitation movies ever made, one of the coolest heroines ever, played by the great Pam Grier, loads of sleaze, brutal violence, and one out of two words is the F-Word. The main weakness of "Cleopatra Jones" is that it is an blaxploitation movie without most of the elements that make exploitation interesting, probably because it was intended for wider audiences. OK, there is some mild violence and some mildly crude language occasionally, but explicit violence, as well as nudity, sex and F-Words were avoided. Not that I need these elements in any movie I see, but for blaxploitation flicks from the 70s they're mandatory, in my opinion.

The film is very satirical, however, the villains are simply ridiculous (and most of them quite annoying). Funnily the main villain, a very annoying, but also somehow funny white drug-queen called "Mommy" is played by the great Shelley Winters. Blaxploitation regular Antonio Fargas and Bernie Casey, as well as some others also fit in their roles quite well. The main reason, to watch "Cleoatra Jones" is Tamara Dobson however. Dobson is certainly not nearly as unforgettable as the great Pam Grier in her many blaxploitation roles, but she still makes a great, sexy and super-cool blaxploitation heroine, and that alone makes the movie worth the time! The film is overall pretty funny, and a highly entertaining time-waster. If you're looking for truly great blaxploitation cinema, however, go for films like "Coffy" or "Foxy Brown".

Needless to say, my favourite Quentin Tarantino film is 'Jackie Brown'. I enjoyed the action, and Tamara Dobson was gorgeous (I can't believe she was 6'2"! Wow!). I wish she had done more movies, and hadn't died so young (at age 59, of pneumonia and multiple sclerosis). Though director Starrett (who died even younger, of kidney failure) mainly did TV work, I loved his 'Race with the Devil', which was from around this time. He was very good at these kind of films, at both presenting action set-pieces and building suspense.

I would like to see ALL of these 'urban action' films. Though from my movie-watching experience, I find that I tend to prefer films from before 1970, these films from the 70's are great too, and are a lot more enjoyable to me than most films I see today.

I sincerely hope that, like in 'Cleopatra Jones', the filmmakers of today could concentrate on actors' presence and stunts, rather than simply go with CGI. I for one would be a lot happier as a cinephile.

"Cleopatra Jones" was one of the first "blaxploitation" movies that I ever saw back in the '70s. Tamara Dobson plays Cleopatra Jones, a government agent that must crack a drug ring run by Mommy, Shelley Winters. This movie has a nice pace, and looks like it had a fairly big budget for this genre. Tamara plays the role flawlessly and with style. Some of those fashions! I am surprised she could do some kung-fu fighting with those killer platform shoes on. The other thing that stands out in my mind about this movie is Cleo's sexy corvette, complete with a cassette deck! This was state of the art back in '73 for most cars came with the standard AM radio, or if you wanted to, you could upgrade to 8-track! Shelley Winters is funny and over-the-top with her role as Mommy, the Queen of drug trade. Her performance just adds to the campy appeal of this movie. The supporting cast do well too, and round out this made-for-drive-in classic! The DVD is very basic with no extras, however, it is presented in it's original "cinemascope" aspect ratio. The print looks good, and clear. I am glad that this movie is available on DVD, for it's an enjoyable taste of the '70s!

'Cleopatra Jones' is one of my favourite 1970s exploitation movies. While technically blaxploitation it bears very little resemblance to the grittiness and relative realism of 'Shaft', 'Superfly' or 'Black Caesar'. It is closer to 'Black Belt Jones' meets James Bond, especially the spectacular opening sequence in Turkey. If you don't take it too seriously this is fantastic fun.

Tamara Dobson is beautiful, sassy and kick ass as Special Government Agent Cleopatra Jones, enemy to drug pushers everywhere. Her lover's (Bernie Casey - 'Never Say Never Again') half-way house is under threat of closure after a dubious drug bust. Cleo suspects the involvement of a crooked cop (the always menacing Bill McKinney - 'Deliverance'), and local drug big wig Mommy (Shelley Winters as a larger than life lesbian leather queen!). Mommy and her henchmen (one of which is the legendary Paul Koslo - 'The Omega Man') try everything in their power to stop Cleopatra, but hell, look at her moves! her clothes! her Afro! Who do you think is gonna win here?!

A stylish, silly and wonderfully entertaining trash classic. Directed by Jack Starrett ('Slaughter', 'Race With The Devil') and co-written and produced by actor Max Julien ('Psych-Out', 'The Mack'). 'Cleopatra Jones' is a must see for 70s buffs.