Il braccio violento della legge N°2

John Frankenheimer may be the best Director that modern Movie Lovers have never heard of. He was always ahead of His time and never compromising. This Movie is surely uncompromising. It took a well known Best Actor Performance from a Best Picture Winner and the Character, Popeye Doyle, and stripped Him of the already barely likable persona of a tough, one dimensional Cop and laid Him open for all to see. It was not a pretty picture.

Neither is French Connection II. It will have you squirming and the Second Act detox is not for anyone with expectation of a slick Action Movie. This is a gritty, dirty, unpleasant Character Study that is compelling Cinema, but not Viewer Friendly. It was taking that Seventies realism just one step further.

It has enough Action and energy to make it as a Thriller but it never lets you forget the painful pursuit of Doyle's obsession with removing H from the Street and the even deeper pain of removing it from your body. This makes this compelling and completely coarse Cinema that makes you pay the price for your Entertainment. Not the best Box-Office formula but it is the stuff of Artistic Angst.

Shipping Jimmy "Popeye" Doyle across the Atlantic to France, where he meets up with political exile director John Frankenheimer, does give this freestanding sequel to The French Connection a certain autonomy, even if the filmmakers ultimately end up sacrificing suspense and urgency along the way. The plot again revolves around heroin-smuggling led by drug kingpin Alain Charnier (Fernando Rey), but this picture only really comes alive and starts feeling authentic once it delves into Doyle's budding heroin addiction following a kidnapping. The film's best scene has Gene Hackman firing on all cylinders - drunk and in heroin-withdrawal, he alternately lashes out on and leans on his French colleague Henri Barthélémy (Bernard Fresson), and there's a riveting authenticity to Hackman's work in this and contiguous segments. And it certainly makes "Popeye" and also the film's rather predictable finale more relevant in the process.

The movie concerns on Popeye Doyle (Gene Hackman), an unorthodox New York narcotics cop investigating the flow of drug that follows the trail of the French connection . He travels to Marsaille following the foreign connection and tries to track down the eluded evil Alain Charnier (Fernando Rey) , the smuggling ring chief , who escaped from N.Y.C. There , he joins forces to the French gendarmes (Bernard Fresson and Jean Pierre Castaldi , among others) to hunt down the ringleader . Then , Popeye getaways his French escorts and goes himself into action .

The picture is the follow-up to ¨French Connection¨(by William Friedkin) but didn't achieved the same success and was a flop at box office . However , being , nowadays , considered a very good film and highly rated . In the movie there is action , suspense , violence , intrigue and a little bit of humor in charge of Popeye Doyle , as he begins to find himself as a fish out of water in France and particularly on his relationships with the French people . The film develops a certain social critical to the French habits and there's specially a banter to the Police called Gendarmerie . The motion picture has action-packed but in the intervening period when the starring ends up being abducted by Alain Charnier's henchmen , it results to be a little bit boring , with overlong scenes ; besides , quite disagreeable as Popeye is injected heroin . Gene Hackman's interpretation as the rebel and nonconformist Popeye Doyle is top-notch as well as the previous film that's why he gained deservedly an Academy Award . Fernando Rey repeats perfectly his role as the elegant and cunning nasty and the secondary casting formed by French actors are very fine . The picture was stunningly directed by John Frankenheimer. Rating : Very good and well worth watching.

Popeye Doyle is now in France to find the drug dealer. The film continues the story, this time John Frankenheimer takes the directing reins.

The film's style is not that different from the first film, it feels part of the series, not detached at all.

Gene Hackman actually gets better, he really gets more out of his acting in this one. The film is very much character driven, very little action. The Cold Turkey sequence is mindblowing. Doyle is shown as a flawed character as is Alain Charnier, this adds to the realism.

The direction is excellent, I'm glad the style didn't change too much.

The photography is less gloomy but the locations are similar to the first film.

Review: French Connection II

If ever there was a character who embodied the mantra of "too much is never enough," it's Gene Hackman's Jimmy "Popeye" Doyle in French Connection II. Hackman reprises his role with an intensity that could best be described as equal parts compelling and concerning. His relentless, almost cartoonishly excessive approach to policing makes Dirty Harry look like a yoga instructor. Popeye's antics aren't just rough-and-tumble - they're bulldozer-in-a-china-shop rough. And while this gung-ho style may have paved the way for generations of gritty cop characters, it's hard not to think that Popeye could benefit from either a few anger management sessions or a permanent holiday in a padded cell. His methods make policing in a banana republic look measured by comparison.

The film itself is a curious beast. Unlike the taut, Oscar-winning original, the sequel takes a fragmented approach, peppering the narrative with moments that feel as disconnected as Doyle himself after a few too many drinks. The cold turkey subplot, while ambitious, overstays its welcome - much like a guest who insists on recounting their detox journey in excruciating detail. Yes, it's gripping at times, but also drawn out to the point of exhaustion.

Yet, despite its flaws, there's a certain charm to French Connection II. It reflects the 1970s in all its unfiltered glory: raw, experimental, and unafraid to show its dark underbelly. And let's not forget, this was a sequel - a concept still relatively novel at the time. Its boldness deserves applause, even if its execution occasionally falters.

Ultimately, French Connection II is a reflective, uneven ride through the mind of a cop who might just be too unhinged for his own good. Entertaining? Absolutely. Timeless? Not quite. But it's an enjoyable throwback to a time when sequels were rare, and heroes like Doyle were as flawed as the stories they inhabited.