Il giorno della locusta

Many critics consider The Day of the Locust by Nathaniel West to be the best novel ever written about Hollywood. The screen version directed by John Schlesinger and written by Waldo Salt is one of the most faithful adaptations of a book to film ever made. Initially overlooked upon it's release in 1974 (to mixed reviews), it has since developed a huge cult following and is now considered to be a forgotten masterpiece of 70's cinema.

It tells the story of Todd Hackett who comes to Hollywood in the 1930's (but it might as well take place in the present) hoping for a career in set design, he soon finds that the road to success in the film industry is a difficult one and his journey takes a downward spiral as he falls in with the users and abusers of Hollywood, the desperate, disillusioned souls who, consumed by boredom and their own emptiness, search out any abnormality in their insatiable lust for excitement - drugs, perversion, crime.

Aside from top-notch direction, the film contains gorgeous (Oscar nominated) cinematography by Conrad Hall, a haunting score by John Barry, authentic period costume and art design, and outstanding performances from the entire cast. Notably: William Atherton as Todd, Karen Black (her finest role) as Faye Greener, a selfish, wannabe actress and extra, Burgess Meredith (also Oscar nominated) as her alcoholic father and former vaudeville star, and an almost unrecognizable Donald Sutherland as the sensitive, socially retarded misfit who is torn apart by those around him and triggers the films much talked about finale.

One thing is for certain, anyone who has seen the last 20 minutes of this disturbing film will never forget it. A must-see for film students, art directors, and anyone interested in the "golden" years of Hollywood.

Related reading:

Hollywood Babylon by Kenneth Anger

Play it as it Lays by Joan Didion

Less than Zero by Brett Easton Ellis

If you were lucky enough to see this astonishing film in 1975 you like I, will have never forgotten the deco Hollywood horror of DAY OF THE LOCUST, nor the queasy performances, perfectly realised.

Also at the time in cinema release on other films was one of the best movie trailers ever made. The trailer was imagery put to the song "Isn't it romantic" alerting moviegoers to a brilliantly bitter experience ahead. My friends and I rushed to the cinema the week it opened and were not disappointed. Other comments here give far too much of the story away and some hilariously 'don't get it' but let me say that of you ever want to see a cross between CABARET and WHATS THE MATTER WITH HELEN and BABY JANE and other powerhouse exercises in delusion, this is your film. The quality of the whole production, especially the art direction and the photography is the very best......and the music soundtrack is one to find...old Lps still exist and are well worth finding , as is the tape. I welcome the DVD release of this awesome film . A genuine knockout.

I finished watching this movie half an hour ago and I am still trembling, my heart still pounding. I am a great admirer of John Schlesinger and he has been one of my favorite directors since I saw Midnight Cowboy. But this just beats it all. It is the most horrifying movie I have ever seen. I am normally not a sympathizer with human characters in movies, but the end made me CRINGE. Donald Sutherland was perfect for his role and Karen Black made me feel such hate for her. There is nothing I would change in this movie. It is perfect, and beautiful, and hit with such force that I would probably never see it again, but I will remember every detail.

Superb adaptation of the Nathanael West novel, gets better with every viewing. Terrific cast and director (John Schlesinger) capture the look and feel of 30s Hollywood. Karen Black, Donald Sutherland, William Atherton, Burgess Meredith, Geraldine Page, and Billy Barty are all perfect in their roles, and all were deserving of recognition. Atherton is the new boy in Hollywood; Black is an extra with big dreams; Sutherland is the dope trying to escape his life; Meredith is a washed-up vaudevillian; Page is a miracle worker; Barty may be the smartest man in Hollywood.

Great period detail in cars, clothes, and the feel of southern California. Terrific backstage look at a studio and the politics therein. The Day of the Locust ranks as one of the best films about Hollywood in its cynical looks at glamour, fame, ambition, and movie making.

Terrific supporting cast includes good work from Richard A. Dysart, Pepe Serna, John Hillerman, Natalie Schafer, Gloria LeRoy, Jackie Haley (as the odious child actor), Bo Hopkins, Jane Hoffman, Lelia Goldoni, and Paul Jabara. There are also nice bits by old-timers like Florence Lake, Queenie Smith, Madge Kennedy, Alvin Childress, Nita Talbot, Gloria Stroock, and Ina Gould.

Among the many memorable scenes, the final sequence of the Hollywood premiere (with Dick Powell, Jr. playing his father) is just superb. Playing the excitement of the screaming crowds against the sad events across the street is just brilliant, especially when the radio announcer uses the violent noise and commotion to hawk premiere movie. Irony,sadness, futility, and lies plague all the main characters in this great story. The mob scene is the best I've ever seen. Totally unforgettable.

Karen Black and Donald Sutherland turn in great performances.

It took over 35 years and the collapse of the big studio system before anyone in Hollywood, in this case Paramount, brought Nathanael West's novel The Day Of The Locust to the big screen. That climax at a Hollywood premiere is certainly not something the studios would want to show the public as a typical event.

The book is based on West's experiences while writing B pictures in Hollywood during the Thirties and some of the characters he knew. His main protagonist is William Atherton, an aspiring artist who is making a living doing set designs. That's one competitive business and he's got to go over his immediate supervisor John Hillerman's head to get his work noticed by producer Richard Dysart. Like the rest of West's characters, he's sacrificed pride a long time ago. It's his eyes that we see the other characters through.

But he's a paragon of virtue compared to starlet Karen Black who will do anything and anybody to advance her career. Atherton would love to get something going with her, but he's mindful of how amoral she's become. Her only real attachment is to her father, an ex-vaudevillian and now door to door salesman, Burgess Meredith. Even trying to do his shtick with sales doesn't gain him clients.

But the saddest one in the lot and the fellow with the best performance is Donald Sutherland who is an outsider to the film people, a businessman named Homer Simpson who Black uses and abuses. Sutherland's performance is not too different from the hapless cartoon character. Imagine the cartoon Homer Simpson dealing with real life heartbreak and you've got Sutherland's character. The line between tragedy and comedy can be a very thin one.

Geraldine Page has a brief role as an Aimee Semple McPherson like evangelist, shamelessly bilking the Depression's downtrodden. She's great in the part as is Jackie Earle Haley, a really rotten child star of whom I'd love to know who West's model was.

The Day Of The Locust was directed by John Schlesinger who got an Oscar for The Midnight Cowboy. Like that film, The Day Of The Locust deals with some fringe people just trying to get by. Burgess Meredith got an Oscar nomination for Best Supporting Actor and the film also got a nomination for Costume Design.

Before Newton Minow referred to television as a vast wasteland. I think that's what Nathanael West had in mind in writing about his experiences in the movie capital. I'd recommend seeing the film to see how well Schlesinger put West's vision across.