I ragazzi irresistibili

I remember originally seeing this film at Radio City Music Hall when it came out. I didn't really understand the humor back then, but this movie can make me laugh out loud.

With all due respect to George Burns (RIP), Walter Matthau really deserved the Oscar for this film. His performance is amazing--given the fact that he was 20 years younger than his character, Willie Clark. His mannerisms are first-rate. ("You know what kind of songs he wrote? Sh*t!" and when speaking to the Spanish-speaking guy at the front desk: "No! No! No enchilada!!") Absolutely hilarious!

Kudos to Richard Benjamin, who played straight man to Matthau.

I just wish this was on DVD, because my VHS recording is getting a bit old.

I had no interest in seeing the remake with Woody Allen, because in no way can it match the original.

This is a ying versus yang personality clash that worked for many years on the big stage as a successful vaudeville comedy duo who were at the top of their respective games for decades but as with any good wine it will eventually go bad if left in the proverbial sun too long. Willy Clark (Walter Matthau) and Al Lewis (George Burns) begrudgingly agree at the bequest of Willy's stage manager nephew Ben Clark (Richard Benjamin) to get together for a reunion performance of their greatest comedy skits. Both aging comedians blame the other one for their eventual falling out so the feat of getting them back on the same stage is left to Willy's nephew Ben.

Willy is a crusty old "glass half empty" entertainer who likes to feel like he is the main attraction while his old comedy partner Al is a more confident and healthier "glass half full" entertainer.

The film was originally a stage production of Neil Simon and brought back to the big screen and directed with some down to earth pizazz by director Herbert Ross. It's alight hearted message that still resonates almost fifty (50) years later with the message for all old friends which is "let bygones be bygones". Most film goers were rooting for these two old octogenarian vaudeville performers to reconcile and make one big splash on the live stage.

No spoilers here. It's a warm hearted with good intentions film well worth watching at least twice. I give it a 7 out of 10 IMDB rating.

This is an amazing accomplishment for George Burns. He had not made a film for almost 40 years and had never really acted before, and yet he gave one of the most moving performances I have ever seen in a motion picture. He was the oldest performer to ever win an Academy Award for best supporting actor and I think it would behoove acting students to study his wonderful performance. Neil Simon is one of my favorite writers and I think this is his best work. Burns and Matthau make movie magic and it is a delight from start to finish to see these two old pros at work.

THE SUNSHINE BOYS was the hilarious 1975 screen adaptation of Neil Simon's play about a retired vaudevillian team, played by Walter Matthau and George Burns, who had a very bitter breakup and have been asked to reunite one more time for a television special or something like that. The problem is that the two still hate each other and want nothing to do with each other. Richard Benjamin appears as Matthau's nephew, a theatrical agent who has been given the monumental responsibility of making this reunion a reality. This warm and winning comedy is a lovely valentine to a forgotten form of entertainment...vaudeville and it works mainly thanks to one of Neil Simon's better screenplays and outstanding work by Matthau, Burns, and Benjamin. Burns won the Best Supporting Actor Oscar for this, but I think Matthau walks away with this film with his flawlessly hilarious performance as Willy Clark. Matthau was nominated for Best Actor but didn't stand a chance against Nicholson for ONE FLEW OVER THE CUCKOO'S NEST; however, in another year, this was an Oscar-worthy performance. Matthau commands the screen and there is not a false note in this beautifully timed performance. The scene where he is auditioning for a potato chip commercial and can't get the name of the product right is a classic. THE SUNSHINE BOYS is a warm and winning Neil Simon comedy which shines thanks to unbeatable chemistry between Matthau and Burns.

Simon's carefully written dialogues are truly electrified by Matthau and Burns. You can literally hear the script crackle. There are few movies out there that can develop such a relationship between the actors and the script. For example, the famed reunion scene could have been a lot duller with less-quality actors involved. Matthau seems to had been born to play Willie Clark (of course, Oscar moreso in the Odd Couple), and with all of the little idiosyncracies and mannerisms that Matthau crams into the character (the line where he is arguing that he is with it since he lives in the city whereas Lewis lives in the country that Lewis is "out of touch" is the quintessential example of this) make this one of the best performances I've ever seen of any actor in any role, be it comedic or drama or whatever else. Period. Matthau and Burns work excellently together; the contrast they portray accentuates Simon's superb knack at creating comedic conflict. This movie is simply one of the ultimate "must-sees" and does demand a rightful prestigious place in the pages of film history.